In de zomer van 1956 werkte de 23-jarige Colin Clark, die net van Oxford komt en vastbesloten is om carrière te maken in de filmwereld, als assistent op de set van „The Prince and the Showgirl”, de film die Sir Laurence Olivier en Marilyn Monroe verenigde. Deze laatste was ook op huwelijksreis met haar nieuwe man, scenarioschrijver Arthur Miller.
Nee, helaas is My Week with Marilyn nog niet beschikbaar op Netflix in Nederland.
| Writing | Colin Clark | Book |
| Sound | Conrad Pope | Original Music Composer |
| Costume & Make-Up | Jill Taylor | Costume Designer |
| Sound | Michelle Williams | Songs |
| Sound | Dana Sano | Music Supervisor |
| Sound | Alexandre Desplat | Main Title Theme Composer |
| Sound | Conrad Pope | Conductor |
| Sound | Maggie Rodford | Music Supervisor |
| Sound | Lang Lang | Musician |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Crew | Penny Ryder | Stunt Double |
| Crew | Denise Faye | Choreographer |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Art | Mike Power | Property Master |
| Crew | Kathleen Marshall | Choreographer |
| Crew | Jane Gibson | Choreographer |
| Lighting | Jules Fisher | Lighting Design |
| Lighting | Peggy Eisenhauer | Lighting Design |
| Lighting | Mark Clayton | Gaffer |
| Production | Jason Wheeler | Location Manager |
| Directing | Vicki Howe | Script Supervisor |
| Costume & Make-Up | Martin Pakledinaz | Costume Designer |
| Crew | Tania Blunden | Post Production Supervisor |
| Directing | Guy Heeley | First Assistant Director |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Visual Effects | Sheila Wickens | Visual Effects Supervisor |
| Sound | Catherine Hodgson | Sound Effects Editor |
| Sound | Nick Lowe | Supervising Sound Editor |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Sound | Myron Nettinga | Sound Effects Editor |
| Costume & Make-Up | Charlotte Sewell | Costume Supervisor |
| Camera | Adam Coles | Focus Puller |
| Sound | Paul Hanks | Foley Artist |
| Visual Effects | Alan Church | Visual Effects Supervisor |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Ian Waggott | Foley Artist |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Sound | Richard Dyer | Sound Mixer |
| Directing | Charlie Reed | Second Assistant Director |
| Crew | Julian Spencer | Stunt Coordinator |
| Crew | Belinda McGinley | Stunts |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Directing | Chris Foggin | Third Assistant Director |
| Camera | Laurence Cendrowicz | Still Photographer |
| Directing | Simon Curtis | Director |
| Writing | Adrian Hodges | Screenplay |
| Production | Nina Gold | Casting |
| Production | Deborah Aquila | Casting |
| Camera | Ben Smithard | Director of Photography |
| Production | David Parfitt | Producer |
| Production | Harvey Weinstein | Producer |
| Production | Tricia Wood | Casting |
| Art | Kevin Day | Standby Property Master |
| Production | Christine Langan | Executive Producer |
| Art | Charmian Adams | Supervising Art Director |
| Production | Colin Vaines | Co-Executive Producer |
| Art | Judy Farr | Set Decoration |
| Production | Ivan Mactaggart | Executive Producer |
| Production | Cleone Clarke | Associate Producer |
| Production | Mark Cooper | Co-Producer |
| Art | Donal Woods | Production Design |
| Production | Simon Curtis | Executive Producer |
| Production | Kelly Carmichael | Executive Producer |
| Art | Mark Kebby | Art Direction |
| Editing | Adam Recht | Editor |
| Production | Jamie Laurenson | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
| Production | Sara Desmond | Production Manager |
| Camera | Mark Milsome | "C" Camera Operator |
| Visual Effects | Diane Kingston | Visual Effects Producer |
