New York, 1959. Max Bialystock was ooit een grote Broadway-producer, maar momenteel zijn al zijn producties gegarandeerde flops. Hij ziet zijn redding in de komst van de neurotische accountant Leo Bloom, die hem laat inzien dat flops zelfs veel lucratiever kunnen zijn dan succesvolle shows. De enige voorwaarde is dat de shows ook echt absoluut onsuccesvol zullen zijn. Teneinde dit te bereiken besluit het duo de musical 'Springtime for Hitler' te produceren. Dat moet wel een flop worden... toch?
Nee, helaas is The Producers nog niet beschikbaar op Netflix in Nederland.
| Production | Tara Jayne Rubin | Casting |
| Production | Mel Brooks | Producer |
| Art | Peter Rogness | Art Direction |
| Writing | Thomas Meehan | Screenplay |
| Camera | Charles Minsky | Director of Photography |
| Production | Jonathan Sanger | Producer |
| Camera | John Bailey | Director of Photography |
| Writing | Mel Brooks | Screenplay |
| Art | Mark Friedberg | Production Design |
| Editing | Steven Weisberg | Editor |
| Production | Amy Herman | Producer |
| Sound | Glen Kelly | Original Music Composer |
| Directing | Susan Stroman | Director |
| Art | Ellen Christiansen | Set Decoration |
| Costume & Make-Up | William Ivey Long | Costume Design |
| Crew | Susan Stroman | Choreographer |
| Production | Leah Zappy | Associate Producer |
| Sound | Doug Besterman | Orchestrator |
| Production | Amy Herman | Unit Production Manager |
| Directing | Sam Hoffman | First Assistant Director |
| Directing | Michelle L. Keiser | Second Assistant Director |
| Crew | Warren Carlyle | Associate Choreographer |
| Sound | Tod A. Maitland | Sound Designer |
| Sound | Lon Bender | Sound Designer |
| Sound | Dan Lieberstein | Supervising Music Editor |
| Editing | William Kruzykowski | Additional Editor |
| Crew | G. A. Aguilar | Stunt Coordinator |
| Art | Sandy Hamilton | Property Master |
| Directing | Jessica Lichtner | Script Supervisor |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Patrick Capone | Camera Operator |
| Camera | Andrew Casey | Camera Operator |
| Camera | Bobby Mancuso | First Assistant Camera |
| Camera | Bob Becchio | First Assistant Camera |
| Camera | Scott Tinsley | Second Assistant Camera |
| Camera | Amanda Hudson | Second Assistant Camera |
| Camera | Beka Venezia | Camera Loader |
| Costume & Make-Up | Thomas Beall | Assistant Costume Designer |
| Costume & Make-Up | Elizabeth Shelton | Assistant Costume Designer |
| Costume & Make-Up | Gail A. Fitzgibbons | Costume Supervisor |
| Costume & Make-Up | Kevin Draves | Costume Supervisor |
| Costume & Make-Up | Naomi Donne | Makeup Designer |
| Costume & Make-Up | Kate Biscoe | Makeup Department Head |
| Costume & Make-Up | Victoria Wood | Wigmaker |
| Costume & Make-Up | Todd Kleitsch | Special Effects Makeup Artist |
| Costume & Make-Up | Lisa Layman | Makeup & Hair |
| Costume & Make-Up | Kyra Panchenko | Makeup Artist |
| Costume & Make-Up | Jerry Popolis | Hair Department Head |
| Costume & Make-Up | Karen Specht | Key Hair Stylist |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Lighting | Michael J. Maurer | Best Boy Electrician |
| Lighting | Kevin Janicelli | Rigging Gaffer |
| Camera | Richard Guinness Jr. | Key Grip |
| Camera | Glen Engels | Best Boy Grip |
| Camera | Patrick McGrath | Dolly Grip |
| Camera | Daniel Beaman | Dolly Grip |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Sound | Michael Scott | Boom Operator |
| Sound | Timothy R. Boyce Jr. | Utility Sound |
| Visual Effects | Steven Kirshoff | Special Effects Supervisor |
| Production | Betsy Alton | Production Coordinator |
| Production | Whitney J. Willard | Production Accountant |
| Production | Jennifer Zolten Freed | Post Production Accountant |
| Production | James Hinton | First Assistant Accountant |
| Production | Penni Smith | Payroll Accountant |
| Art | Rena DeAngelo | Assistant Set Decoration |
| Art | Mark Pollard | Graphic Designer |
| Art | Gay Howard | Art Department Coordinator |
| Crew | Marsha Robertson | Unit Publicist |
| Directing | Kathryn-Ann Oaks Shertzer | Second Second Assistant Director |
| Editing | Rick Derby | Assistant Editor |
| Sound | Lon Bender | Supervising Sound Editor |
| Sound | Nicholas Renbeck | Dialogue Editor |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | Dave Paterson | Sound Effects Editor |
| Sound | Sean Garnhart | Sound Effects Editor |
| Sound | Warren Shaw | Sound Effects Editor |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Allen Lau | Assistant Sound Editor |
| Sound | Bill Orrico | Assistant Sound Editor |
| Sound | Gina Alfano | Supervising ADR Editor |
| Sound | David Boulton | ADR Mixer |
| Sound | Bobby Johanson | ADR Mixer |
| Sound | Bill Sweeney | Foley Editor |
| Sound | Jay Peck | Foley Artist |
| Sound | Ryan Collison | Foley Mixer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Sound | Missy Cohen | Music Editor |
| Sound | John M. Davis | Music Editor |
| Crew | James Fanning | Transportation Captain |
| Editing | Jim Passon | Color Timer |
| Editing | Mo Henry | Negative Cutter |
| Sound | Bradford L. Hohle | Dolby Consultant |
| Editing | Michael Kennedy | Digital Intermediate Producer |
| Editing | Devon Miller | Digital Intermediate Editor |
| Sound | Mel Brooks | Songs |
| Crew | John Cenatiempo | Stunts |
