Begin 19de eeuw. De beruchte Franse schrijver Markies de Sade is opgesloten in Charenton, een instelling voor krankzinnigen. Keizer Napoleon wil verhinderen dat de markies zijn aanstootgevende literatuur kan publiceren, maar die smokkelt zijn manuscripten naar buiten met de hulp van de jonge Madeleine LeClerc, een kamermeisje. Zodra de keizer ontdekt dat de markies nieuwe werken blijft uitgeven, schakelt hij de wrede dokter Royer-Collard in.
Nee, helaas is Quills nog niet beschikbaar op Netflix in Nederland.
| Directing | Philip Kaufman | Director |
| Camera | Rogier Stoffers | Director of Photography |
| Writing | Doug Wright | Screenplay |
| Production | Julia Chasman | Producer |
| Editing | Peter Boyle | Editor |
| Sound | Stephen Warbeck | Original Music Composer |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Art | Jill Quertier | Set Decoration |
| Art | Martin Childs | Production Design |
| Art | Mark Raggett | Supervising Art Director |
| Production | Priscilla John | Casting |
| Production | Donna Isaacson | Casting |
| Art | Steven Lawrence | Art Direction |
| Production | Peter Kaufman | Producer |
| Production | Nick Wechsler | Producer |
| Production | Sandra Schulberg | Executive Producer |
| Production | Rudolf G. Wiesmeier | Executive Producer |
| Crew | Sarah Franzl | Stunts |
| Crew | Richard Bradshaw | Stunts |
| Crew | Jazzer Jeyes | Stunts |
| Crew | Andy Bradford | Stunt Coordinator |
| Crew | Nrinder Dhudwar | Stunt Coordinator |
| Crew | Tracey Eddon | Stunts |
| Directing | Deborah Saban | First Assistant Director |
| Sound | John Midgley | Sound Mixer |
| Production | Des McAnuff | Executive Producer |
| Production | Mark Huffam | Co-Producer |
| Crew | Jim Dowdall | Stunt Coordinator |
| Crew | Richard Hammatt | Stunt Coordinator |
| Directing | Olivia Lloyd | Second Assistant Director |
| Directing | Mari Roberts | Third Assistant Director |
| Lighting | Kevin Edland | Rigging Gaffer |
| Production | Rachel Neale | Location Manager |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Sound | Michael Axinn | Assistant Dialogue Editor |
| Production | Sophie Dasic | Post Production Accountant |
| Crew | Charles Vaughan | Floor Runner |
| Directing | Richard Styles | Second Unit First Assistant Director |
| Sound | John Verbeck | Foley Editor |
| Sound | June Prinz | Boom Operator |
| Costume & Make-Up | Helen Mattocks | Wardrobe Assistant |
| Costume & Make-Up | Kate Lee | Makeup & Hair |
| Sound | Bruce Lacey | Dialogue Editor |
| Crew | Brian Bishop | Scenic Artist |
| Camera | Sam Barnes | Clapper Loader |
| Lighting | John Turner | Electrician |
| Costume & Make-Up | Conor O'Sullivan | Prosthetic Supervisor |
| Visual Effects | Tim Field | Visual Effects Supervisor |
| Art | Michael Redding | Construction Coordinator |
| Art | Frances Bennett | Standby Art Director |
| Art | Katy Harvey | Art Department Assistant |
| Directing | Toby Hefferman | Second Second Assistant Director |
| Lighting | Robert Brock | Electrician |
| Sound | Sue Fox | ADR Editor |
| Costume & Make-Up | Peter Swords King | Makeup Designer |
| Camera | Gary Hutchings | Grip |
| Costume & Make-Up | Nuala Conway | Key Makeup Artist |
| Art | Richard Lyon | Construction Buyer |
| Art | Stephen Eels | Standby Carpenter |
| Production | Elaine Burt | Production Coordinator |
| Art | Gavin Fitch | Assistant Art Director |
| Camera | Jasper Fforde | Focus Puller |
| Crew | Nicholas Du Boulay | Floor Runner |
| Costume & Make-Up | Suzi Turnbull | Wardrobe Supervisor |
| Crew | John Van Der Pool | Special Effects Technician |
| Lighting | Ian Rolfe | Standby Rigger |
| Camera | David Appleby | Still Photographer |
| Production | Emily Lascelles | Assistant Production Coordinator |
| Directing | Matthew Penry-Davey | Third Assistant Director |
| Lighting | Tony Burns | Electrician |
| Lighting | Dean Wilkinson | Electrician |
| Art | Ray Campbell | Standby Painter |
| Art | John Blakeley | Sculptor |
| Sound | Frank E. Eulner | Supervising Sound Editor |
| Lighting | Ronnie Phillips | Electrician |
| Costume & Make-Up | Jeremy Woodhead | Makeup & Hair |
| Crew | Susan d'Arcy | Unit Publicist |
| Art | Martin Asbury | Storyboard Artist |
| Lighting | Alan Grosch | Genetator Operator |
| Costume & Make-Up | Michael O'Connor | Assistant Costume Designer |
| Costume & Make-Up | Anthony Brookman | Wardrobe Master |
| Directing | Sally Jones | Script Supervisor |
| Crew | Neil Finnighan | Stunts |
| Art | Alastair Bullock | Draughtsman |
| Costume & Make-Up | Peter Swords King | Hair Designer |
| Costume & Make-Up | Nuala Conway | Key Hair Stylist |
| Production | Louis Elman | ADR Voice Casting |
| Crew | Gary Birmingham | Transportation Captain |
| Art | Jessie Hepple | Art Department Assistant |
| Camera | Sophie Wilson | Camera Trainee |
| Camera | John Ward | Steadicam Operator |
| Directing | Vic Armstrong | Second Unit Director |
| Sound | Robert Shoup | Sound Effects Editor |
| Crew | Mark Haddenham | Special Effects Technician |
| Editing | Liz Roe | First Assistant Editor |
| Art | Matthew Gray | Draughtsman |
| Crew | Doug Bishop | Scenic Artist |
| Camera | Vince McGahon | Steadicam Operator |
| Art | Barry Wilkinson | Property Master |
| Crew | Stuart Brisdon | Special Effects Coordinator |
| Art | Patricia Johnson | Draughtsman |
