Dennis Allan is een onderzoeker die naar Haiti gaat om een bepaald soort drugs te onderzoeken. Met deze drugs kun je mensen dood laten lijken terwijl ze leven. Dennis moet een keuze maken tussen de wetenschap en bijgeloof in een door de dictator Papa Doc geregeerd Haiti.
Nee, helaas is The Serpent and the Rainbow nog niet beschikbaar op Netflix in Nederland.
| Directing | Wes Craven | Director |
| Writing | Richard Maxwell | Screenplay |
| Camera | John Lindley | Director of Photography |
| Production | David Ladd | Producer |
| Production | Rob Cohen | Executive Producer |
| Production | Keith Barish | Executive Producer |
| Production | Doug Claybourne | Producer |
| Writing | Adam Rodman | Screenplay |
| Editing | Glenn Farr | Editor |
| Sound | Brad Fiedel | Original Music Composer |
| Costume & Make-Up | Jim McPherson | Special Effects Makeup Artist |
| Costume & Make-Up | Jeffrey S. Farley | Special Effects Makeup Artist |
| Costume & Make-Up | David LeRoy Anderson | Special Effects Makeup Artist |
| Costume & Make-Up | Lance Anderson | Special Effects Makeup Artist |
| Costume & Make-Up | Michael Shawn McCracken | Special Effects Makeup Artist |
| Costume & Make-Up | James Kagel | Special Effects Makeup Artist |
| Costume & Make-Up | Michelle Bühler | Key Makeup Artist |
| Crew | Anthony Cecere | Stunt Coordinator |
| Crew | Peter Chesney | Special Effects Coordinator |
| Directing | Robert Engelman | First Assistant Director |
| Costume & Make-Up | Robert Hallowell II | Key Hair Stylist |
| Production | Jaime Pina Gautier | Production Manager |
| Production | Michael Bennett | Unit Production Manager |
| Production | Juanita Diane Feeney | Production Manager |
| Production | Curtis Burch | Production Executive |
| Art | David Nichols | Production Design |
| Production | Robert Engelman | Co-Producer |
| Art | Rosemary Brandenburg | Set Decoration |
| Costume & Make-Up | Peter Mitchell | Costume Design |
| Art | David Brisbin | Art Direction |
| Production | Dianne Crittenden | Casting |
| Production | Victoria Kluge | Associate Producer |
| Writing | Wade Davis | Book |
| Production | David B. Pauker | Associate Producer |
| Crew | Debbie Lynn Ross | Stunts |
| Crew | Irving E. Lewis | Stunts |
| Crew | Eric Chambers | Stunts |
| Crew | Perry Nichols | Stunts |
| Crew | Mark Orrison | Stunts |
| Crew | Al Lee | Stunts |
| Crew | Anthony Cecere | Stunts |
| Crew | Eric Mansker | Stunts |
| Crew | Ray Woodfork | Stunts |
| Crew | Marvin Walters | Stunts |
| Crew | Dane Farwell | Stunts |
| Directing | George P. Gregg | Second Assistant Director |
| Sound | Jay Boekelheide | Sound Designer |
| Editing | Peter Amundson | Additional Editing |
| Visual Effects | Gary Gutierrez | Visual Effects Supervisor |
| Directing | José Luis Ortega | Additional Second Assistant Director |
| Directing | Miguel Heded | Additional Second Assistant Director |
| Directing | Felipe Vicini | Additional Second Assistant Director |
| Directing | Carmen Soriano | Script Supervisor |
| Production | Sue Parker | Location Casting |
| Production | Heig Beck | Extras Casting Assistant |
| Production | Sarah C. Koeppe | Casting Assistant |
| Editing | Bill Ohanesian | Assistant Editor |
| Editing | Mike Murphy | Assistant Editor |
| Art | Andy Keesee | Assistant Art Director |
| Art | Dawn Snyder | Set Designer |
| Art | Jonathan Craven | Set Dresser |
| Art | Daniela Prati | Set Dresser |
| Art | Charles Stewart | Property Master |
| Art | Linda Kiffe | Assistant Property Master |
| Camera | Ken Ferris | Camera Operator |
| Camera | Lawrence Karman | First Assistant Camera |
| Camera | Findlay Bunting | Second Assistant Camera |
| Camera | Gordon Miller | Second Assistant Camera |
| Camera | Henry Lynk | Additional Camera |
| Camera | Alan Caso | Steadicam Operator |
| Camera | Gary Farr | Still Photographer |
| Directing | Rob Cohen | Second Unit Director |
| Camera | George Koblasa | Additional Photography |
| Camera | Len Gittleman | Additional Photography |
| Sound | Don Summer | Sound Mixer |
| Sound | Steve Sollars | Boom Operator |
| Sound | Christine Lemoine | Utility Sound |
| Lighting | Patrick Reddish | Gaffer |
| Lighting | Bruce McCleery | Best Boy Electric |
| Camera | Tim Pershing | Key Grip |
| Camera | Daniel Pershing | Best Boy Grip |
| Costume & Make-Up | Leonard MacDonald | Special Effects Makeup Artist |
| Costume & Make-Up | Shawn Barry | Costume Supervisor |
| Crew | Bruce D. Hayes | Key Special Effects |
| Crew | Emmet Kane | Special Effects Technician |
| Crew | Bob Ahmanson | Special Effects Technician |
| Crew | Sandy Stewart | Special Effects Assistant |
| Sound | Jay Boekelheide | Supervising Sound Editor |
| Sound | John Benson | Supervising Sound Editor |
| Sound | Sara Roberts | Sound Effects Editor |
| Sound | Bruce Fortune | Dialogue Editor |
| Sound | Cliff Latimer | Dialogue Editor |
| Sound | Dorian Harris | ADR Editor |
| Sound | John Morris | ADR Editor |
| Sound | Mary Helen Leasman | Foley Editor |
| Sound | Allan K. Rosen | Supervising Music Editor |
| Sound | Carolina Beroza | Assistant Sound Editor |
| Sound | Thomas O'Shea | Assistant Sound Editor |
| Sound | Laura Graham | Assistant Sound Editor |
| Sound | Christine Danelski | Assistant Sound Editor |
| Sound | Amy Vincent | Assistant Sound Editor |
| Sound | Margaret Bentley | Assistant Sound Editor |
| Sound | Donald Ortiz | Assistant Sound Editor |
| Sound | Paul Cope | Assistant Sound Editor |
| Sound | Andy Aaron | Sound Effects |
| Sound | Dan Gleich | Sound Effects |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Gregg Barbanell | Foley |
| Sound | Robin Harlan | Foley |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Sound | Dean Okrand | Sound Re-Recording Mixer |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Sound | Tim Boyle | Scoring Mixer |
| Visual Effects | Japhet Asher | Visual Effects Producer |
| Visual Effects | Rick Fichter | VFX Director of Photography |
