New York. Hi-tech superconcern Time Safari, waar Ben Kingsley de scepter zwaait, verdient zeer veel geld met het verzorgen van virtuele safari's. Tegen betaling kunnen mensen via een hi-tech computer terug naar de pre-historie, alwaar ze op levensgrote en in het wild levende dieren, waaronder dinosaurussen, jagen. Uiteraard wel onder strikte regels. Zo hebben de deelnemers speciale kleding, apart wapentuig en mogen ze absoluut niet van de baan afstappen waar ze op lopen en waar vandaan ze jagen. Alles gaat goed totdat één van de deelnemers aan deze safari toch van de baan afstapt en er een vlinder aan zijn schoenzool blijft plakken. Zonder het te weten zet hij een kettingreactie in gang die zijn weerga niet kent en de mensheid in haar bestaan op alle fronten dreigt te vernietigen...
Nee, helaas is A Sound of Thunder nog niet beschikbaar op Netflix in Nederland.
| Directing | Peter Hyams | Director |
| Production | Yoram Barzilai | Line Producer |
| Production | Moshe Diamant | Producer |
| Production | Breck Eisner | Executive Producer |
| Production | Guy J. Louthan | Line Producer |
| Production | Romana Cisarova | Executive Producer |
| Production | Rick Nathanson | Executive Producer |
| Production | Elie Samaha | Executive Producer |
| Sound | Nick Glennie-Smith | Original Music Composer |
| Editing | Sylvie Landra | Editor |
| Production | Anja Dihrberg | Casting |
| Art | Richard Holland | Production Design |
| Production | William J. Immerman | Executive Producer |
| Art | Richard Roberts | Set Decoration |
| Production | Jessica Horváthová | Casting |
| Art | Keith Pain | Art Direction |
| Camera | Peter Hyams | Director of Photography |
| Production | Jörg Westerkamp | Executive Producer |
| Costume & Make-Up | Esther Walz | Costume Design |
| Costume & Make-Up | Sakina Msa | Costume Design |
| Production | Karen Elise Baldwin | Producer |
| Writing | Joshua Oppenheimer | Screenplay |
| Visual Effects | Christian McIntire | Visual Effects Supervisor |
| Production | John Hardy | Executive Producer |
| Writing | Thomas Dean Donnelly | Screenplay |
| Writing | Gregory Poirier | Screenplay |
| Production | Steve Cantor | Associate Producer |
| Production | Frank Hübner | Co-Producer |
| Production | Jan Fantl | Co-Producer |
| Production | Howard Baldwin | Executive Producer |
| Production | Andrew Stevens | Executive Producer |
| Production | Sue Jones | Casting |
| Costume & Make-Up | Linda Mooney | Hairstylist |
| Costume & Make-Up | Steve Artmont | Makeup Artist |
| Crew | Tim Grover | Post Production Supervisor |
| Production | Reinhild Gräber | Production Supervisor |
| Production | Petr Šplíchal | Unit Manager |
| Production | Ondřej Sláma | Unit Production Manager |
| Directing | Charlie Watson | First Assistant Director |
| Directing | Catherine Allinson | Script Supervisor |
| Art | Slavek Vankat | Art Department Assistant |
| Art | Klara Holubova | Art Department Coordinator |
| Art | Jean-Francois Mignault | Conceptual Design |
| Production | Veronika Horka | Production Coordinator |
| Art | Martina Ter-Akopowá | Props |
| Art | Desmond Crowe | Set Designer |
| Sound | Craig Clark | ADR Supervisor |
| Sound | Nick Baldock | Assistant Sound Editor |
| Sound | Benjamin Krüger | Boom Operator |
| Sound | Dominik Schleier | Dialogue Editor |
| Sound | Noemi Hampel | Foley Editor |
| Sound | Robin Pohle | Sound Effects Editor |
| Sound | Manfred Banach | Sound Mixer |
| Sound | Michael Hinreiner | Sound Re-Recording Mixer |
| Sound | Peter Baldock | Supervising Sound Editor |
| Crew | Neil Toddy Todd | Special Effects |
| Visual Effects | Joss Williams | Special Effects Supervisor |
| Crew | David J. Witters | CGI Supervisor |
| Crew | Casey Allen | Compositor |
| Crew | Jay Randall | Sequence Supervisor |
