Het bedrijf TraviCom zet een expeditie op die als doel heeft het vinden van het hart van Congo, waar diamanten gevonden moeten worden voor satellieten. De expeditieleider verliest contact met zijn zoon en besluit een reddingsactie op touw te zetten. Het team bestaat uit professor Peter Elliot, electronica expert Karen Ross, gids Monroe Kelly en ontdekkingsreiziger Homolka. Eenmaal daar aangekomen blijkt dat mensen vermoord worden door vreemde, moordlustige dieren...
Nee, helaas is Congo nog niet beschikbaar op Netflix in Nederland.
| Writing | John Patrick Shanley | Screenplay |
| Writing | Michael Crichton | Author |
| Camera | Allen Daviau | Director of Photography |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | Anne V. Coates | Editor |
| Production | Frank Marshall | Executive Producer |
| Directing | Frank Marshall | Director |
| Production | Sam Mercer | Producer |
| Production | Kathleen Kennedy | Producer |
| Crew | M. James Arnett | Stunt Coordinator |
| Lighting | Dana Arnold | Lighting Technician |
| Sound | James Thatcher | Musician |
| Art | Jerry Moss | Property Master |
| Art | Jeff Frost | Sculptor |
| Costume & Make-Up | Christina Smith | Key Makeup Artist |
| Crew | Kathleen Jo Stude-Elliott | Post Production Supervisor |
| Lighting | Chris Napolitano | Rigging Gaffer |
| Production | Paul Pav | Location Manager |
| Production | Michael Backes | Associate Producer |
| Production | Frank Yablans | Executive Producer |
| Art | Lisa Fischer | Set Decoration |
| Art | Eric Sundahl | Art Department Assistant |
| Art | William S. Maxwell III | Leadman |
| Camera | David Daunt | Camera Technician |
| Costume & Make-Up | Susan Schuler-Page | Hairstylist |
| Crew | Seth Arnett | Stunts |
| Lighting | Kevin Arnold | Lighting Coordinator |
| Sound | Gregg Baxter | Supervising Sound Editor |
| Art | Carol Kiefer | Art Department Coordinator |
| Art | Tom Lifsey | Construction Foreman |
| Crew | Bruce Richter | Carpenter |
| Crew | Sashy Bogdanovich | Set Production Assistant |
| Crew | Dave Robling | Transportation Coordinator |
| Art | John French | Painter |
| Production | Paul Deason | Unit Production Manager |
| Production | Allison Cowitt | Casting |
| Costume & Make-Up | Marilyn Matthews | Costume Design |
| Camera | Tom Connole | Additional Photography |
| Production | Terrence Harris | Casting Associate |
| Production | Angela Heald | Production Supervisor |
| Costume & Make-Up | Taylor Black | Set Dressing Artist |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Directing | Faith Conroy | Script Supervisor |
| Sound | Hector C. Gika | Foley Editor |
| Crew | Claudia Mullaly | Visual Effects Art Director |
| Production | Mike Fenton | Casting |
| Camera | Gary A. Beaird | Grip |
| Sound | Alexander Courage | Orchestrator |
| Crew | Michael McGovern | Visual Effects Editor |
| Visual Effects | Lydia Bottegoni | Visual Effects Producer |
| Art | Wendy Riva | Assistant Art Director |
| Art | J. Michael Riva | Production Design |
| Costume & Make-Up | Cynthia Barr | Makeup Artist |
| Crew | John Giuliano | Propmaker |
| Crew | Michael Denering | Scenic Artist |
| Sound | Ron Judkins | Sound Mixer |
| Art | Richard Holland | Supervising Art Director |
| Art | Charlie Daboub | Set Designer |
| Camera | Merrick Morton | Still Photographer |
| Crew | Chris 'Kid' Schwartz | Post Production Assistant |
| Crew | Tom Marshall | Transportation Captain |
| Crew | Scott Fair | Driver |
| Crew | Daniel B. Ossello | Special Effects Coordinator |
| Editing | Mike Milliken | Color Timer |
| Lighting | Kevin Dean | Rigging Grip |
| Production | Andy Birmingham | Production Accountant |
| Art | Donna Cline | Production Illustrator |
