Nadat gebleken is dat de Russische bokser Ivan Drago Rocky permanente hersenbeschadiging heeft toegebracht, is Rocky gedwongen om te stoppen. Wanneer hij thuiskomt komt hij er achter dat al zijn geld gestolen is. Rocky besluit een jonge bokser te gaan trainen. Hij kan echter niet op tegen de hoge salarissen die de jongen aangeboden worden door andere managers.
Nee, helaas is Rocky V nog niet beschikbaar op Netflix in Nederland.
Directing | John G. Avildsen | Director |
Production | Robert Chartoff | Producer |
Production | Irwin Winkler | Producer |
Sound | Bill Conti | Original Music Composer |
Camera | Steven Poster | Director of Photography |
Editing | John G. Avildsen | Editor |
Editing | Michael N. Knue | Editor |
Production | Caro Jones | Casting |
Art | William J. Cassidy | Production Design |
Art | William J. Durrell Jr. | Art Direction |
Art | John M. Dwyer | Set Decoration |
Production | Michael S. Glick | Unit Production Manager |
Crew | Lou Carlucci | Special Effects |
Crew | Joe Digaetano | Special Effects Coordinator |
Crew | Bobby Bass | Stunt Coordinator |
Writing | Sylvester Stallone | Writer |
Crew | Curtis Lupo | Stunt Double |
Writing | Sylvester Stallone | Characters |
Camera | Victor Hammer | Additional Photography |
Art | Barton M. Susman | Leadman |
Art | Charles Sertin | Set Dresser |
Editing | Robert A. Ferretti | Editor |
Editing | Trevor Jolly | Editor |
Editing | Neil Eric Wenger | First Assistant Editor |
Editing | Neil Silver | Assistant Editor |
Editing | Fran Kaplan | Assistant Editor |
Editing | Alessandra Carlino | Assistant Editor |
Editing | Douglas Brumer | Assistant Editor |
Sound | David B. Cohn | Supervising Sound Editor |
Sound | Samuel C. Crutcher | Sound Effects Editor |
Sound | Sherman Waze | Sound Effects Editor |
Sound | Stu Bernstein | Sound Effects Editor |
Sound | Allan Bromberg | Sound Effects Editor |
Sound | Harry B. Miller III | Sound Effects Editor |
Sound | Peter Michael Sullivan | Sound Effects Editor |
Sound | Julia Evershade | Sound Effects Editor |
Sound | Simon Coke | Sound Effects Editor |
Sound | Bob O'Brien | Sound Effects Editor |
Sound | Joseph Holsen | Sound Effects Editor |
Sound | Matthew C. May | First Assistant Sound Editor |
Sound | Robert Martel | Assistant Sound Editor |
Sound | Mark S. Cafolla | Assistant Sound Editor |
Sound | Judy Oseransky | Assistant Sound Editor |
Sound | Ron S. Herbes | Assistant Sound Editor |
Sound | James Beshears | ADR Supervisor |
Sound | Lauren Palmer | ADR Editor |
Sound | Renée Tondelli | ADR Editor |
Sound | Steve Livingston | Music Editor |
Sound | Ken Johnson | Music Editor |
Sound | John P. Fasal | Sound Effects |
Sound | Gary A. Hecker | Foley Artist |
Sound | Katie Rowe | Foley Artist |
Sound | Doc Kane | Foley Mixer |
Sound | Robert J. Litt | Sound Re-Recording Mixer |
Sound | Greg P. Russell | Sound Re-Recording Mixer |
Sound | Elliot Tyson | Sound Re-Recording Mixer |
Sound | Jack Keller | Sound Recordist |
Sound | David Behle | Sound Recordist |
Sound | Debra Dobb | Sound Recordist |
Crew | Terry Funk | Stunts |
Production | Laura Tateishi | Production Coordinator |
Production | Missy Pray | Assistant Production Coordinator |
Camera | Robert LaBonge | Camera Operator |
Camera | George Kohut | Camera Operator |
Camera | Michael A. FauntLeRoy Sr. | First Assistant Camera |
Camera | Peter Kuttner | First Assistant Camera |
Camera | Kathina Szeto | Second Assistant Camera |
Camera | Sam Emerson | Still Photographer |
Camera | Marty Wayne Eichman | Key Grip |
Camera | Ben Beaird | Key Grip |
Camera | Stephen V. Isbell | Best Boy Grip |
Camera | Charles Lantz | Dolly Grip |
Lighting | James Plannette | Chief Lighting Technician |
Lighting | Danny Buck | Chief Lighting Technician |
Lighting | Andrew M. Nelson | Best Boy Electric |
Lighting | Byron White | Best Boy Electric |
Production | Lori A. Balton | Assistant Location Manager |
Production | Barbara Spitz | Casting Assistant |
Production | Jack Jones | Casting Assistant |
Art | Kent H. Johnson | Property Master |
Art | Audrey A. Johnson | Assistant Property Master |
Costume & Make-Up | Barton Kent James | Costume Supervisor |
Costume & Make-Up | Carole Brown-James | Costume Supervisor |
Costume & Make-Up | Brad Anderson | Costumer |
Costume & Make-Up | Ed Fincher | Costumer |
Costume & Make-Up | Leah Brown | Costumer |
Sound | Barry Thomas | Sound Mixer |
Sound | Forrest Williams | Boom Operator |
Crew | Clement Scheaffer | Cableman |
Costume & Make-Up | Michael Westmore | Special Effects Makeup Artist |
Costume & Make-Up | Frank Carrisosa | Makeup Artist |
Costume & Make-Up | Katalin Elek | Makeup Artist |
Costume & Make-Up | Carol Schwartz | Makeup Artist |
Costume & Make-Up | Sugar Blymyer | Hairstylist |
Crew | David Fletcher | Special Effects |
Crew | Dennis Petersen | Special Effects |
Art | Donald F. Winter | Construction Coordinator |
Camera | Anastas N. Michos | Camera Operator |
Camera | Clayton J. Liotta | First Assistant Camera |
Production | Meredith Jacobson Marciano | Extras Casting |
Production | Diane Kirman | Extras Casting |
Production | Tony Dinizo | Extras Casting |
Costume & Make-Up | Jay Cannistraci | Makeup Artist |
Costume & Make-Up | Colleen Callaghan | Hairstylist |
Editing | Brian Ralph | Negative Cutter |
Editing | Phil Hetos | Color Timer |
Crew | Mark De Alessandro | Stunt Double |
Production | Michael S. Glick | Executive Producer |
Production | Tony Munafo | Associate Producer |
Directing | Clifford C. Coleman | First Assistant Director |
Directing | Hope R. Goodwin | Second Assistant Director |
Production | Janice Polley | Location Manager |
Directing | Kathryn Weygand | Script Supervisor |
Directing | Richard Wright | Second Second Assistant Director |