| Visual Effects | Arndt Baumueller | Visual Effects |
| Crew | Igor Chevalier | Visual Effects Art Director |
| Visual Effects | Bastian Schreitling | Visual Effects Coordinator |
| Crew | Soline Guyonneau | Visual Effects Editor |
| Visual Effects | Gayle Busby | Visual Effects Producer |
| Visual Effects | David Lingenfelser | Visual Effects Supervisor |
| Crew | Petr Drozda | Stunt Coordinator |
| Crew | Rudolf Bok | Stunts |
| Camera | Stephen S. Campanelli | Camera Operator |
| Lighting | Kriz David | Electrician |
| Lighting | Andy Arnautov | Gaffer |
| Camera | Mario Matic | Grip |
| Camera | Helge Felgendreher | Key Grip |
| Lighting | Václav Čermák | Rigging Gaffer |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Camera | Murray Close | Still Photographer |
| Camera | James Lewis | Underwater Camera |
| Visual Effects | Dietrich Hasse | Animation Supervisor |
| Costume & Make-Up | Till Fuhrmann | Assistant Costume Designer |
| Editing | Harry Muller | Color Timer |
| Editing | Gregory Creaser | Digital Intermediate |
| Editing | Nadia Naimi | First Assistant Editor |
| Production | Jiri Krejcir | Location Manager |
| Sound | Gerard McCann | Music Editor |
| Sound | Mark Berrow | Musician |
| Crew | Ernestine Kahn | Dialect Coach |
| Crew | Steffen M. Wild | Digital Effects Supervisor |
| Crew | Adam W. Rosen | Legal Services |
| Crew | Eva Dvorakova | Set Medic |
| Production | Jack W. Haddox | Post Production Accountant |
| Crew | Dianne Mapp-Cheek | Production Controller |
| Costume & Make-Up | Ivana Němcová | Hair Assistant |
| Costume & Make-Up | Katrin Hoffmann | Key Costumer |
| Directing | Adrian Toynton | Second Assistant Director |
| Directing | Miroslav Fózó | Second Second Assistant Director |
| Directing | Raza Mallal | Second Unit Director |
| Directing | Martina Götthansova | Third Assistant Director |
| Art | Dylan Cole | Concept Artist |
| Art | Igor Chevalier | Conceptual Illustrator |
| Art | Chris John Jones | Creative Director |
| Art | David E. Scott | Graphic Designer |
| Art | James Doh | Storyboard Artist |
| Sound | Oliver Barth | ADR Editor |
| Sound | Colin Rogers | ADR Mixer |
| Sound | Anja Bause | Foley Recordist |
| Crew | Duncan Capp | Special Effects Technician |
| Visual Effects | Ryan Lastimosa | VFX Artist |
| Visual Effects | Bonnie Lemon | Visual Effects Production Manager |
| Crew | Blanka Jarošová | Stunt Double |
| Camera | Graham Hall | Assistant Camera |
| Camera | Robert-James Bova | Best Boy Grip |
| Camera | Ian Coffey | Clapper Loader |
| Camera | Sven Fink | Focus Puller |
| Camera | Emiliano Topai | Second Assistant Camera |
| Editing | Ross Porter-Ward | Assistant Editor |
| Editing | Lisa Tutunjian | Digital Intermediate Editor |
| Editing | Mo Henry | Negative Cutter |
| Editing | Diane Macke | Project Manager |
| Sound | Nick Glennie-Smith | Conductor |
| Production | Vanessa Bolton | Accountant |
| Visual Effects | Dragos Jieanu | CG Artist |
| Visual Effects | Ulysses Argetta | Digital Compositor |
| Visual Effects | Robert D. Crotty | Digital Effects Producer |
| Production | Andreas Illenseer | Head of Production |
| Production | Mike Bocek | Key Set Production Assistant |
| Visual Effects | Kino Scialabba | Matte Painter |
| Production | Lenka Kadlecova | Production Assistant |
| Production | Guy J. Louthan | Production Executive |
| Visual Effects | Marlan Harris | Rotoscoping Artist |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Production | Tracy Fedak | Second Assistant Accountant |
| Crew | 熊欣欣 | Stunt Coordinator |
| Visual Effects | Scott Dougherty | Visual Effects Supervisor |
| Writing | Ray Bradbury | Short Story |
| Writing | Joshua Oppenheimer | Screenstory |
| Writing | Thomas Dean Donnelly | Screenstory |
