Hollywood, 1942. De Amerikaanse regering zet de in Hongarije geboren filmregisseur Michael Curtiz, die op het punt staat de opnamen van „Casablanca” te voltooien, onder druk om de propagandaboodschap van de film te benadrukken en zo de publieke opinie te winnen voor de interventie van het land in de Europese oorlog.
Nee, helaas is Curtiz nog niet beschikbaar op Netflix in Nederland.
| Writing | Tamás Yvan Topolánszky | Screenplay |
| Writing | Zsuzsanna Bak | Screenplay |
| Writing | Ward Parry | Co-Writer |
| Camera | Zoltán Dévényi | Director of Photography |
| Lighting | András Szendrõ | Gaffer |
| Editing | Eszter Bodoky | Editor |
| Art | Kiss Dorka | Production Design |
| Costume & Make-Up | Breckl János | Costume Designer |
| Costume & Make-Up | Karolina Árpa | Key Makeup Artist |
| Costume & Make-Up | Éva Kolontáry | Key Hair Stylist |
| Costume & Make-Up | Mónika Szabó | Key Hair Stylist |
| Sound | Gábor Subicz | Original Music Composer |
| Sound | Imre Madácsi | Sound Designer |
| Production | Lili Bordán | Associate Producer |
| Production | Róbert Erdélyi | Associate Producer |
| Production | Jeff Hammer | Associate Producer |
| Production | Dániel Antonovits | Casting Director |
| Production | Tamás Yvan Topolánszky | Casting Director |
| Writing | Tamás Kiss | Script Consultant |
| Writing | Gigor Attila | Script Consultant |
| Crew | Alan K. Rode | Technical Advisor |
| Production | Eszter Fixek | Production Manager |
| Production | Ákos Hoboth | Location Manager |
| Directing | Tamás Kulcsár | First Assistant Director |
| Directing | Péter Pálinkás | Second Assistant Director |
| Directing | Péter Dóczé | Third Assistant Director |
| Camera | Gábor Stiglincz | Still Photographer |
| Camera | Katalin Vasali | Still Photographer |
| Art | Kata Kiss | Set Decoration |
| Art | Júlia Sebök | Graphic Designer |
| Art | Balázs Szatmári | Property Master |
| Art | Dániel Bíró | Property Master |
| Visual Effects | Ferenc Deák | Special Effects Supervisor |
| Camera | Lajos Simon | Key Grip |
| Camera | Imre Richárd Herczeg | Key Grip |
| Sound | Ferenc Bukovszky | Sound Recordist |
| Sound | Gergely Nagy | Boom Operator |
| Crew | Tamás Yvan Topolánszky | Post Production Supervisor |
| Production | Claudia Sümeghy | Post Production Coordinator |
| Editing | Zsolt Iván Varga | Colorist |
| Directing | Ágnes Kiss | Script Supervisor |
| Sound | Agg Tímea | Sound Designer |
| Sound | Claudia Sümeghy | Music Supervisor |
| Art | Tamás Yvan Topolánszky | Title Designer |
| Art | Emil Goodman | Title Designer |
| Art | Luca Anna Molnár | Title Designer |
| Visual Effects | István Vajda | Visual Effects Supervisor |
| Crew | Stefano Gallini-Durante | Thanks |
| Directing | Tamás Yvan Topolánszky | Director |
| Production | Barnabás Hutlassa | Producer |
| Production | Judit Romwalter | Co-Producer |
| Production | Claudia Sümeghy | Producer |
| Production | Tamás Yvan Topolánszky | Producer |
| Production | Orian Williams | Executive Producer |
