Nadat een man dood wordt aangetroffen, ontvangen vijf verschillende mensen, onder wie drie geleerden, een verslaggever en de broer van de overledene, een envelop met daarin details over een naderende invasie van een buitenaardse levensvorm. Voordat men weet wat er eigenlijk aan de hand is, blijken er nog drie van hen in leven te zijn. Er ontstaat een race tegen de klok om de ophanden zijnde invasie een halt toe te roepen.
Nee, helaas is The Second Arrival nog niet beschikbaar op Netflix in Nederland.
| Visual Effects | Graham Cunningham | VFX Artist |
| Crew | Jean Frenette | Stunt Coordinator |
| Writing | Mark David Perry | Writer |
| Production | Carole Mondello | Production Manager |
| Sound | Gary Vaughan | Sound Effects Editor |
| Sound | Norman Bernard | Boom Operator |
| Production | Andrea Kenyon | Casting |
| Crew | Louis Craig | Special Effects Coordinator |
| Camera | François Daignault | Steadicam Operator |
| Crew | Allan Trado | Stand In |
| Sound | Ned Bouhalassa | Music |
| Crew | Ronny Gosselin | Propmaker |
| Lighting | Ted William Ross | Electrician |
| Production | Claudio Castravelli | Producer |
| Production | Michael Wachniuc | Executive In Charge Of Production |
| Visual Effects | May Leung | Modeling |
| Production | Leonard Shapiro | Executive Producer |
| Production | Daniel Boudreau | Unit Production Manager |
| Crew | Joel Newman | Technical Supervisor |
| Editing | Stevie Ramone | Digital Intermediate |
| Directing | Kevin Tenney | Director |
| Art | Jean Kazemirchuk | Production Design |
| Lighting | Walter Klymkiw | Gaffer |
| Crew | Anne Élizabeth Lapointe | Stand In |
| Editing | Heidi Haines | Editor |
| Sound | Michael B. Forsey | Sound Editor |
| Crew | Charles L. Finance | Technical Supervisor |
| Visual Effects | Darren Kirkness | VFX Artist |
| Visual Effects | Scott Burton | Animation |
| Crew | Stéphane Lefebvre | Stunts |
| Production | Bernard Rodrigue | Location Manager |
| Production | Karl Archambault | Unit Production Manager |
| Sound | Timothy Muirhead | Sound Editor |
| Sound | Richard Spence-Thomas | Sound Re-Recording Mixer |
| Sound | Gary Vaughan | Sound Re-Recording Mixer |
| Crew | Arrival 2 | Makeup Effects |
| Camera | Mathieu Charest | Grip |
| Crew | Doug Campbell | Digital Effects Supervisor |
| Production | Marie-Elaine Bailly | Producer |
| Production | Daniel Boudreau | Producer |
| Camera | Corinne Joudiou | Director of Photography |
| Crew | Hans Laliberté | Driver |
| Camera | François Daignault | Camera Operator |
| Editing | Gregory Fine | Editor |
| Costume & Make-Up | François Barbeau | Costume Design |
| Crew | Mike Chute | Stunts |
| Crew | Jocelyn Simard | Other |
| Art | Judy Sharinger | Other |
| Crew | Saverio Coppola | Legal Services |
| Art | Alain Brochu | Construction Coordinator |
| Sound | Shaun Firth | ADR & Dubbing |
| Sound | Melodie Vaughan | Sound Editor |
| Lighting | Bruno Martel | Electrician |
| Production | Julie Matlin | Production Manager |
| Crew | Michel Boulanger | Driver |
| Production | Luc Bouthillier | Producer |
| Production | Jon Turtle | Executive Producer |
| Crew | Bruno Philip | Cinematography |
| Crew | Sylvain Arseneault | Sound Recordist |
| Sound | François Grenon | Boom Operator |
| Crew | Hélèna Laliberté | Stunts |
