Amy, Travis en Graham zitten in hun laatste jaar op de filmacademie. Hun eindopdracht is het maken van een film die ingestuurd wordt voor de prestigeuze Hitchcock Award. Amy besluit een film te maken over legendes. Tijdens de opnames van haar film vinden er vreemde voorvallen plaats, met keer op keer een fatale afloop. Zodra Amy op onderzoek uitgaat, ontdekt ze dat een koelbloedige moordenaar verantwoordelijk is voor die vreselijke ongelukken. Erger nog: Amy weet dat zij het volgende slachtoffer zal zijn.
Nee, helaas is Urban Legends: Final Cut nog niet beschikbaar op Netflix in Nederland.
| Writing | Paul Harris Boardman | Screenplay |
| Camera | Brian Pearson | Director of Photography |
| Production | Neal H. Moritz | Producer |
| Writing | Scott Derrickson | Screenplay |
| Sound | Damon Intrabartolo | Original Music Composer |
| Costume & Make-Up | François Dagenais | Prosthetic Designer |
| Directing | John Ottman | Director |
| Crew | Mickey Giacomazzi | Stunts |
| Writing | Silvio Horta | Characters |
| Crew | Alison Reid | Stunts |
| Production | Nick Osborne | Executive Producer |
| Production | Michael McDonnell | Co-Producer |
| Production | Randi Hiller | Casting |
| Art | Nancey Pankiw | Art Direction |
| Sound | Colin Jones | Boom Operator |
| Costume & Make-Up | Trysha Bakker | Costume Design |
| Art | Brian Wade | Props |
| Camera | Michael Gibson | Still Photographer |
| Sound | John Ottman | Original Music Composer |
| Editing | Rob Kobrin | Editor |
| Costume & Make-Up | Karola Dirnberger | Key Hair Stylist |
| Visual Effects | Mark Savela | Visual Effects Supervisor |
| Costume & Make-Up | Gillian Steinhardt | Assistant Costume Designer |
| Art | Carol Lavoie | Set Decoration |
| Art | Hans-Heinrich Piersig | Leadman |
| Art | Charles L. Dunlop | Set Designer |
| Production | Amanda Goodpaster | Associate Producer |
| Production | Gina Matthews | Producer |
| Production | Richard Luke Rothschild | Unit Production Manager |
| Art | Ane Christensen | Property Master |
| Crew | Chris Fix | Propmaker |
| Sound | James Christopher | Sound Effects Editor |
| Production | Brad Luff | Executive Producer |
| Crew | Pat Banta | Stunt Coordinator |
| Lighting | Lux | Lighting Technician |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Design |
| Costume & Make-Up | Irene Kent | Key Makeup Artist |
| Directing | Michael Zenon | First Assistant Director |
| Art | Mark Zuelzke | Production Design |
| Directing | Patricia Joyes | Script Supervisor |
| Crew | Harry Kassardjian | Carpenter |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Production | Richard Luke Rothschild | Producer |
| Production | Christopher J. Danton | Production Manager |
| Editing | John Ottman | Editor |
| Art | Henry Ilola | Construction Coordinator |
| Sound | Ralph Stuart | Assistant Sound Editor |
| Sound | Andrea Lakin | Sound Recordist |
| Crew | Larz Anderson | Special Effects |
| Sound | Rick Mitchell | Foley Editor |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Camera | Jim Holmes | Grip |
| Camera | Robert DaPrato | Key Grip |
| Sound | Amanda Goodpaster | Music Editor |
| Crew | Leigh Bianco | Stunts |
| Camera | Tony Guerin | Camera Operator |
| Editing | Mike Milliken | Color Timer |
| Production | Courtney Gross | Casting Associate |
| Costume & Make-Up | Donna Butt | Set Costumer |
| Crew | Stephanie Keating | Unit Publicist |
| Crew | Sarah Norton | Compositor |
| Lighting | John 'Fest' Sandau | Gaffer |
| Camera | Brad Hruboska | Steadicam Operator |
| Crew | Wilfred Bell | Transportation Coordinator |
| Visual Effects | Tavia Charlton | Visual Effects Coordinator |
| Camera | Susan A. Cabral | Additional Photography |
| Lighting | Roddy Kosub | Best Boy Electric |
| Camera | Kirk Chiswell | First Assistant Camera |
| Production | Anne Richardson | Location Manager |
| Crew | Jeff Bell | Transportation Captain |
| Production | Michael Goosen | Production Accountant |
| Crew | Jason Leeking | Transportation Co-Captain |
| Production | Kristine M. Gilbert | Production Coordinator |
| Production | Missy Eustermann | Post Production Accountant |
| Sound | John Ottman | Orchestrator |
| Production | Joseph Diaz | Production Assistant |
| Production | Janet Ellis | Production Secretary |
| Sound | Don Givens | Foley Mixer |
| Crew | Brad Larkin | Special Effects Technician |
| Production | Jen Leonard | Assistant Location Manager |
| Visual Effects | Chris Crowell | Digital Compositor |
| Sound | Robert Zubia | Foley Recordist |
| Camera | Patrick King | Dolly Grip |
| Production | Andrea Kool | Casting Assistant |
| Directing | Tyler Delben | Third Assistant Director |
| Sound | Elizabeth Kenton | ADR Editor |
| Production | Redd Knight | Assistant Production Coordinator |
| Production | Sue Sparling | First Assistant Accountant |
| Crew | Reet Puhm | Key Scenic Artist |
| Camera | Anthony Ellis | Second Assistant Camera |
| Editing | Helen Hand | Assistant Editor |
| Sound | Damon Intrabartolo | Conductor |
| Sound | Dan Lucas | ADR Recordist |
| Crew | Heather Callow | Stunt Double |
| Lighting | Richard Allen | Chief Lighting Technician |
| Directing | Tim Singh | Second Assistant Director |
| Production | Terri Douglas | ADR Voice Casting |
| Production | Vicki Dee Rock | Production Executive |
| Sound | Catherine Harper | Foley Artist |
| Production | Carl Bainbridge | Location Production Assistant |
| Camera | Pete Daprato | Best Boy Grip |
| Editing | Chris Lamie | Colorist |
| Sound | Greg Steele | ADR Mixer |
| Crew | Mark Rice | Special Effects Assistant |
| Costume & Make-Up | Clinton Wayne | Special Effects Key Makeup Artist |
