New York. Hi-tech superconcern waar Ben Kingsley de scepter zwaait en dat vooral gespecialiseerd is in het conserveren van dieren die dreigen uit te sterven. Zeer veel geld verdienen ze met een virtuele safari, waarbij tegen betaling, mensen via een hi-tech computer terug naar de pre-historie afgeschoten worden, alwaar ze op levensgrote in het wild levende levensechte dieren, waaronder dinosaurussen, jagen. Een en ander gebeurt onder strikte regels. Zo hebben de deelnemers speciale kleding, apart wapentuig en mogen ze absoluut niet van de baan afstappen waar ze oplopen en waar vandaan ze jagen. Zoiets zou verschrikkelijke gevolgen kunnen hebben..
Nee, helaas is A Sound of Thunder nog niet beschikbaar op Netflix in Nederland.
| Production | Romana Cisarova | Executive Producer |
| Production | William J. Immerman | Executive Producer |
| Art | Keith Pain | Art Direction |
| Writing | Gregory Poirier | Author |
| Production | Breck Eisner | Executive Producer |
| Production | Moshe Diamant | Producer |
| Costume & Make-Up | Esther Walz | Costume Design |
| Production | Yoram Barzilai | Line Producer |
| Editing | Sylvie Landra | Editor |
| Production | Anja Dihrberg | Casting |
| Production | Jörg Westerkamp | Executive Producer |
| Writing | Ray Bradbury | Author |
| Camera | Peter Hyams | Director of Photography |
| Production | Rick Nathanson | Executive Producer |
| Art | Richard Holland | Production Design |
| Directing | Peter Hyams | Director |
| Production | Guy J. Louthan | Line Producer |
| Production | Elie Samaha | Executive Producer |
| Sound | Nick Glennie-Smith | Original Music Composer |
| Production | Jessica Horváthová | Casting |
| Costume & Make-Up | Sakina Msa | Costume Design |
| Writing | Thomas Dean Donnelly | Author |
| Art | Richard Roberts | Set Decoration |
| Production | Karen Elise Baldwin | Producer |
| Production | John Hardy | Executive Producer |
| Writing | Joshua Oppenheimer | Screenplay |
| Art | Jean-Francois Mignault | Conceptual Design |
| Crew | David J. Witters | CGI Supervisor |
| Directing | Catherine Allinson | Script Supervisor |
| Sound | Dominik Schleier | Dialogue Editor |
| Production | Jan Fantl | Co-Producer |
| Costume & Make-Up | Steve Artmont | Makeup Artist |
| Production | Reinhild Gräber | Production Supervisor |
| Art | Klara Holubova | Art Department Coordinator |
| Sound | Manfred Banach | Sound Mixer |
| Sound | Michael Hinreiner | Sound Re-Recording Mixer |
| Production | Howard Baldwin | Executive Producer |
| Production | Veronika Horka | Production Coordinator |
| Sound | Nick Baldock | Assistant Sound Editor |
| Crew | Casey Allen | Compositor |
| Crew | Jay Randall | Sequence Supervisor |
| Production | Sue Jones | Casting |
| Art | Martina Ter-Akopowá | Props |
| Production | Frank Hübner | Co-Producer |
| Sound | Craig Clark | ADR Supervisor |
| Sound | Benjamin Krüger | Boom Operator |
| Production | Steve Cantor | Associate Producer |
| Costume & Make-Up | Linda Mooney | Hairstylist |
| Directing | Charlie Watson | First Assistant Director |
| Sound | Robin Pohle | Sound Effects Editor |
| Visual Effects | Joss Williams | Special Effects Supervisor |
| Sound | Noemi Hampel | Foley Editor |
| Crew | Neil Toddy Todd | Special Effects |
| Crew | Tim Grover | Post Production Supervisor |
| Art | Slavek Vankat | Art Department Assistant |
| Sound | Peter Baldock | Supervising Sound Editor |
| Production | Ondřej Sláma | Unit Production Manager |
| Production | Andrew Stevens | Executive Producer |
| Production | Petr Šplíchal | Unit Manager |
| Art | Desmond Crowe | Set Designer |
