Claire was nog maar een kind toen haar beste vriend ontvoerd en vermoord werd. Nu, vijfentwintig jaar later, heeft Bill, de vader van de vermoorde jongen, het plan om te achterhalen wat er precies gebeurd is. Hij wordt bijgestaan door de helderziende Eleanor en ontdekt dat een duister iets of iemand verantwoordelijk is voor de dood van zijn zoon.
Nee, helaas is The Moor nog niet beschikbaar op Netflix in Nederland.
| Writing | Paul Thomas | Writer |
| Costume & Make-Up | Jess Manning | Makeup Artist |
| Production | Georgia Padfield | Unit Production Manager |
| Production | Jordan Fleming | Unit Production Manager |
| Costume & Make-Up | Sabrina Tait | Assistant Makeup Artist |
| Costume & Make-Up | Mita Patel | Makeup Department Head |
| Sound | Nir Perlman | Music |
| Editing | Tom Majerski | Colorist |
| Directing | Kaitlin Michaels | Script Supervisor |
| Visual Effects | Josh Morris | Rotoscoping Artist |
| Crew | Andrew Oldbury | Thanks |
| Visual Effects | Richard Van De Steenoven | Compositing Supervisor |
| Editing | Pawel Pracz | Editor |
| Visual Effects | Lucas Hanwell | Visual Effects Producer |
| Directing | Lisa Collins | Script Supervisor |
| Production | Benjamin Newsome | Casting |
| Art | Dax G Cook | Props |
| Crew | Iain McDonald | Special Effects |
| Crew | Eleanor Fowler | Compositor |
| Directing | Kyle Brearey | First Assistant Director |
| Art | Nathan Mark Willmott | Title Designer |
| Camera | Sam Cronin | Director of Photography |
| Costume & Make-Up | Carly Brown | Costume Supervisor |
| Art | Michael Coyle | Props |
| Sound | Andrew Layfield | Sound Designer |
| Crew | Martin Jones | Special Effects |
| Crew | Damon Gough | Compositor |
| Sound | Alex Gregson | Sound Mixer |
| Visual Effects | Lewis Powis | Rotoscoping Artist |
| Visual Effects | Scott McIntyre | Special Effects Supervisor |
| Visual Effects | Daniel Cooper | Rotoscoping Artist |
| Directing | Chris Cronin | Director |
| Sound | Ryan Sweetman | Foley Mixer |
