Pip is een wees die een ongelukkige jeugd heeft gehad. De armoede en ellende werden af en toe onderbroken door zijn bezoeken aan de mysterieuze Mrs. Havisham en haar beschermelinge Estella. Ook helpt hij een misdadiger die op de vlucht is. Als Pip later in Londen woont krijgt hij financïele steun van een onbekende man. Het verleden wil hem echter maar niet loslaten.
Nee, helaas is Great Expectations nog niet beschikbaar op Netflix in Nederland.
| Editing | Darren J. Perry | Assistant Editor |
| Directing | Mike Newell | Director |
| Writing | David Nicholls | Screenplay |
| Production | Laurie Borg | Co-Producer |
| Production | David Faigenblum | Producer |
| Sound | Richard Hartley | Original Music Composer |
| Production | David Taylor | Unit Manager |
| Production | Cliff Curtis | Executive Producer |
| Production | Stephen Woolley | Producer |
| Production | C.C. Hang | Executive Producer |
| Production | Elizabeth Karlsen | Producer |
| Writing | Charles Dickens | Novel |
| Production | Jana Edelbaum | Executive Producer |
| Production | Caroline Levy | Line Producer |
| Art | Dominic Masters | Supervising Art Director |
| Art | Mike Stallion | Art Direction |
| Production | Miranda Howard-Williams | Casting Assistant |
| Directing | Rowena Ladbury | Script Supervisor |
| Editing | Tariq Anwar | Editor |
| Production | Ed Hart | Executive Producer |
| Production | Thorsten Schumacher | Executive Producer |
| Sound | Karen Elliott | Music Supervisor |
| Production | Emanuel Michael | Producer |
| Production | Dan Whitty | Location Manager |
| Art | Carn Burton | Location Scout |
| Production | Harrison Kordestani | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Art | Caroline Smith | Set Decoration |
| Crew | Polly Duval | Post Production Supervisor |
| Production | Peter Hampden | Executive Producer |
| Production | Susie Figgis | Casting |
| Production | Charlotte Larsen | Executive Producer |
| Production | Arti Modi | Executive Producer |
| Production | Eve Swannell | Production Coordinator |
| Production | Norman Merry | Executive Producer |
| Production | Mike Newell | Executive Producer |
| Production | Zygi Kamasa | Executive Producer |
| Art | Julia Hall | Title Designer |
| Art | Jim Clay | Production Design |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Production | Alison Banks | Production Manager |
| Camera | John Mathieson | Director of Photography |
| Art | Howard Watkins | Title Designer |
| Costume & Make-Up | Jenny Shircore | Hairstylist |
| Crew | Nellie Burroughes | Stunts |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Ian Waggott | Foley Artist |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Sarah Weatherburn | Wigmaker |
| Sound | Ben Cross | Foley Mixer |
| Sound | Paul Wrightson | Dialogue Editor |
| Costume & Make-Up | Marc Pilcher | Makeup & Hair |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Sound | Robert Farr | Sound Re-Recording Mixer |
| Sound | Paul Hanks | Foley Artist |
| Costume & Make-Up | Hannah Edwards | Makeup & Hair |
| Costume & Make-Up | Alex Rouse | Wigmaker |
| Sound | Ian Wilson | Sound Designer |
| Costume & Make-Up | Zoe Clare Brown | Makeup & Hair |
| Sound | Tim Atkins | ADR Mixer |
| Crew | Michael Byrch | Stunts |
| Crew | Levan Doran | Stunt Double |
