In 1977 lanceerde men de Voyager II, met een uitnodiging aan alle levensvormen in het heelal om onze planeet te bezoeken. En dan komt er bezoek…..De sympathieke Starman heeft 3 dagen de tijd om te leren leven als een mens en dan moet hij terug naar zijn planeet. En in deze 3 dagen leert hij zowel het leven als de liefde kennen.
Nee, helaas is Starman nog niet beschikbaar op Netflix in Nederland.
| Writing | Raynold Gideon | Writer |
| Directing | John Carpenter | Director |
| Editing | Marion Rothman | Editor |
| Writing | Bruce A. Evans | Writer |
| Camera | Donald M. Morgan | Director of Photography |
| Production | Bruce A. Evans | Associate Producer |
| Production | Raynold Gideon | Associate Producer |
| Crew | Kerry Rossall | Stunts |
| Crew | William T. Lane | Stunts |
| Editing | Craig Ridenour | Assistant Editor |
| Sound | Thomas Causey | Sound Mixer |
| Costume & Make-Up | Andy Hylton | Costumer |
| Crew | Robert Jauregui | Stunts |
| Crew | John-Clay Scott | Stunts |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Crew | Ben Scott | Stunts |
| Sound | Jay Engel | ADR Editor |
| Sound | Hank Garfield | Boom Operator |
| Costume & Make-Up | Robin Michel Bush | Costumer |
| Camera | Richard Dow | Dolly Grip |
| Editing | Virginia Katz | Assistant Editor |
| Crew | Marguerite Happy | Stunts |
| Camera | Marc Margulies | Second Assistant Camera |
| Sound | Curt Sobel | Supervising Music Editor |
| Camera | Calvin Sterry | Key Grip |
| Production | Anna Zappia | Production Coordinator |
| Sound | Joseph F. Brennan | Boom Operator |
| Lighting | Mike Amorelli | Best Boy Electric |
| Production | Paul Pav | Location Manager |
| Production | Patricia Ledford | Location Manager |
| Visual Effects | Bruce Nicholson | Special Effects Supervisor |
| Crew | Eddie Lee Voelker | Transportation Coordinator |
| Crew | David Turner | Transportation Captain |
| Directing | Joe Alves | Second Unit Director |
| Lighting | Eric Smith | Best Boy Electric |
| Production | Pennie DuPont | Additional Casting |
| Editing | Brian Ralph | Negative Cutter |
| Production | Michael Hill | Production Accountant |
| Production | Jennifer Shull | Casting |
| Art | Robert R. Benton | Set Decoration |
| Art | Daniel A. Lomino | Production Design |
| Directing | Sandy King | Script Supervisor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Camera | Dean Williams | Still Photographer |
| Art | William J. Durrell Jr. | Set Designer |
| Lighting | Hugo Cortina | Gaffer |
| Sound | Don S. Walden | Sound Editor |
| Sound | Bill Varney | Sound Re-Recording Mixer |
| Camera | Chris Schwiebert | Camera Operator |
| Crew | Roy Arbogast | Special Effects Coordinator |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Crew | Bill Kimberlin | Visual Effects Editor |
| Sound | Michael P. Redbourn | Sound Editor |
| Sound | Tom McCarthy Jr. | Supervising Sound Editor |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Camera | George Kohut | Camera Operator |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Costume & Make-Up | Pete Altobelli | Makeup Artist |
| Art | Walt Hadfield | Construction Coordinator |
| Production | Carl Mazzocone | Researcher |
| Costume & Make-Up | Marina Pedraza | Hairstylist |
| Art | Bill Gay | Leadman |
| Art | Ken Zimmerman | Assistant Property Master |
| Art | Larry Clark Bird | Property Master |
| Production | Mark C. Haskins | Production Assistant |
| Sound | Jack Nitzsche | Original Music Composer |
| Crew | Terry Leonard | Stunt Coordinator |
| Directing | Jeffrey Chernov | Second Assistant Director |
| Production | Michael Douglas | Executive Producer |
| Production | Barry Bernardi | Co-Producer |
| Production | Larry Franco | Producer |
| Production | Tom Joyner | Production Manager |
| Directing | Larry Franco | First Assistant Director |
| Camera | Steven Poster | Second Unit Director of Photography |