| Costume & Make-Up | Judith A. Cory | Key Hair Stylist |
| Sound | Michael P. Cook | Dialogue Editor |
| Sound | Darrell Hall | Music Editor |
| Sound | Rick Bozeat | Sound Effects Editor |
| Art | Terry Scott | Construction Coordinator |
| Crew | Anne Marie Stein | Unit Publicist |
| Production | Tara Meaney-Crocitto | Production Coordinator |
| Visual Effects | Tina Gonzalez | Visual Effects Coordinator |
| Production | Paul Deason | Associate Producer |
| Camera | Paul C. Babin | Camera Operator |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Crew | Tove Blue Valentine | Cableman |
| Crew | Laurie Gonzales | Craft Service |
| Directing | Katterli Frauenfelder | First Assistant Director |
| Sound | Desmond Cannon | Assistant Sound Editor |
| Sound | Robert Jackson | Boom Operator |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Visual Effects | Chris Cowan | Mechanical Designer |
| Visual Effects | Michael Lantieri | Special Effects Supervisor |
| Visual Effects | Scott Farrar | Visual Effects Supervisor |
| Art | Dan Perri | Title Designer |
| Directing | Mark Cotone | Second Assistant Director |
| Art | Lesley Neufeld | Textile Artist |
| Directing | Lissa Ruben | Continuity |
| Sound | Bob Baron | ADR Mixer |
| Sound | Ken Dufva | Foley Artist |
| Sound | Randy Singer | Foley Mixer |
| Costume & Make-Up | Mary C. Lane | Costumer |
| Directing | M. James Arnett | Second Unit Director |
| Art | Sherman Labby | Storyboard Artist |
| Art | Tom Southwell | Concept Artist |
| Costume & Make-Up | Renee Napier | Contact Lens Technician |
| Art | Craig Raiche | Assistant Property Master |
| Sound | Laura Graham | ADR Editor |
| Directing | Laura Nisbet Peters | Second Second Assistant Director |
| Sound | Robert Batha | First Assistant Sound Editor |
| Visual Effects | John Gazdik | Visual Effects Camera |
| Crew | Keith Woulard | Stunt Double |
| Camera | Louis Niemeyer | Assistant Camera |
| Camera | Bobby Huber | First Company Grip |
| Sound | Nerses Gezalyan | Foley Recordist |
| Sound | Pamela Bentkowski | Foley Supervisor |
| Camera | Richard L. Carden | Dolly Grip |
| Sound | Nigel Holland | Sound Effects Designer |
| Crew | Craig Tex Barnett | Special Effects Technician |
| Visual Effects | Saul Saladow | Visual Effects Assistant Editor |
| Editing | Cary Shott | Assistant Editor |
| Production | Sean T. Stratton | Post Production Coordinator |
| Camera | Tim Wooster | Focus Puller |
| Production | Rachel Davies | Casting Assistant |
| Camera | Rusty Reilly | Second Company Grip |
| Production | Deborah J. Page | Assistant Location Manager |
| Visual Effects | Dorne Huebler | Digital Compositor |
| Production | Deborah Roth | Researcher |
| Lighting | William R. Mayberry | Assistant Chief Lighting Technician |
| Sound | Jerry Goldsmith | Conductor |
| Production | Stiles White | Production Assistant |
| Crew | J.W. 'Corkey' Fornof | Aerial Coordinator |
| Editing | Doug Jones | Negative Cutter |
| Production | Patrick R. Siembieda | Assistant Accountant |
| Crew | Adam Shankman | Choreographer |
| Camera | Elyse Couvillion | Second Assistant Camera |
| Lighting | Larry Wallace | Chief Lighting Technician |
| Production | Jenny Pont | Location Coordinator |
| Production | Belinda Celis | Production Secretary |
| Crew | Jules Sylvester | Animal Coordinator |
| Production | Carlos Cordero | Local Casting |
| Crew | Werner Keppler | Special Effects |
| Production | Kenneth Chamitoff | Extras Casting |
| Crew | Chuck Picerni Jr. | Stunts |
| Camera | Peter McAdams | Best Boy Grip |
| Crew | Gilbert B. Combs | Stunts |
| Crew | Brian Smrz | Stunts |
| Crew | Lisa McCullough | Stunts |
