De zeventienjarige Henry is nog nooit verliefd geweest en hoopt ooit de liefde van zijn leven tegen te komen. Dan ontmoet hij de studente Grace, met wie hij aan de schoolkrant werkt. Meteen wordt hij in beslag genomen door de vrouw met de mysterieuze persoonlijkheid die bovendien mank loopt en flodderige kledij draagt. Grace sleept dan ook een groot geheim met zich mee.
Nee, helaas is Chemical Hearts nog niet beschikbaar op Netflix in Nederland.
| Sound | Robert Chen | Sound Re-Recording Mixer |
| Sound | Kami Asgar | Supervising Sound Editor |
| Sound | Drew Webster | Sound Re-Recording Mixer |
| Sound | Hector C. Gika | Sound Designer |
| Sound | Samuel Nacach | Sound Effects Editor |
| Visual Effects | Benoît Brière | Visual Effects Supervisor |
| Visual Effects | Meggie Cabral | Visual Effects Producer |
| Visual Effects | Cyril Balavoine | Visual Effects Supervisor |
| Crew | Hannah Scott | Stunt Double |
| Crew | Mark Rosa | Stand In |
| Crew | Caroline Vexler | Stunt Double |
| Writing | Krystal Sutherland | Novel |
| Directing | Don H. Julien | First Assistant Director |
| Camera | Daniel Letizia | Best Boy Grip |
| Art | James Kelleher | Property Master |
| Costume & Make-Up | Tom LaVecchia | On Set Dresser |
| Production | Krystal Sutherland | Executive Producer |
| Art | Martin Kirchoff | Construction Coordinator |
| Lighting | Seth Coleman | Gaffer |
| Directing | Richard Tanne | Director |
| Costume & Make-Up | Rachel Hevesi | Key Makeup Artist |
| Art | Ryan Gertsen | Key Construction Grip |
| Sound | Christopher J. Leone | Utility Sound |
| Lighting | A.J. Desimone | Rigging Gaffer |
| Production | Richard Tanne | Producer |
| Art | Erich Davis | Graphic Designer |
| Editing | JC Bond | Editor |
| Art | Chloé Seytre | Art Department Coordinator |
| Crew | Lindsey Cohen | Post Production Supervisor |
| Production | Lili Reinhart | Executive Producer |
| Production | Alex Saks | Producer |
| Camera | Linda Källérus | Still Photographer |
| Camera | Kevin Martin | Grip |
| Art | Lucio Seixas | Production Design |
| Visual Effects | Eugene Hitt | Special Effects Supervisor |
| Crew | Drew Leary | Stunt Coordinator |
| Lighting | Stefan Lan | Best Boy Electric |
| Production | Jamin O'Brien | Executive Producer |
| Art | Zebah Pinkham | Art Direction |
| Costume & Make-Up | Vanessa Porter | Costume Design |
| Directing | Alice Johnson | Second Assistant Director |
| Costume & Make-Up | Heidi Pakdel | Makeup Department Head |
| Crew | Kelly Syring | Charge Scenic Artist |
| Sound | Michael Sterkin | Sound Mixer |
| Sound | Dmitry Volovik | Boom Operator |
| Camera | Kevin Leach | Grip |
| Camera | Jesse L. Saviola | Key Grip |
| Crew | Callum Shaw | Generator Operator |
| Camera | Autumn Moran | Second Assistant Camera |
| Editing | Matt Miller | Assistant Editor |
| Costume & Make-Up | Lauren Pivirotto | Wardrobe Supervisor |
| Camera | Nick Neary | Grip |
| Camera | Antonio Ponti | First Assistant Camera |
| Crew | Rosemary Howard | Stand In |
| Production | Ana Cuadra | Location Manager |
| Production | Billy Soistmann | Assistant Location Manager |
| Production | Tatiana Forster | Assistant Location Manager |
| Art | Jeff Sicile | Location Scout |
| Production | Joe Saulino | Production Assistant |
| Production | Jordan Bass | Casting Director |
| Production | Lauren Bass | Casting Director |
| Writing | Richard Tanne | Screenplay |
| Sound | Stephen James Taylor | Original Music Composer |
| Camera | Albert Salas | Director of Photography |
| Costume & Make-Up | Isata Allen | Hair Department Head |
| Directing | Alice Johnson | Second Assistant Director |
