Jean Harlow arriveert als tiener in Los Angeles, door haar moeder en stiefvader de showbusiness in geduwd. De goedhartige agent Arthur Landau wordt Jean's mentor, terwijl een sluwe Howard Hughes-achtige mogul verliefd wordt op de mooie jonge actrice. Harlow zelf valt voor producer Paul Bern voordat de tragedie toeslaat.
Nee, helaas is Harlow nog niet beschikbaar op Netflix in Nederland.
| Writing | John Michael Hayes | Screenplay |
| Sound | Neal Hefti | Original Music Composer |
| Editing | Archie Marshek | Editor |
| Directing | Gordon Douglas | Director |
| Editing | Frank Bracht | Editor |
| Production | Joseph E. Levine | Producer |
| Camera | Joseph Ruttenberg | Director of Photography |
| Camera | Art Say | Still Photographer |
| Art | Robert McCrellis | Props |
| Writing | Irving Shulman | Book |
| Art | Hal Pereira | Art Direction |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Directing | David Salven | Assistant Director |
| Art | Gene Lauritzen | Construction Coordinator |
| Directing | Clifford C. Coleman | Assistant Director |
| Sound | Irving Friedman | Music Supervisor |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Sound | John C. Hammell | Music Editor |
| Sound | Maury Winetrobe | Music Editor |
| Production | C. Kenneth Deland | Production Manager |
| Costume & Make-Up | William Reynolds | Makeup Artist |
| Sound | Ray Cossar | Sound Recordist |
| Sound | Frank Regula | Boom Operator |
| Directing | Tim Zinnemann | Assistant Director |
| Camera | James Knott | Camera Operator |
| Costume & Make-Up | Sherry Wilson | Hairstylist |
| Art | Roland Anderson | Art Direction |
| Art | James W. Payne | Set Decoration |
| Writing | Arthur M. Landau | Book |
| Costume & Make-Up | Nellie Manley | Hairstylist |
| Camera | Gene Liggett | Assistant Camera |
| Costume & Make-Up | Edith Head | Costume Design |
| Camera | Larry Shaw | Still Photographer |
