Amy, Travis en Graham zitten in hun laatste jaar op de filmacademie. Hun eindopdracht is het maken van een film die ingestuurd wordt voor de prestigeuze Hitchcock Award. Amy besluit een film te maken over legendes. Tijdens de opnames van haar film vinden er vreemde voorvallen plaats, met keer op keer een fatale afloop. Zodra Amy op onderzoek uitgaat, ontdekt ze dat een koelbloedige moordenaar verantwoordelijk is voor die vreselijke ongelukken. Erger nog: Amy weet dat zij het volgende slachtoffer zal zijn.
Nee, helaas is Urban Legends: Final Cut nog niet beschikbaar op Netflix in Nederland.
| Production | Neal H. Moritz | Producer |
| Sound | Damon Intrabartolo | Original Music Composer |
| Writing | Paul Harris Boardman | Screenplay |
| Camera | Brian Pearson | Director of Photography |
| Writing | Scott Derrickson | Screenplay |
| Art | Mark Zuelzke | Production Design |
| Sound | John Ottman | Original Music Composer |
| Art | Charles L. Dunlop | Set Designer |
| Sound | Rick Mitchell | Foley Editor |
| Sound | Andrea Lakin | Sound Recordist |
| Production | Amanda Goodpaster | Associate Producer |
| Editing | John Ottman | Editor |
| Sound | Colin Jones | Boom Operator |
| Costume & Make-Up | Irene Kent | Key Makeup Artist |
| Art | Henry Ilola | Construction Coordinator |
| Art | Nancey Pankiw | Art Direction |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Design |
| Directing | Patricia Joyes | Script Supervisor |
| Sound | James Christopher | Sound Effects Editor |
| Production | Richard Luke Rothschild | Producer |
| Production | Gina Matthews | Producer |
| Production | Brad Luff | Executive Producer |
| Production | Nick Osborne | Executive Producer |
| Costume & Make-Up | Karola Dirnberger | Key Hair Stylist |
| Crew | Harry Kassardjian | Carpenter |
| Production | Randi Hiller | Casting |
| Art | Carol Lavoie | Set Decoration |
| Production | Christopher J. Danton | Production Manager |
| Production | Richard Luke Rothschild | Unit Production Manager |
| Art | Ane Christensen | Property Master |
| Sound | Ralph Stuart | Assistant Sound Editor |
| Crew | Sarah Norton | Compositor |
| Editing | Rob Kobrin | Editor |
| Art | Hans-Heinrich Piersig | Leadman |
| Crew | Larz Anderson | Special Effects |
| Costume & Make-Up | Trysha Bakker | Costume Design |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Production | Michael McDonnell | Co-Producer |
| Art | Brian Wade | Props |
| Visual Effects | Tavia Charlton | Visual Effects Coordinator |
| Directing | Michael Zenon | First Assistant Director |
| Crew | Chris Fix | Propmaker |
| Crew | Leigh Bianco | Stunts |
| Lighting | Lux | Lighting Technician |
| Lighting | Roddy Kosub | Best Boy Electric |
| Visual Effects | Mark Savela | Visual Effects Supervisor |
| Lighting | John 'Fest' Sandau | Gaffer |
| Camera | Jim Holmes | Grip |
| Crew | Stephanie Keating | Unit Publicist |
| Production | Anne Richardson | Location Manager |
| Camera | Kirk Chiswell | First Assistant Camera |
| Camera | Brad Hruboska | Steadicam Operator |
| Production | Michael Goosen | Production Accountant |
| Production | Kristine M. Gilbert | Production Coordinator |
| Crew | Jeff Bell | Transportation Captain |
| Camera | Susan A. Cabral | Additional Photography |
| Crew | Pat Banta | Stunt Coordinator |
| Camera | Tony Guerin | Camera Operator |
| Production | Missy Eustermann | Post Production Accountant |
| Costume & Make-Up | Gillian Steinhardt | Assistant Costume Designer |
| Editing | Mike Milliken | Color Timer |
| Costume & Make-Up | Donna Butt | Set Costumer |
| Crew | Jason Leeking | Transportation Co-Captain |
| Crew | Wilfred Bell | Transportation Coordinator |
| Camera | Robert DaPrato | Key Grip |
| Camera | Michael Gibson | Still Photographer |
| Sound | John Ottman | Orchestrator |
| Production | Courtney Gross | Casting Associate |
| Sound | Amanda Goodpaster | Music Editor |
| Production | Carl Bainbridge | Location Production Assistant |
| Crew | Reet Puhm | Key Scenic Artist |
| Production | Joseph Diaz | Production Assistant |
| Directing | Tyler Delben | Third Assistant Director |
| Sound | Greg Steele | ADR Mixer |
| Camera | Pete Daprato | Best Boy Grip |
| Sound | Damon Intrabartolo | Conductor |
| Production | Andrea Kool | Casting Assistant |
| Lighting | Richard Allen | Chief Lighting Technician |
| Directing | Tim Singh | Second Assistant Director |
| Camera | Patrick King | Dolly Grip |
| Camera | Anthony Ellis | Second Assistant Camera |
| Crew | Mark Rice | Special Effects Assistant |
| Crew | Heather Callow | Stunt Double |
| Editing | Helen Hand | Assistant Editor |
| Editing | Chris Lamie | Colorist |
| Production | Redd Knight | Assistant Production Coordinator |
| Production | Janet Ellis | Production Secretary |
| Production | Vicki Dee Rock | Production Executive |
| Sound | Catherine Harper | Foley Artist |
| Visual Effects | Chris Crowell | Digital Compositor |
| Sound | Elizabeth Kenton | ADR Editor |
| Production | Terri Douglas | ADR Voice Casting |
| Sound | Dan Lucas | ADR Recordist |
| Production | Sue Sparling | First Assistant Accountant |
| Sound | Robert Zubia | Foley Recordist |
| Sound | Don Givens | Foley Mixer |
| Crew | Brad Larkin | Special Effects Technician |
| Production | Jen Leonard | Assistant Location Manager |
| Costume & Make-Up | François Dagenais | Prosthetic Designer |
| Directing | John Ottman | Director |
| Writing | Silvio Horta | Characters |
| Crew | Alison Reid | Stunts |
| Crew | Mickey Giacomazzi | Stunts |
