Jean Harlow arriveert als tiener in Los Angeles, door haar moeder en stiefvader de showbusiness in geduwd. De goedhartige agent Arthur Landau wordt Jean's mentor, terwijl een sluwe Howard Hughes-achtige mogul verliefd wordt op de mooie jonge actrice. Harlow zelf valt voor producer Paul Bern voordat de tragedie toeslaat.
Nee, helaas is Harlow nog niet beschikbaar op Netflix in Nederland.
| Writing | John Michael Hayes | Screenplay |
| Production | Joseph E. Levine | Producer |
| Camera | Joseph Ruttenberg | Director of Photography |
| Directing | Gordon Douglas | Director |
| Editing | Frank Bracht | Editor |
| Editing | Archie Marshek | Editor |
| Sound | Neal Hefti | Original Music Composer |
| Camera | Art Say | Still Photographer |
| Art | Robert McCrellis | Props |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Costume & Make-Up | William Reynolds | Makeup Artist |
| Camera | James Knott | Camera Operator |
| Art | Hal Pereira | Art Direction |
| Sound | John C. Hammell | Music Editor |
| Sound | Maury Winetrobe | Music Editor |
| Writing | Arthur M. Landau | Book |
| Costume & Make-Up | Edith Head | Costume Design |
| Costume & Make-Up | Sherry Wilson | Hairstylist |
| Sound | Ray Cossar | Sound Recordist |
| Sound | Frank Regula | Boom Operator |
| Writing | Irving Shulman | Book |
| Art | Gene Lauritzen | Construction Coordinator |
| Art | James W. Payne | Set Decoration |
| Production | C. Kenneth Deland | Production Manager |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Directing | David Salven | Assistant Director |
| Directing | Tim Zinnemann | Assistant Director |
| Sound | Irving Friedman | Music Supervisor |
| Costume & Make-Up | Nellie Manley | Hairstylist |
| Art | Roland Anderson | Art Direction |
| Directing | Clifford C. Coleman | Assistant Director |
| Camera | Gene Liggett | Assistant Camera |
| Camera | Larry Shaw | Still Photographer |
