Elkaar trouw beloven 'tot de dood ons scheidt', dat vooruitzicht leek Charlie MacKenzie een ramp. Iedere vriendin die hij had, had wel een gebrek. Sherrie was (zeker weten) een kleptomane. Jill was (echt) lid van de maffia. Sandy behoorde (absoluut) tot een terroristische organisatie en Pam rook (beslist) naar soep. En toen kwam Harriet, intelligent & sexy, Charlie is direct verkocht! Wat kan er nu mis zijn met zo'n mooi meisje? Hoogstens dat ze een moordlustig type is ... Zeker weten!
Nee, helaas is So I Married an Axe Murderer nog niet beschikbaar op Netflix in Nederland.
| Production | Robert N. Fried | Producer |
| Directing | Thomas Schlamme | Director |
| Production | Cary Woods | Producer |
| Writing | Robbie Fox | Screenplay |
| Camera | Julio Macat | Director of Photography |
| Editing | Richard Halsey | Editor |
| Production | Bernard Williams | Executive Producer |
| Sound | Bruce Broughton | Original Music Composer |
| Editing | Colleen Halsey | Editor |
| Sound | Danny Bramson | Music Supervisor |
| Costume & Make-Up | Kimberly A. Tillman | Costume Design |
| Art | Peg Cummings | Set Decoration |
| Sound | Don S. Walden | Sound Editor |
| Crew | Ellen Pasternack | Unit Publicist |
| Sound | Nelson Stoll | Sound Mixer |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Mike Dobie | Sound Editor |
| Production | Bernard Williams | Unit Production Manager |
| Production | Jana Sue Memel | Co-Producer |
| Sound | John O. Wilde | Sound Editor |
| Sound | Gary Mundheim | Sound Editor |
| Sound | Fred Runner | Boom Operator |
| Costume & Make-Up | Ed Fincher | Costume Supervisor |
| Directing | Carol DePasquale | Script Supervisor |
| Directing | Amy Sayres | First Assistant Director |
| Production | Michelle Wright | Associate Producer |
| Art | Michael Rizzo | Art Direction |
| Sound | Bob O'Brien | Sound Editor |
| Sound | Scott Burrow | ADR Editor |
| Production | Mindy Marin | Casting |
| Sound | Larry Mann | Supervising Sound Editor |
| Sound | Mark Gordon | Sound Editor |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Artist |
| Camera | Phil Bray | Still Photographer |
| Directing | Bud Davis | Second Unit Director |
| Directing | Douglas S. Ornstein | Second Assistant Director |
| Art | Mentor Huebner | Production Illustrator |
| Sound | Noah Blough | Sound Editor |
| Sound | John J. Stephens | Sound Re-Recording Mixer |
| Sound | B. Tennyson Sebastian II | Sound Re-Recording Mixer |
| Sound | Sergio Reyes | Sound Re-Recording Mixer |
| Art | John Graysmark | Production Design |
| Art | Jim Poynter | Set Decoration |
| Art | Barbara Mesney | Set Designer |
| Art | Gary E. Roloff | Leadman |
| Sound | Alex Gibson | Music Editor |
| Camera | Kim Marks | Camera Operator |
| Crew | Tom Sindicich | Special Effects Coordinator |
| Art | Richard W. Clot | Construction Coordinator |
| Art | Stephen J. Gardner | Property Master |
| Crew | Bud Davis | Stunt Coordinator |
| Editing | David Orr | Color Timer |
| Crew | Bernie Pock | Stunt Double |
| Costume & Make-Up | Matthew W. Mungle | Special Effects Makeup Artist |
| Costume & Make-Up | Cydney Cornell | Key Hair Stylist |
| Costume & Make-Up | Kathrine Gordon | Hairstylist |
| Costume & Make-Up | Matthew W. Mungle | Key Makeup Artist |
| Crew | Jeff Mosley | Stunts |
| Crew | Hannah Kozak | Stunt Double |
| Lighting | Joe Crowley | Chief Lighting Technician |
