Jeanine, een gerenommeerd regisseuse, moest in Toronto de opera 'Salome' nieuw leven inblazen, die tien jaar eerder was gecreëerd door haar overleden mentor, voor wie ze toen assistent was. Het bedrijf wilde een identieke productie, maar Jeanine had andere plannen in gedachten. Tegelijkertijd lijkt haar man, die thuis bleef bij hun dochter, een affaire te zijn begonnen met de verpleegster die verantwoordelijk was voor het waken over zijn moeder, die lijdt aan de ziekte van Alzheimer. Tussen machtsspelletjes achter de schermen en uitdagingen in haar privéleven door, wordt Jeanine opgeroepen om terug te denken aan de omstandigheden die hebben geleid tot de creatie van Salome's Seven Veil Dance, een inspiratie die zijn oorsprong vindt in een lang begraven geheim.
Nee, helaas is Seven Veils nog niet beschikbaar op Netflix in Nederland.
| Production | Kevin Krikst | Producer |
| Writing | Atom Egoyan | Writer |
| Production | Aram Tertzakian | Executive Producer |
| Production | Simone Urdl | Producer |
| Production | John Sloss | Executive Producer |
| Directing | Atom Egoyan | Director |
| Production | Nate Bolotin | Executive Producer |
| Production | Fraser Ash | Producer |
| Production | Atom Egoyan | Producer |
| Production | Nick Spicer | Executive Producer |
| Production | Niv Fichman | Producer |
| Production | Maxime Cottray | Executive Producer |
| Camera | Paul Sarossy | Director of Photography |
| Sound | Mychael Danna | Original Music Composer |
| Sound | Trevor Goulet | Sound Mixer |
| Editing | David Wharnsby | Editor |
| Production | Jason Knight | Casting |
| Production | John Buchan | Casting |
| Costume & Make-Up | Nathan Rival | Hair Department Head |
| Costume & Make-Up | Diane Mazur | Makeup Department Head |
| Costume & Make-Up | Debra Hanson | Costume Design |
| Art | Phillip Barker | Production Design |
| Art | Adriana Bogaard | Art Direction |
| Directing | Daniel J. Murphy | First Assistant Director |
| Sound | Steve Munro | Sound Designer |
| Visual Effects | Matt Hansen | Visual Effects Supervisor |
| Crew | Alicia Turner | Stunt Coordinator |
| Camera | Jason Greenslade | "A" Camera Operator |
| Camera | Jason Greenslade | Dolly Grip |
| Camera | Ciarán Copelin | First Assistant "A" Camera |
| Lighting | Bob Davidson | Gaffer |
| Camera | Mark Manchester | Key Grip |
| Visual Effects | Darcy Arthurs | Visual Effects Producer |
| Art | Justin Stephenson | Title Designer |
| Costume & Make-Up | Tori Binns | Key Hair Stylist |
| Sound | Daniel Pellerin | Sound Re-Recording Mixer |
| Sound | Jesse Fellows | Sound Re-Recording Mixer |
| Production | Noah Segal | Executive Producer |
| Production | Adrian Love | Executive Producer |
| Production | Daniel J. Murphy | Associate Producer |
| Production | Marcy Gerstein | Associate Producer |
| Production | Steve Solomos | Supervising Producer |
| Crew | Sarah Polley | Thanks |
| Directing | Karl Irvine | Second Assistant Director |
| Camera | Douglas Koch | Additional Photography |
| Camera | Andreas Evdemon | Camera Operator |
| Art | Mark McGann | Set Decoration |
| Art | Stephanie Chalmers | Set Decoration Buyer |
| Art | James Herd | Set Dresser |
| Costume & Make-Up | Liz Rowe | Key Makeup Artist |
| Costume & Make-Up | Yasmeen Jalali | Makeup Department Head |
| Production | Emma Goegan | Casting Associate |
| Sound | Steve Hammond | Foley Artist |
