Priesters Tim Farley en Deacon Mark Dolson bouwen langzamerhand een vriendschap met elkaar op. Dolson leert hem weer hoe Farley vroeger als priester zelf was. Als Dolson dan beschuldigd wordt van het misbruiken van mannelijke leerlingen, moet Farley het geloof en Dolson zien te verdedigen.
Nee, helaas is Mass Appeal nog niet beschikbaar op Netflix in Nederland.
| Directing | Glenn Jordan | Director |
| Writing | Bill C. Davis | Theatre Play |
| Costume & Make-Up | Shari Feldman | Costume Design |
| Production | Ted Swanson | Production Manager |
| Sound | Bill Conti | Music |
| Art | Robert Checchi | Set Decoration |
| Sound | Steve Maslow | Sound Mixer |
| Art | Philip M. Jefferies | Production Design |
| Production | Ted Swanson | Associate Producer |
| Production | Dennis Tracy | Extras Casting |
| Sound | David Kelson | Utility Sound |
| Editing | John Wright | Editor |
| Camera | Tim Ryan | Dolly Grip |
| Sound | Jules Strasser | Boom Operator |
| Production | Kathleen Long | Production Coordinator |
| Camera | John LeBlanc | First Assistant Camera |
| Camera | John C. Moulds | First Assistant Camera |
| Sound | Dan Wallin | Scoring Mixer |
| Writing | Bill C. Davis | Screenplay |
| Costume & Make-Up | Bruce Walkup | Costume Design |
| Production | Joan B. Kroc | Executive Producer |
| Art | Bill MacSems | Property Master |
| Lighting | Michael J. Schwartz | Electrician |
| Sound | Gregg Landaker | Sound Mixer |
| Sound | Robert Nichols II | Sound Recordist |
| Production | David Foster | Producer |
| Crew | Donald Peterman | Cinematography |
| Camera | Keith Peterman | Camera Operator |
| Sound | Barry Thomas | Production Sound Mixer |
| Sound | Bill Varney | Sound Mixer |
| Production | Lawrence Turman | Producer |
| Art | David Goldstein | Lead Painter |
| Art | Donald B. Woodruff | Set Designer |
