Harry Turner is een succesvolle, maar meedogenloze, advocaat uit New York die tegen elke prijs moet winnen, zelfs als dat ten koste gaat van zijn vrouw en dochter. Een enkel pistoolschot brengt de razendsnelle opkomst van Henry tot stilstand, wanneer hij arbeidsongeschikt wordt en zich het leven dat hij geleid heeft niet meer kan herinneren. Nu hij helemaal opnieuw moet beginnen, staat Henry Turner op het punt de harde waarheid te vernemen over een totaal onbekende... zichzelf.
Nee, helaas is Regarding Henry nog niet beschikbaar op Netflix in Nederland.
| Sound | Hans Zimmer | Original Music Composer |
| Editing | Sam O'Steen | Editor |
| Camera | Giuseppe Rotunno | Director of Photography |
| Directing | Mike Nichols | Director |
| Writing | J.J. Abrams | Writer |
| Production | J.J. Abrams | Co-Producer |
| Crew | Vic Armstrong | Stunt Double |
| Production | Juliet Taylor | Casting |
| Camera | Giovanni Fiore Coltellacci | Camera Operator |
| Production | Mike Nichols | Producer |
| Art | Cindy Carr | Set Decoration |
| Costume & Make-Up | Lynda Gurasich | Hairstylist |
| Sound | Michael Jacobi | ADR Editor |
| Costume & Make-Up | Melissa Stanton | Costume Supervisor |
| Production | Michele Imperato Stabile | Production Coordinator |
| Art | Dan Davis | Art Direction |
| Production | Ellen Lewis | Casting |
| Art | Richard Dean Rankin | Construction Coordinator |
| Sound | James Sabat | Sound Mixer |
| Crew | Peter Bucossi | Stunt Coordinator |
| Sound | Suki Buchman | Music Editor |
| Art | Ron Petagna Sr. | Construction Coordinator |
| Lighting | Stuart A. Spohn | Chief Lighting Technician |
| Production | Jonathan Filley | Location Manager |
| Art | James Mazzola | Property Master |
| Camera | Michael Green | First Assistant Camera |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Craig DiBona | Steadicam Operator |
| Costume & Make-Up | J. Roy Helland | Makeup Supervisor |
| Camera | Billy Clevenger | First Assistant Camera |
| Editing | Kris Cole | Assistant Editor |
| Directing | Mary Bailey | Script Supervisor |
| Art | Susan Bode Tyson | Set Decoration |
| Production | Ken Lavet | Location Manager |
| Production | Scott Rudin | Producer |
| Production | Joseph Hartwick | Production Manager |
| Sound | Bruce Fowler | Orchestrator |
| Costume & Make-Up | Bruce Ericksen | Costume Supervisor |
| Art | Amy Marshall | Set Decoration |
| Costume & Make-Up | Joseph A. Campayno | Makeup Artist |
| Directing | Michael Haley | First Assistant Director |
| Sound | Suzana Perić | Music Editor |
| Costume & Make-Up | Ann Roth | Costume Design |
| Costume & Make-Up | Alan D'Angerio | Hairstylist |
| Costume & Make-Up | J. Roy Helland | Hair Supervisor |
| Sound | Stuart Emanuel | Sound Editor |
| Lighting | Jerry DeBlau | Chief Lighting Technician |
| Art | William A. Elliott | Art Direction |
| Art | R. Scott Doran | Leadman |
| Sound | Steve Cantamessa | Boom Operator |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Art | Philip Steuer | Property Master |
| Sound | Stan Bochner | Sound Editor |
| Sound | Gene S. Cantamessa | Sound Mixer |
| Sound | Louis Sabat | Boom Operator |
| Costume & Make-Up | Benjamin Wilson | Costume Supervisor |
| Art | Tony Walton | Production Design |
