Priesters Tim Farley en Deacon Mark Dolson bouwen langzamerhand een vriendschap met elkaar op. Dolson leert hem weer hoe Farley vroeger als priester zelf was. Als Dolson dan beschuldigd wordt van het misbruiken van mannelijke leerlingen, moet Farley het geloof en Dolson zien te verdedigen.
Nee, helaas is Mass Appeal nog niet beschikbaar op Netflix in Nederland.
| Directing | Glenn Jordan | Director |
| Crew | Donald Peterman | Cinematography |
| Costume & Make-Up | Bruce Walkup | Costume Design |
| Production | Joan B. Kroc | Executive Producer |
| Sound | Gregg Landaker | Sound Mixer |
| Sound | Jules Strasser | Boom Operator |
| Production | David Foster | Producer |
| Camera | Tim Ryan | Dolly Grip |
| Sound | David Kelson | Utility Sound |
| Sound | Steve Maslow | Sound Mixer |
| Art | David Goldstein | Lead Painter |
| Camera | Keith Peterman | Camera Operator |
| Production | Lawrence Turman | Producer |
| Art | Philip M. Jefferies | Production Design |
| Camera | John C. Moulds | First Assistant Camera |
| Lighting | Michael J. Schwartz | Electrician |
| Costume & Make-Up | Shari Feldman | Costume Design |
| Sound | Barry Thomas | Production Sound Mixer |
| Sound | Bill Varney | Sound Mixer |
| Production | Ted Swanson | Production Manager |
| Production | Ted Swanson | Associate Producer |
| Art | Donald B. Woodruff | Set Designer |
| Production | Dennis Tracy | Extras Casting |
| Camera | John LeBlanc | First Assistant Camera |
| Art | Bill MacSems | Property Master |
| Writing | Bill C. Davis | Theatre Play |
| Editing | John Wright | Editor |
| Writing | Bill C. Davis | Screenplay |
| Sound | Bill Conti | Music |
| Art | Robert Checchi | Set Decoration |
| Sound | Robert Nichols II | Sound Recordist |
| Sound | Dan Wallin | Scoring Mixer |
| Production | Kathleen Long | Production Coordinator |
