Begin jaren tachtig vindt de politie in een bos bij het Russische plaatsje Rostov acht verminkte lijken. De arts Victor Burakov is ervan overtuigd dat dit het werk is van een seriemoordenaar, maar de Communistische Partij is het daar niet mee eens.
Nee, helaas is Citizen X nog niet beschikbaar op Netflix in Nederland.
| Production | David R. Ginsburg | Executive Producer |
| Production | Laura Bickford | Executive Producer |
| Sound | Randy Edelman | Original Music Composer |
| Directing | Chris Gerolmo | Director |
| Production | Timothy Marx | Producer |
| Camera | Robert Fraisse | Director of Photography |
| Editing | William Goldenberg | Editor |
| Production | Matthew Chapman | Executive Producer |
| Writing | Chris Gerolmo | Writer |
| Writing | Chris Gerolmo | Teleplay |
| Production | Robert Stone | Co-Producer |
| Production | Joyce Nettles | Casting |
| Production | Webster Stone | Co-Producer |
| Art | József Romvári | Production Design |
| Writing | Robert Cullen | Book |
| Editing | Richard Byard | Assistant Editor |
| Directing | Brenda K. Wachel | Script Supervisor |
| Directing | Éva Bognár | Second Assistant Director |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Production | József Cirkó | Production Manager |
| Production | Adrianna A.J. Cohen | Production Supervisor |
| Camera | Attila Szücs | Key Grip |
| Art | István Tóth | Set Decoration |
| Costume & Make-Up | Maria Hruby | Costume Design |
| Camera | Csaba Bankhardt | Grip |
| Art | Lóránt Jávor | Art Direction |
| Camera | Tamás Nyerges | Steadicam Operator |
| Camera | István Bese | Dolly Grip |
| Crew | Bruce Golin | Post Production Supervisor |
| Production | László Lakatos | Unit Manager |
| Lighting | Sándor Novák | Best Boy Electric |
| Costume & Make-Up | Zsuzsa Balai | Costume Supervisor |
| Sound | Allan Byer | Sound Mixer |
| Lighting | Péter Sidló | Gaffer |
| Production | Éva Bognár | Local Casting |
| Production | László Sipos | Local Casting |
| Costume & Make-Up | Karoly Balazs | Key Makeup Artist |
| Sound | Pál Szûrös | Boom Operator |
| Costume & Make-Up | Erzsébet Rácz | Key Hair Stylist |
| Camera | Lajos Simon | Best Boy Grip |
| Production | Erzsebet Gaspar | Extras Casting Coordinator |
| Camera | József Takács | First Assistant Camera |
| Art | Éva Martin | Construction Coordinator |
| Production | Hans Berggren | Production Accountant |
| Art | Bulcsú Balla | Property Master |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Sound | Mike Moser | Sound Effects Editor |
| Production | Peter Seres | Location Manager |
| Crew | Istvan Pintye | Transportation Coordinator |
| Sound | Ann Scibelli | Sound Effects Editor |
| Crew | Gino Crognale | Makeup Effects |
| Sound | William Freesh | ADR Recordist |
| Sound | William Freesh | Sound Re-Recording Mixer |
| Crew | Ferenc Ormos | Special Effects |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Vince Nicastro | Foley Artist |
| Crew | Greg Nicotero | Makeup Effects |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Tim Gedemer | Supervising Sound Editor |
| Sound | Jason King | Dialogue Editor |
| Sound | John LaSalandra | Music Editor |
| Sound | David Farmer | Sound Effects Editor |
| Sound | Gregg Barbanell | Foley Artist |
