In de zomer van 1956 werkte de 23-jarige Colin Clark, die net van Oxford komt en vastbesloten is om carrière te maken in de filmwereld, als assistent op de set van „The Prince and the Showgirl”, de film die Sir Laurence Olivier en Marilyn Monroe verenigde. Deze laatste was ook op huwelijksreis met haar nieuwe man, scenarioschrijver Arthur Miller.
Nee, helaas is My Week with Marilyn nog niet beschikbaar op Netflix in Nederland.
| Writing | Colin Clark | Book |
| Sound | Conrad Pope | Original Music Composer |
| Sound | Maggie Rodford | Music Supervisor |
| Sound | Dana Sano | Music Supervisor |
| Sound | Alexandre Desplat | Main Title Theme Composer |
| Sound | Conrad Pope | Conductor |
| Sound | Lang Lang | Musician |
| Sound | Michelle Williams | Songs |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Crew | Jane Gibson | Choreographer |
| Crew | Kathleen Marshall | Choreographer |
| Crew | Denise Faye | Choreographer |
| Crew | Penny Ryder | Stunt Double |
| Directing | Guy Heeley | First Assistant Director |
| Costume & Make-Up | Charlotte Sewell | Costume Supervisor |
| Production | Jason Wheeler | Location Manager |
| Sound | Richard Dyer | Sound Mixer |
| Directing | Vicki Howe | Script Supervisor |
| Lighting | Jules Fisher | Lighting Design |
| Lighting | Peggy Eisenhauer | Lighting Design |
| Directing | Charlie Reed | Second Assistant Director |
| Directing | Chris Foggin | Third Assistant Director |
| Camera | Adam Coles | Focus Puller |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Art | Mike Power | Property Master |
| Lighting | Mark Clayton | Gaffer |
| Camera | Laurence Cendrowicz | Still Photographer |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Crew | Julian Spencer | Stunt Coordinator |
| Crew | Belinda McGinley | Stunts |
| Visual Effects | Sheila Wickens | Visual Effects Supervisor |
| Visual Effects | Alan Church | Visual Effects Supervisor |
| Sound | Nick Lowe | Supervising Sound Editor |
| Sound | Catherine Hodgson | Sound Effects Editor |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Myron Nettinga | Sound Effects Editor |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Sound | Paul Hanks | Foley Artist |
| Sound | Ian Waggott | Foley Artist |
| Crew | Tania Blunden | Post Production Supervisor |
| Directing | Simon Curtis | Director |
| Writing | Adrian Hodges | Screenplay |
| Production | David Parfitt | Producer |
| Production | Harvey Weinstein | Producer |
| Production | Deborah Aquila | Casting |
| Production | Nina Gold | Casting |
| Production | Tricia Wood | Casting |
| Camera | Ben Smithard | Director of Photography |
| Art | Kevin Day | Standby Property Master |
| Editing | Adam Recht | Editor |
| Production | Bob Weinstein | Executive Producer |
| Production | Kelly Carmichael | Executive Producer |
| Production | Cleone Clarke | Associate Producer |
| Production | Mark Cooper | Co-Producer |
| Production | Simon Curtis | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Production | Jamie Laurenson | Executive Producer |
| Production | Ivan Mactaggart | Executive Producer |
| Production | Colin Vaines | Co-Executive Producer |
| Art | Donal Woods | Production Design |
| Art | Charmian Adams | Supervising Art Director |
| Art | Mark Kebby | Art Direction |
| Art | Judy Farr | Set Decoration |
| Production | Sara Desmond | Production Manager |
| Camera | Mark Milsome | "C" Camera Operator |
| Visual Effects | Diane Kingston | Visual Effects Producer |
| Camera | Ben Smithard | "A" Camera Operator |
| Sound | David Krane | Music Arranger |
| Sound | David Krane | Music Producer |
| Sound | David Krane | Vocal Coach |
| Costume & Make-Up | Jill Taylor | Costume Design |
| Costume & Make-Up | Martin Pakledinaz | Costume Design |