| Crew | Scott Dougherty | Executive Visual Effects Producer |
| Editing | Harry Muller | Color Timer |
| Production | Jiri Krejcir | Location Manager |
| Crew | Soline Guyonneau | Visual Effects Editor |
| Editing | Nadia Naimi | First Assistant Editor |
| Sound | Mark Berrow | Musician |
| Visual Effects | Gayle Busby | Visual Effects Producer |
| Crew | Rudolf Bok | Stunts |
| Costume & Make-Up | Till Fuhrmann | Assistant Costume Designer |
| Crew | Igor Chevalier | Visual Effects Art Director |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Camera | Murray Close | Still Photographer |
| Editing | Gregory Creaser | Digital Intermediate |
| Lighting | Václav Čermák | Rigging Gaffer |
| Sound | Gerard McCann | Music Editor |
| Lighting | Andy Arnautov | Gaffer |
| Camera | James Lewis | Underwater Camera |
| Crew | Adam W. Rosen | Legal Services |
| Crew | Dianne Mapp-Cheek | Production Controller |
| Visual Effects | Bastian Schreitling | Visual Effects Coordinator |
| Camera | Mario Matic | Grip |
| Visual Effects | David Lingenfelser | Visual Effects Supervisor |
| Visual Effects | Arndt Baumueller | Visual Effects |
| Visual Effects | Dietrich Hasse | Animation Supervisor |
| Crew | Petr Drozda | Stunt Coordinator |
| Lighting | Kriz David | Electrician |
| Crew | Steffen M. Wild | Digital Effects Supervisor |
| Camera | Helge Felgendreher | Key Grip |
| Crew | Ernestine Kahn | Dialect Coach |
| Production | Jack W. Haddox | Post Production Accountant |
| Camera | Stephen S. Campanelli | Camera Operator |
| Crew | Eva Dvorakova | Set Medic |
| Sound | Colin Rogers | ADR Mixer |
| Visual Effects | Bonnie Lemon | Visual Effects Production Manager |
| Production | Mike Bocek | Key Set Production Assistant |
| Sound | Anja Bause | Foley Recordist |
| Directing | Adrian Toynton | Second Assistant Director |
| Directing | Martina Götthansova | Third Assistant Director |
| Camera | Graham Hall | Assistant Camera |
| Camera | Robert-James Bova | Best Boy Grip |
| Production | Guy J. Louthan | Production Executive |
| Visual Effects | Marlan Harris | Rotoscoping Artist |
| Camera | Ian Coffey | Clapper Loader |
| Directing | Raza Mallal | Second Unit Director |
| Art | Igor Chevalier | Conceptual Illustrator |
| Production | Tracy Fedak | Second Assistant Accountant |
| Art | Chris John Jones | Creative Director |
| Visual Effects | Ryan Lastimosa | VFX Artist |
| Camera | Sven Fink | Focus Puller |
| Editing | Diane Macke | Project Manager |
| Visual Effects | Ulysses Argetta | Digital Compositor |
| Visual Effects | Kino Scialabba | Matte Painter |
| Editing | Lisa Tutunjian | Digital Intermediate Editor |
| Production | Andreas Illenseer | Head of Production |
| Crew | Duncan Capp | Special Effects Technician |
| Visual Effects | Dragos Jieanu | CG Artist |
| Sound | Oliver Barth | ADR Editor |
| Visual Effects | Robert D. Crotty | Digital Effects Producer |
| Sound | Nick Glennie-Smith | Conductor |
| Art | James Doh | Storyboard Artist |
| Crew | Blanka Jarosova | Stunt Double |
| Costume & Make-Up | Ivana Němcová | Hair Assistant |
| Production | Vanessa Bolton | Accountant |
| Production | Lenka Kadlecova | Production Assistant |
| Costume & Make-Up | Katrin Hoffmann | Key Costumer |
| Directing | Miroslav Fozo | Second Second Assistant Director |
| Editing | Ross Porter-Ward | Assistant Editor |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Art | Dylan Cole | Concept Artist |
| Art | David E. Scott | Graphic Designer |
| Camera | Emiliano Topai | Second Assistant Camera |
| Editing | Mo Henry | Negative Cutter |
| Visual Effects | Christian McIntire | Visual Effects Supervisor |
