Het is het jaar 1914 en Italië staat op het punt ten strijde te trekken. Een groep Noord-Europeanen heeft op Capri zijn plek gevonden om er zijn leven te slijten en er kunst te beoefenen. Het eiland heeft echter zo zijn eigenheid in de vorm van de jonge vrouw en geitenhoudster Lucia. De film schetst de ontmoeting tussen Lucia en de commune - met name de leider Seybu - en de jonge dorpsdokter Carlo.
Nee, helaas is Capri-Revolution nog niet beschikbaar op Netflix in Nederland.
| Writing | Mario Martone | Story |
| Production | Giorgio Magliulo | Delegated Producer |
| Production | Ardavan Safaee | Co-Producer |
| Production | Jérôme Seydoux | Co-Producer |
| Production | Carlotta Calori | Producer |
| Production | Raffaele Di Florio | Casting |
| Sound | Paolo Segat | Sound Mixer |
| Production | Viola Prestieri | Executive Producer |
| Crew | Raffaella Giordano | Choreographer |
| Directing | Francesca Polic Greco | First Assistant Director |
| Production | Ferdinando Cocco | Production Manager |
| Costume & Make-Up | Aldo Signoretti | Hair Supervisor |
| Sound | Alessandro Zanon | Sound |
| Sound | Marta Billingsley | Sound Editor |
| Visual Effects | Rodolfo Migliari | Visual Effects Supervisor |
| Production | Domenico Maria Porcelli | Unit Manager |
| Art | Carlo Rescigno | Art Direction |
| Production | Paola Rota | Casting |
| Costume & Make-Up | Alessandro D'Anna | Makeup Department Head |
| Visual Effects | Sara Paesani | Visual Effects Supervisor |
| Production | Giordano Esposito | Line Producer |
| Costume & Make-Up | Gaetano Panico | Hair Department Head |
| Production | Daniele Modina | Production Coordinator |
| Writing | Ippolita Di Majo | Story |
| Costume & Make-Up | Ursula Patzak | Costume Design |
| Production | Muriel Sauzay | Co-Producer |
| Sound | Sascha Ring | Original Music Composer |
| Production | Stefano D'Avella | Finance |
| Camera | Matteo Carlesimo | Camera Operator |
| Directing | Edoardo Petti | First Assistant Director |
| Directing | Francesca Lepore | Second Assistant Director |
| Camera | Raffaele Alletto | Key Grip |
| Lighting | Loris Felici | Gaffer |
| Sound | Alessandro Palmerini | Boom Operator |
| Visual Effects | Lena Di Gennaro | Visual Effects Producer |
| Camera | Danilo Caruso | Assistant Camera |
| Directing | Luca Federico | Second Assistant Director |
| Sound | Marzia Cordò | Sound Effects Editor |
| Editing | Fabrizio Federico | Assistant Editor |
| Sound | Aleksandra Stojanović | Foley Artist |
| Sound | Stefano Grosso | Sound Effects Editor |
| Sound | Giancarlo Rutigliano | Sound Effects Editor |
| Directing | Anna Elisabetta Conti | Second Assistant Director |
| Camera | Giovanni Gebbia | Camera Operator |
| Sound | Vladan Nedeljkov | Foley Recordist |
| Camera | Simone Nocera | Assistant Camera |
| Directing | Fiorella Giovanelli | Script Supervisor |
| Directing | Mario Martone | Director |
| Writing | Ippolita Di Majo | Screenplay |
| Production | Nicola Giuliano | Producer |
| Camera | Michele D'Attanasio | Director of Photography |
| Sound | Philipp Thimm | Original Music Composer |
| Writing | Mario Martone | Screenplay |
| Production | Francesca Cima | Producer |
| Art | Laura Casalini | Set Decoration |
| Editing | Natalie Cristiani | Editor |
| Editing | Jacopo Quadri | Editor |
| Art | Giancarlo Muselli | Production Design |
