Max (Chuck Norris) en Leo (Louis Gossett Jr.) worden ingehuurd om een Azteekse schat in Midden-Amerika op te sporen. Dat brengt natuurlijk de nodige avonturen met zich mee.
Nee, helaas is Firewalker nog niet beschikbaar op Netflix in Nederland.
| Sound | Gary Chang | Original Music Composer |
| Production | Menahem Golan | Producer |
| Production | Yoram Globus | Producer |
| Production | Jeffrey M. Rosenbaum | Executive Producer |
| Directing | J. Lee Thompson | Director |
| Writing | Robert Gosnell | Screenplay |
| Production | Norman Aladjem | Executive Producer |
| Editing | Richard Marks | Editor |
| Camera | Álex Phillips Jr. | Director of Photography |
| Production | Robert MacDonald | Casting |
| Production | Pablo Buelna | Unit Production Manager |
| Art | José Rodríguez Granada | Production Design |
| Writing | Norman Aladjem | Story |
| Production | Carlos Gil | Associate Producer |
| Writing | Robert Gosnell | Story |
| Art | Kleomenes Stamatiades | Set Decoration |
| Writing | Jeffrey M. Rosenbaum | Story |
| Costume & Make-Up | Poppy Cannon-Reese | Costume Design |
| Sound | Chuck Neely | Sound Editor |
| Camera | Gerardo Flores | First Assistant Camera |
| Sound | Mark Hollingsworth | Sound Editor |
| Sound | Martin J. Bram | Sound Editor |
| Sound | Zack Davis | Sound Editor |
| Sound | Fred Wasser | Sound Editor |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Editing | Grace Valenti | First Assistant Editor |
| Crew | Aaron Norris | Stunt Coordinator |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Directing | Karin Cooper | Script Supervisor |
| Art | Kyle Seidenbaum | Title Designer |
| Sound | Larry Carow | Sound Editor |
| Camera | Alfredo Ruvalcaba | Still Photographer |
| Art | Wenden K. Baldwin | Title Designer |
| Production | Enid L. Kantor | Production Coordinator |
| Directing | Russ Harling | First Assistant Director |
| Lighting | Donaciano De Anda | Gaffer |
| Costume & Make-Up | Agripina Lozada | Key Hair Stylist |
| Sound | Ted Whitfield | Music Editor |
| Camera | Juan Luna Gómez | Key Grip |
| Camera | Manuel Jiminez | First Assistant Camera |
| Editing | Mary E. Jochem | First Assistant Editor |
| Sound | Mike Dobie | Sound Editor |
| Sound | Stanley B. Gill | Sound Recordist |
| Sound | Gary Mundheim | Sound Editor |
| Visual Effects | Reyes Abades | Special Effects Supervisor |
| Crew | Sergio Jara | Special Effects Coordinator |
| Camera | Salvador 'Apache' Serrano | Dolly Grip |
| Sound | Barney Cabral | Supervising Sound Editor |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Sound | Jerry Jacobson | ADR Editor |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Art | Alfonso Godínez | Property Master |
| Sound | Robert Knudson | Sound Re-Recording Mixer |
| Crew | Steven Lambert | Stunts |
| Crew | Jon H. Epstein | Stunt Double |
| Crew | Rick Avery | Stunts |
| Crew | Phil Chong | Stunts |
| Crew | Clay Boss | Stunts |
| Crew | Bobby Angelle | Stunts |
| Crew | Bob K. Cummings | Stunts |
| Crew | Mike De Luna | Stunts |
| Crew | Dean Raphael Ferrandini | Stunts |
| Crew | Andy Gill | Stunts |
| Crew | Mike Johnson | Stunts |
| Crew | Sonny Jones | Stunts |
| Crew | Rick Prieto | Stunts |
| Crew | Branscombe Richmond | Stunts |
| Crew | Robert Wall | Stunts |
| Crew | Gary Pike | Stunts |
| Crew | Jeff Habberstad | Stunts |
