Ondanks het feit dat ze een seksuele relatie heeft met haar man én zijn broer, lijdt een Australische huisvrouw in de jaren 30 aan frustratie en verveling in het kleine plaatsje waar zij woont. Totdat er op een dag een knappe vreemdeling arriveert...
Nee, helaas is The Good Wife nog niet beschikbaar op Netflix in Nederland.
| Production | Helen Watts | Associate Producer |
| Production | Jan Sharp | Producer |
| Editing | John Scott | Editor |
| Production | Liz Mullinar | Casting |
| Writing | Peter Kenna | Screenplay |
| Art | Blossom Flint | Set Decoration |
| Camera | James Bartle | Director of Photography |
| Art | Sally Campbell | Production Design |
| Art | Steve Lyons | Storyboard Artist |
| Sound | Geoff Krix | Boom Operator |
| Costume & Make-Up | Willi Kenrick | Hairstylist |
| Costume & Make-Up | Sally Gordon | Makeup Department Head |
| Crew | Robert Burr | Generator Operator |
| Lighting | Pav Govind | Gaffer |
| Camera | Susi Stitt | Clapper Loader |
| Editing | Arthur Cambridge | Color Grading |
| Crew | Billy Malcolm | Scenic Artist |
| Directing | Craig Bolles | Second Assistant Director |
| Art | Karan Monkhouse | Standby Property Master |
| Camera | Carolyn Johns | Still Photographer |
| Camera | Peter Menzies Jr. | Camera Operator |
| Costume & Make-Up | Jennie Tate | Costume Design |
| Production | Fran Lanigan | Production Accountant |
| Production | Gemma Rawsthorne | Production Accountant |
| Art | Ty Bosco | Storyboard Artist |
| Sound | Ben Osmo | Sound Recordist |
| Visual Effects | Roger Cowland | Visual Effects |
| Crew | Chris Anderson | Stunt Coordinator |
| Sound | Roger Savage | Sound Mixer |
| Production | Greg Ricketson | Production Consultant |
| Directing | Grant Lee | Third Assistant Director |
| Lighting | Shaun Conway | Best Boy Electric |
| Production | Lon Lucini | Unit Production Manager |
| Art | Leah Cocks | Art Department Coordinator |
| Editing | Gai Steele | Assistant Editor |
| Directing | Therese O'Leary | Continuity |
| Production | Helen Watts | Production Manager |
| Sound | Anne Breslin | Sound Effects Editor |
| Sound | Dany Cooper | Assistant Dialogue Editor |
| Camera | Garry Phillips | Focus Puller |
| Art | Oliver Streeton | Title Designer |
| Production | Elizabeth Symes | Production Coordinator |
| Directing | Phil Rich | First Assistant Director |
| Art | Dennis Smith | Construction Manager |
| Art | David McKay | Property Buyer |
| Sound | Liz Goldfinch | Dialogue Editor |
| Camera | Lester Bishop | Key Grip |
| Camera | Terry Cook | Assistant Grip |
| Costume & Make-Up | Belinda Bourke | Seamstress |
| Editing | Liz Goldfinch | Assistant Editor |
| Production | Maude Heath | Location Manager |
| Directing | Ken Cameron | Director |
| Sound | Cameron Allan | Original Music Composer |
| Art | Oliver Streeton | Title Illustration |
