De zeer keurige Rebecca Warner komt thuis op de boerderij met een verrassende gast; een typische, maffe, excentrieke student genaamd Crawl. Haar ouders hebben nog nooit zo'n mafkees gezien, maar de eerste schok is nog niets vergeleken bij het gevoel dat ze krijgen wanneer Rebecca meedeelt dat ze met Crawl verloofd is.
Nee, helaas is Son in Law nog niet beschikbaar op Netflix in Nederland.
| Directing | Steve Rash | Director |
| Production | Michael Rotenberg | Producer |
| Production | Peter M. Lenkov | Producer |
| Camera | Peter Deming | Director of Photography |
| Editing | Dennis M. Hill | Editor |
| Sound | Richard Gibbs | Original Music Composer |
| Production | Cheryl Bayer | Casting |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Art | Joseph T. Garrity | Production Design |
| Production | Hilton A. Green | Executive Producer |
| Writing | Peter M. Lenkov | Story |
| Writing | Susan McMartin | Story |
| Writing | Patrick J. Clifton | Story |
| Writing | Fax Bahr | Screenplay |
| Writing | Adam Small | Screenplay |
| Writing | Shawn Schepps | Screenplay |
| Crew | Gary Combs | Stunt Coordinator |
| Production | Frederic W. Brost | Unit Production Manager |
| Directing | Jerram A. Swartz | First Assistant Director |
| Directing | Janet Van Etten | Second Assistant Director |
| Art | Pat Tagliaferro | Art Direction |
| Art | Dena Roth | Set Decoration |
| Costume & Make-Up | Valerie Zielonka | Costume Supervisor |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Artist |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Camera | Scott Browner | Camera Operator |
| Directing | Betty A. Griffin | Script Supervisor |
| Sound | Bruce Bisenz | Sound Mixer |
| Sound | Dennis C. Salcedo | Boom Operator |
| Editing | Suzanne Hines | First Assistant Editor |
| Sound | Allan K. Rosen | Music Editor |
| Sound | James Troutman | Supervising Sound Editor |
| Sound | Stuart Chasmar | Sound Editor |
| Sound | Edward Hirsch | Sound Editor |
| Sound | Denis Dutton | Sound Editor |
| Sound | Dan Molina | Sound Editor |
| Sound | Randall K. Tomlin | Sound Editor |
| Sound | Darrell Hanzalik | ADR Editor |
| Sound | Doc Kane | ADR Mixer |
| Sound | David Gertz | Foley Mixer |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Lighting | Jim Grce | Gaffer |
| Art | Barry Chusid | Set Designer |
| Art | George Stokes | Construction Coordinator |
| Production | Donald A. Potts | Location Manager |
| Production | Donald H. Walker | Production Accountant |
| Production | Frank J. Ellison | First Assistant Accountant |
| Crew | Susan Steinlauf-Pascal | Unit Publicist |
| Camera | Luke Wynne | Still Photographer |
| Crew | Thomas John McGowan | Studio Teacher |
| Crew | Kate McGregor-Stewart | Dialogue Coach |
| Editing | David Orr | Color Timer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Art | Burke Mattsson | Title Designer |
| Crew | Glory Fioramonti | Stunts |
| Crew | Miranda Garrison | Choreographer |
