Tegen de eeuwwisseling aan raakt bekend dat het einde van de wereld nadert. Van allerlei personen wordt getoond hoe ze met deze ondergang omgaan, om zes uur 's avonds met nog zes uur te gaan voor het einde daar zal zijn.
Nee, helaas is Last Night nog niet beschikbaar op Netflix in Nederland.
| Directing | Don McKellar | Director |
| Production | Niv Fichman | Producer |
| Production | Daniel Iron | Producer |
| Production | Diane Kerbel | Casting |
| Costume & Make-Up | Sarah Fairbairn | Makeup Artist |
| Costume & Make-Up | Lea Carlson | Costume Design |
| Writing | Don McKellar | Writer |
| Production | Joseph Boccia | Co-Producer |
| Sound | Alexina Louie | Original Music Composer |
| Art | John Dondertman | Production Design |
| Art | Kei Ng | Art Direction |
| Costume & Make-Up | Clara Dinunzio | Hairstylist |
| Production | Caroline Benjo | Executive Producer |
| Art | Patricia Cuccia | Set Decoration |
| Production | Carole Scotta | Executive Producer |
| Production | Jennifer Jonas | Associate Producer |
| Editing | Reginald Harkema | Editor |
| Camera | Douglas Koch | Director of Photography |
| Sound | Alex Pauk | Original Music Composer |
| Costume & Make-Up | Josie Licata | Assistant Makeup Artist |
| Directing | Jennifer Jonas | First Assistant Director |
| Sound | Tony Van den Akker | Foley Mixer |
| Camera | Diana Alvarez | Second Assistant Camera |
| Crew | Patrick Mark | Stunts |
| Crew | Billy Oliver | Stunts |
| Crew | Peter Szkoda | Stunt Coordinator |
| Sound | Steve Munro | Sound Designer |
| Lighting | Byrd Dickens | Best Boy Electric |
| Crew | Jody Shapiro | Post Production Supervisor |
| Sound | Ray Campbell | ADR Recordist |
| Sound | David Rose | ADR Recordist |
| Editing | Christopher Donaldson | Assistant Editor |
| Art | Michael Followes | Property Master |
| Sound | Thomas J. O'Connell | ADR Recordist |
| Crew | Edward A. Queffelec | Stunts |
| Camera | Patrick McGowan | First Assistant Camera |
| Directing | Maria Popoff | Third Assistant Director |
| Lighting | Edward Mikolic | Gaffer |
| Crew | Stephanie Keating | Unit Publicist |
| Crew | Mary Fallick | Stunts |
| Sound | Christopher Donaldson | Music Editor |
| Crew | Erin Jarvis | Stunts |
| Crew | C.J. Lusby | Stunts |
| Camera | Richard Emerson | Key Grip |
| Production | Joseph Boccia | Unit Production Manager |
| Directing | Annie Bradley | Third Assistant Director |
| Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
| Sound | David Drainie Taylor | Dialogue Editor |
| Camera | Cylla Von Tiedemann | Still Photographer |
| Directing | Trent Hurry | Second Assistant Director |
| Sound | Alan Zielonko | Boom Operator |
| Camera | Richard Ball | Best Boy Grip |
| Production | Lisa Lavorato | Production Accountant |
| Production | Robin M. Reelis | Production Coordinator |
| Costume & Make-Up | Catherine Viot | Assistant Makeup Artist |
| Directing | Oliver Olsen | Script Supervisor |
| Costume & Make-Up | Zak Baird | Assistant Hairstylist |
| Sound | Goro Koyama | Foley Artist |
| Sound | Miguel Nunes | Sound Re-Recording Mixer |
| Crew | Phil Chiu | Stunts |
| Sound | Rick Canelli | ADR Recordist |
| Sound | Dean Giammarco | Sound Re-Recording Mixer |
| Sound | Andy Malcolm | Foley Artist |
| Sound | Tim Roberts | ADR Editor |
| Camera | Robert Cochrane | Dolly Grip |
| Sound | Colin Baxter | Music Editor |
