Harry Turner is een succesvolle, maar meedogenloze, advocaat uit New York die tegen elke prijs moet winnen, zelfs als dat ten koste gaat van zijn vrouw en dochter. Een enkel pistoolschot brengt de razendsnelle opkomst van Henry tot stilstand, wanneer hij arbeidsongeschikt wordt en zich het leven dat hij geleid heeft niet meer kan herinneren. Nu hij helemaal opnieuw moet beginnen, staat Henry Turner op het punt de harde waarheid te vernemen over een totaal onbekende... zichzelf.
Nee, helaas is Regarding Henry nog niet beschikbaar op Netflix in Nederland.
| Camera | Giuseppe Rotunno | Director of Photography |
| Sound | Hans Zimmer | Original Music Composer |
| Directing | Mike Nichols | Director |
| Editing | Sam O'Steen | Editor |
| Art | R. Scott Doran | Leadman |
| Camera | Andrew D. Schwartz | Still Photographer |
| Editing | Kris Cole | Assistant Editor |
| Art | Susan Bode Tyson | Set Decoration |
| Costume & Make-Up | Lynda Gurasich | Hairstylist |
| Directing | Michael Haley | First Assistant Director |
| Sound | Stan Bochner | Sound Editor |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Costume & Make-Up | J. Roy Helland | Hair Supervisor |
| Sound | Gene S. Cantamessa | Sound Mixer |
| Camera | Giovanni Fiore Coltellacci | Camera Operator |
| Production | Ken Lavet | Location Manager |
| Costume & Make-Up | Ann Roth | Costume Design |
| Sound | Michael Jacobi | ADR Editor |
| Crew | Peter Bucossi | Stunt Coordinator |
| Costume & Make-Up | Melissa Stanton | Costume Supervisor |
| Costume & Make-Up | J. Roy Helland | Makeup Supervisor |
| Production | Joseph Hartwick | Production Manager |
| Art | James Mazzola | Property Master |
| Art | Ron Petagna | Construction Coordinator |
| Sound | James Sabat | Sound Mixer |
| Camera | Billy Clevenger | First Assistant Camera |
| Lighting | Jerry DeBlau | Chief Lighting Technician |
| Sound | Bruce Fowler | Orchestrator |
| Sound | Suzana Peric | Music Editor |
| Sound | Suki Buchman | Music Editor |
| Art | Cindy Carr | Set Decoration |
| Art | Philip Steuer | Property Master |
| Camera | Michael Green | First Assistant Camera |
| Sound | Stuart Emanuel | Sound Editor |
| Camera | Craig DiBona | Steadicam Operator |
| Costume & Make-Up | Benjamin Wilson | Costume Supervisor |
| Production | Scott Rudin | Producer |
| Art | Dan Davis | Art Direction |
| Art | Richard Dean Rankin | Construction Coordinator |
| Sound | Louis Sabat | Boom Operator |
| Production | Jonathan Filley | Location Manager |
| Production | Michele Imperato Stabile | Production Coordinator |
| Production | Mike Nichols | Producer |
| Costume & Make-Up | Joseph A. Campayno | Makeup Artist |
| Costume & Make-Up | Alan D'Angerio | Hairstylist |
| Production | Ellen Lewis | Casting |
| Art | Amy Marshall | Set Decoration |
| Directing | Mary Bailey | Script Supervisor |
| Production | Juliet Taylor | Casting |
| Art | William A. Elliott | Art Direction |
| Sound | Steve Cantamessa | Boom Operator |
| Costume & Make-Up | Bruce Ericksen | Costume Supervisor |
| Lighting | Stuart A. Spohn | Chief Lighting Technician |
| Art | Tony Walton | Production Design |
| Crew | Vic Armstrong | Stunt Double |
| Writing | J.J. Abrams | Writer |
| Production | J.J. Abrams | Co-Producer |
