In het midden van de 27e eeuw is de Terran Confederation in oorlog met het Kilrathi Keizerrijk. Nadat een Terran-basis vernietigd is, hebben de Kilrathi de beschikking over een NAVCOM-unit met de hyperspace-coördinaten naar Aarde. Versterkingen zullen op z'n vroegst pas 2 uur na de vernietiging van de Aarde kunnen komen, en dus is het aan het vechtschip TCS Tiger Claw om de Kilrathi een paar uurtjes bezig te houden.
Nee, helaas is Wing Commander nog niet beschikbaar op Netflix in Nederland.
| Sound | David Arnold | Original Music Composer |
| Directing | Christopher Roberts | Director |
| Production | Donna Burkons | Producer |
| Production | Joseph Newton Cohen | Producer |
| Writing | Christopher Roberts | Screenplay |
| Sound | Kevin Kiner | Original Music Composer |
| Camera | Thierry Arbogast | Director of Photography |
| Editing | Peter Davies | Editor |
| Production | Suzanne Smith Crowley | Casting |
| Art | Peter Lamont | Production Design |
| Production | Gilly Poole | Casting |
| Art | James Hambidge | Art Direction |
| Art | Ken Court | Art Direction |
| Art | Simon Bowles | Art Direction |
| Art | Simon Lamont | Art Direction |
| Art | Alan Tomkins | Art Direction |
| Art | Richard Roberts | Set Decoration |
| Art | Mark Harris | Art Direction |
| Art | Michael Ford | Set Decoration |
| Costume & Make-Up | Magali Guidasci | Costume Design |
| Art | Charles Dwight Lee | Supervising Art Director |
| Editing | Guy Williams | Digital Intermediate |
| Lighting | Claude Hirsch | Gaffer |
| Lighting | Eric Wobma | Best Boy Electric |
| Visual Effects | Harry Wiesenhaan | Special Effects Supervisor |
| Crew | Nik Williams | Animatronics Supervisor |
| Sound | Peter Baldock | Supervising Sound Editor |
| Camera | Etienne Braun | Still Photographer |
| Sound | Dina Eaton | Music Editor |
| Visual Effects | Seth Lippman | Visual Effects Technical Director |
| Art | Peter Williams | Construction Coordinator |
| Crew | Jennifer Wollan | Visual Effects Editor |
| Visual Effects | David Altenau | Visual Effects Supervisor |
| Sound | Gillian Dodders | Supervising Dialogue Editor |
| Camera | Tom Ryan | First Assistant Camera |
| Camera | Jean-François Roqueplo | Key Grip |
| Sound | Barklie K. Griggs | Music Supervisor |
| Visual Effects | David Taritero | Visual Effects Producer |
| Sound | Graham V. Hartstone | Sound Re-Recording Mixer |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Sound | John Hayward | Sound Re-Recording Mixer |
| Crew | Graham Johnston | Video Assist Operator |
| Costume & Make-Up | Nicole Young | Assistant Costume Designer |
| Crew | Chris Olivia | Sequence Supervisor |
| Visual Effects | Thomas Dadras | Visual Effects Supervisor |
| Visual Effects | Dane Picard | Visual Effects Technical Director |
| Costume & Make-Up | Tiny Nicholls | Wardrobe Supervisor |
| Editing | Wayne Smith | First Assistant Editor |
| Crew | Mark Lambert | CG Supervisor |
| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Camera | Roger Simonsz | Camera Operator |
| Visual Effects | Chris Brown | Visual Effects Supervisor |
| Production | Meinir Stoutt | Production Manager |
| Art | Barry Wilkinson | Property Master |
| Visual Effects | Kevin Andrew Smith | Visual Effects Technical Director |
| Sound | Richard Pryke | Sound Re-Recording Mixer |
| Sound | Gillian Dodders | Supervising ADR Editor |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Visual Effects | Scott Peterson | Visual Effects Technical Director |
| Sound | Mark Heslop | Sound Editor |
| Crew | Henry Eshelman | Unit Publicist |
| Crew | Edward Wiesenhaan | Special Effects Coordinator |
| Art | Katrina Duce | Art Department Coordinator |
| Directing | Sue Field | Script Supervisor |
| Sound | Miriam Ludbrook | Foley Editor |
| Costume & Make-Up | Vivian Nowak | Hairstylist |
| Visual Effects | Erik Strauss | Visual Effects Producer |
| Sound | Gerard McCann | ADR Editor |
| Sound | Tom Sayers | Foley Editor |
| Costume & Make-Up | Stephen Rose | Hairstylist |
| Crew | Michael McNeill | Sequence Supervisor |
