Aurora en Emma zijn moeder en dochter die een gecompliceerde maar warme relatie onderhouden. De film volgt hen verschillende jaren van hun leven. Van het huwelijk van Emma met een man die een bloedhekel aan zijn schoonmoeder heeft tot de romance die Aurora begint met haar buurman, de ex-astronaut Garrett Breedlove.
Nee, helaas is Terms of Endearment nog niet beschikbaar op Netflix in Nederland.
| Production | James L. Brooks | Producer |
| Sound | Michael Gore | Original Music Composer |
| Directing | James L. Brooks | Director |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Editing | Richard Marks | Editor |
| Writing | Larry McMurtry | Novel |
| Writing | James L. Brooks | Screenplay |
| Editing | Jane Schwartz Jaffe | First Assistant Editor |
| Costume & Make-Up | Kristi Zea | Costume Design |
| Production | Juliet Taylor | Casting |
| Production | Ellen Chenoweth | Casting |
| Production | Martin Jurow | Co-Producer |
| Costume & Make-Up | Ben Nye Jr. | Makeup Artist |
| Production | Penney Finkelman Cox | Co-Producer |
| Production | Austen Jewell | Unit Production Manager |
| Art | Tom Pedigo | Set Decoration |
| Directing | Marty P. Ewing | Second Assistant Director |
| Art | Terry E. Lewis | Property Master |
| Sound | James R. Alexander | Sound Mixer |
| Camera | Dustin Blauvelt | First Assistant Camera |
| Camera | Steven Hiller | Second Assistant Camera |
| Art | Richard A. Villalobos | Leadman |
| Art | Anthony Mondell | Set Decoration |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Crew | Michael McDuffee | Transportation Coordinator |
| Lighting | Dusty Wallace | Gaffer |
| Camera | Don Reddy | Camera Operator |
| Directing | Albert M. Shapiro | First Assistant Director |
| Costume & Make-Up | Kaye Pownall | Hairstylist |
| Camera | Zade Rosenthal | Still Photographer |
| Production | Paula Herold | Casting Associate |
| Art | Harold Michelson | Art Direction |
| Art | Sandy Veneziano | Set Designer |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Camera | Billy Miller | Key Grip |
| Directing | Rosemary Dorsey | Script Supervisor |
| Sound | Norval D. Crutcher | Supervising Sound Editor |
| Sound | Bob Badami | Music Editor |
| Sound | George Watters II | Sound Editor |
| Sound | Cecelia Hall | Sound Editor |
| Sound | Andrew Patterson | Sound Editor |
| Sound | Joanne D'Antonio | Sound Editor |
| Sound | Barbara Fallick Marks | Dialogue Editor |
| Sound | Terry Lynn Allen | Sound Editor |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Samuel C. Crutcher | Sound Editor |
| Sound | Larry Singer | Dialogue Editor |
| Sound | Stephen Stalheim | Apprentice Sound Editor |
| Sound | Jerry Rosenthal | Sound Editor |
| Sound | Bruce Fortune | Sound Assistant |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Art | Wayne Fitzgerald | Title Designer |
| Crew | Jeannie Epper | Stunts |
| Art | Polly Platt | Production Design |
