Coach Tony D'Amato is een levende legende in het American football. Maar sinds de drie nederlagen op rij ziet de toekomst van zijn Miami Sharks er niet bepaald rooskleurig uit. Tony vreest dan ook dat hij op het einde van het seizoen ontslagen zal worden door de jonge, ambitieuze voorzitster en mede-eigenares van de ploeg, Christina Pagniacci. Om het lot van zijn spelers en zichzelf te redden kan hij echter niet meer rekenen op zijn belangrijkste pion, de geblesseerde quarterback Jack Rooney. Wanneer ook zijn tweede quarterback sneuvelt, zit er voor Tony niets anders op dan een jonge, onbekende vervanger in te schakelen: Willie Beamen.
Nee, helaas is Any Given Sunday nog niet beschikbaar op Netflix in Nederland.
| Sound | Paul Kelly | Original Music Composer |
| Editing | Keith Salmon | Editor |
| Editing | Thomas J. Nordberg | Editor |
| Writing | John Logan | Screenplay |
| Production | Oliver Stone | Executive Producer |
| Editing | Stuart Waks | Editor |
| Production | Lauren Shuler Donner | Producer |
| Editing | Stuart Levy | Editor |
| Production | Dan Halsted | Producer |
| Directing | Oliver Stone | Director |
| Production | Clayton Townsend | Producer |
| Production | Richard Donner | Executive Producer |
| Writing | Oliver Stone | Screenplay |
| Camera | Salvatore Totino | Director of Photography |
| Sound | Richard Horowitz | Original Music Composer |
| Art | Victor Kempster | Production Design |
| Sound | Neal J. Anderson | Sound Effects Editor |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Perry Robertson | Sound Effects Editor |
| Production | Mary Vernieu | Casting |
| Sound | Peter J. Devlin | Production Sound Mixer |
| Sound | Michael Keller | Sound Re-Recording Mixer |
| Sound | Scott Sanders | Sound Effects Editor |
| Production | Billy Hopkins | Casting |
| Art | Ronald R. Reiss | Set Decoration |
| Directing | Elizabeth Ludwick-Bax | Script Supervisor |
| Sound | Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Sound | Hector C. Gika | Sound Effects Editor |
| Art | Derek R. Hill | Art Direction |
| Art | Ford Wheeler | Set Decoration |
| Camera | Robert Zuckerman | Still Photographer |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Costume & Make-Up | Ellen Falguiere | Assistant Costume Designer |
| Sound | Patrick Cyccone Jr. | Sound Re-Recording Mixer |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Costume & Make-Up | Mary Zophres | Costume Design |
| Sound | Kelly Cabral | Supervising Sound Editor |
| Sound | Randy Kelley | Sound Effects Editor |
| Sound | Chris Hogan | Dialogue Editor |
| Editing | Calvin Wimmer | First Assistant Editor |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Sound | Jennifer Mann | ADR Supervisor |
| Art | Charles Guanci Jr. | Property Master |
| Directing | Richard Patrick | First Assistant Director |
| Sound | Nerses Gezalyan | Sound Mixer |
| Sound | Kimaree Long | Dialogue Editor |
| Directing | George Parra | First Assistant Director |
| Sound | Jon Udell | Boom Operator |
| Art | Rosa Palomo | Art Department Coordinator |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Sound | Kevin Cerchiai | Boom Operator |
| Crew | Allan Graf | Stunt Coordinator |
| Writing | John Logan | Screenstory |
| Writing | Daniel Pyne | Screenstory |
| Directing | Allan Graf | Second Unit Director |
