Rupert Angier en Alfred Borden zijn al van jongs af aan, toen ze nog lerende goochelaars waren, elkaars rivalen geweest. Nu, rond 1900, zijn ze beiden volleerde illusionisten en is hun rivaliteit tot immense proporties gegroeid.
Nee, helaas is The Prestige nog niet beschikbaar op Netflix in Nederland.
| Writing | Jonathan Nolan | Screenplay |
| Editing | Lee Smith | Editor |
| Production | Emma Thomas | Producer |
| Writing | Christopher Nolan | Screenplay |
| Camera | Wally Pfister | Director of Photography |
| Sound | David Julyan | Original Music Composer |
| Production | Aaron Ryder | Producer |
| Writing | Christopher Priest | Novel |
| Camera | David Michael Fordham | Grip |
| Costume & Make-Up | Kenny Myers | Makeup Artist |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Costume & Make-Up | Joan Bergin | Costume Design |
| Costume & Make-Up | Terry Baliel | Hairstylist |
| Costume & Make-Up | John R. Bayless | Makeup Artist |
| Costume & Make-Up | Karen Asano-Myers | Hairstylist |
| Sound | Ed Novick | Sound mixer |
| Sound | Gary Rizzo | Sound Re-Recording Mixer |
| Sound | Richard King | Supervising Sound Editor |
| Costume & Make-Up | Kimberley Spiteri | Hairstylist |
| Camera | François Duhamel | Still Photographer |
| Sound | Michael W. Mitchell | Sound Effects Editor |
| Production | Valerie Dean | Executive Producer |
| Costume & Make-Up | Heba Thorisdottir | Makeup Artist |
| Art | Julie Ochipinti | Set Decoration |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Production | Charles J.D. Schlissel | Executive Producer |
| Art | Nathan Crowley | Production Design |
| Production | Christopher Ball | Executive Producer |
| Art | Kevin Kavanaugh | Art Direction |
| Production | Gregg Edler | Production Supervisor |
| Costume & Make-Up | Janice Alexander | Hair Department Head |
| Sound | Richard King | Sound Designer |
| Production | William Tyrer | Executive Producer |
| Directing | Steve Gehrke | Script Supervisor |
| Costume & Make-Up | Peter Robb-King | Makeup Department Head |
| Production | Christopher Nolan | Producer |
| Camera | Stephen Vaughan | Still Photographer |
| Camera | Craig Fikse | Steadicam Operator |
| Sound | Alex Gibson | Music Editor |
| Production | Jordan Goldberg | Associate Producer |
| Crew | David Copperfield | Thanks |
| Crew | Nancy Kirhoffer | Post Production Supervisor |
| Production | Cristen Carr Strubbe | Unit Production Manager |
| Crew | David Blitstein | Special Effects Coordinator |
| Production | John Papsidera | Casting |
| Directing | Alan B. Curtiss | Assistant Director |
| Production | Mark Scoon | Executive In Charge Of Production |
| Production | Russ Fega | Location Manager |
| Production | Kean Cronin | Casting |
| Crew | Rick Avery | Stunt Coordinator |
| Visual Effects | Stephane Ceretti | Visual Effects Supervisor |
| Costume & Make-Up | Victoria Wood | Wigmaker |
| Crew | Teresa Kelly | Post Production Supervisor |
| Costume & Make-Up | Kenn Smiley | Set Costumer |
| Lighting | Blake Pike | Rigging Grip |
| Editing | Scott Wesley Ross | Assistant Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Hugo Weng | Dialogue Editor |
| Directing | Christopher Nolan | Director |
| Directing | Jody Spilkoman | Second Assistant Director |
| Crew | Meegan E. Godfrey | Stunt Double |
| Crew | Joni Avery | Stunt Double |
