Tim Avery wordt vader van een baby met bijzondere krachten. De baby heeft de krachten van het "Masker van Loki", een mythologisch object dat de gebruiker transformeert in een getikte vorm veranderende alter-ego.
Nee, helaas is Son of the Mask nog niet beschikbaar op Netflix in Nederland.
Editing | Malcolm Campbell | Editor |
Production | Erica Huggins | Producer |
Sound | Randy Edelman | Original Music Composer |
Writing | Lance Khazei | Screenplay |
Directing | Lawrence Guterman | Director |
Camera | Greg Gardiner | Director of Photography |
Directing | Kristin Witcombe | Script Supervisor |
Camera | Tov Belling | First Assistant Camera |
Camera | Adrien Seffrin | Focus Puller |
Lighting | Reg Garside | Gaffer |
Camera | Darrin Keough | Additional Camera |
Camera | Vince Valitutti | Still Photographer |
Camera | John Trapman | Camera Operator |
Camera | Aron Walker | Dolly Grip |
Camera | Damien Beebe | Camera Operator |
Camera | Jem Rayner | First Assistant Camera |
Camera | Marc Spicer | Camera Operator |
Camera | Simon Harding | Steadicam Operator |
Camera | Brett Tracey | Clapper Loader |
Camera | Calum McFarlane | "A" Camera Operator |
Camera | Andrew Turman | Second Unit Director of Photography |
Camera | Toby Copping | Key Grip |
Camera | Lee Mariano | Second Assistant "B" Camera |
Camera | Matt Toll | First Assistant "A" Camera |
Editing | David Birrell | Assistant Editor |
Camera | Simon Harding | Camera Operator |
Camera | Michael Vivian | Dolly Grip |
Camera | Damian Wyvill | Additional Camera |
Camera | David Knight | Steadicam Operator |
Camera | Gerard Maher | Clapper Loader |
Camera | Cameron Morley | Second Assistant Camera |
Editing | Jim Passon | Color Timer |
Camera | Carson Reaves | First Assistant Camera |
Camera | Matthew Copping | Dolly Grip |
Production | Pat Sito | Production Manager |
Visual Effects | Chuck Duke | Animation |
Art | Dennis Venizelos | Background Designer |
Crew | Howard R. Campbell | Technical Supervisor |
Art | Jennifer Yuan | Background Designer |
Crew | John Dillon | Special Effects |
Directing | Toby Pease | First Assistant Director |
Art | Tricia McInally | Art Department Coordinator |
Art | Andrew Short | Set Dresser |
Sound | Gary Dixon | Boom Operator |
Sound | Frank Smathers | Sound Editor |
Production | Beau Marks | Unit Production Manager |
Production | Jennifer Cornwell | Unit Production Manager |
Visual Effects | Susan MacLeod | Visual Effects Producer |
Sound | Brian W. Jennings | Sound Editor |
Sound | Nancy Barker | First Assistant Sound Editor |
Art | Mary-Liz Andrews | Construction Coordinator |
Art | Rebecca Cohen | Set Decoration |
Art | Jo-Ann Beikoff | Set Dresser |
Art | Brian Dusting | Property Master |
Sound | Greg Hedgepath | Supervising Sound Editor |
Production | Lynell Bangs | Production Accountant |
Production | Roger Mussenden | Casting |
Directing | Giovanni Pacialeo | Second Second Assistant Director |
Production | Barbara Harris | ADR Voice Casting |
Sound | Mark Larry | Sound Editor |
Editing | Debra Neil-Fisher | Editor |
Sound | Michael Edward Johnson | Sound Editor |
Sound | Fred Stafford | ADR Editor |
Sound | Daryl Lathrop | ADR Recordist |
Sound | Thom Brennan | Foley Supervisor |
Costume & Make-Up | Mary E. Vogt | Costume Design |
Sound | Julio Carmona | ADR Recordist |
Visual Effects | James E. Price | Visual Effects Supervisor |
Art | Brian Dusting | Art Direction |
Sound | Bobbi Banks | ADR Supervisor |
Sound | Alyson Dee Moore | Foley Artist |
Sound | Mary Jo Lang | Foley Mixer |
Sound | Scott Morgan | Foley Recordist |
Sound | Ron Bedrosian | ADR Mixer |
Art | Michelle McGahey | Supervising Art Director |
Crew | Keith Young | Choreographer |
Sound | James Azizi Penny | Sound Editor |
Sound | John Roesch | Foley Artist |
Directing | Naomi Enfield | Second Assistant Director |
Sound | David A. Cohen | Supervising Dialogue Editor |
Sound | Ben Wilkins | Sound Editor |
Sound | Weldon Brown | ADR Mixer |
Crew | Martin Allan Kloner | Visual Effects Editor |
Sound | Eddie Kim | Sound Editor |
Art | Bill Booth | Supervising Art Director |
Sound | Paul 'Salty' Brincat | Sound Recordist |
Visual Effects | Ned Gorman | Visual Effects Producer |
Costume & Make-Up | Brian Sipe | Special Effects Makeup Artist |
Sound | Jon Taylor | Sound Re-Recording Mixer |
Visual Effects | Colleen Bachman | Visual Effects Coordinator |
Visual Effects | Bruce Jones | Visual Effects Producer |
Costume & Make-Up | David Dupuis | Prosthetic Makeup Artist |
Visual Effects | Michele Ferrone | Visual Effects Producer |
Costume & Make-Up | Toni Ffrench | Makeup & Hair |
Sound | Christy Gerhart | Music Coordinator |
Sound | Andrew Silver | Music Editor |
Sound | Ralph Ferraro | Orchestrator |
Visual Effects | Mark Dornfeld | Visual Effects Supervisor |
Costume & Make-Up | Nadia Cowell | Makeup & Hair |
Visual Effects | Edward Hirsh | Visual Effects Supervisor |
Directing | James E. Price | Second Unit Director |
Sound | Brad Sherman | Sound Re-Recording Mixer |
Editing | Rick Downey | Negative Cutter |
Costume & Make-Up | Erica Wells | Makeup & Hair |
Visual Effects | Thomas Schelesny | Visual Effects Supervisor |
Crew | Fiona Searson | Unit Publicist |
Costume & Make-Up | Chiara Tripodi | Makeup & Hair |
Sound | Michael Herbick | Sound Re-Recording Mixer |
Editing | John Coniglio | Editor |
Production | Sean Gorman | Associate Producer |
Production | Scott Kroopf | Producer |
Production | Mike Richardson | Executive Producer |
Production | Dae Won Cho | Producer |
Production | Kent Alterman | Executive Producer |
Production | Stephen Jones | Co-Producer |
Production | Michele Weiss | Executive Producer |
Production | Beau Marks | Executive Producer |
Art | Leslie Dilley | Production Design |
Production | Toby Emmerich | Executive Producer |
Visual Effects | Tom Tataranowicz | Animation Production Assistant |
Writing | Lance Khazei | Writer |
Visual Effects | Damien Carr | Visual Effects Coordinator |