Frankrijk, de achttiende eeuw. De jonge kunstenaar Marianne wordt aangesteld om een trouwportret te maken van Héloïse buiten haar medeweten. Hiervoor dient Marianne de vrouw bij daglicht zorgvuldig te observeren opdat ze 's nachts het portret kan schilderen.
Nee, helaas is Portrait de la jeune fille en feu nog niet beschikbaar op Netflix in Nederland.
| Directing | Céline Sciamma | Director |
| Production | Bénédicte Couvreur | Producer |
| Editing | Julien Lacheray | Editor |
| Art | Thomas Grézaud | Production Design |
| Costume & Make-Up | Dorothée Guiraud | Costume Design |
| Sound | Arthur Simonini | Original Music Composer |
| Production | Christel Baras | Casting |
| Sound | Jean-Baptiste de Laubier | Original Music Composer |
| Camera | Claire Mathon | Director of Photography |
| Production | Rémi Burah | Co-Producer |
| Production | Olivier Père | Co-Producer |
| Art | Lionel Brison | Construction Coordinator |
| Visual Effects | Alain Carsoux | Visual Effects Supervisor |
| Lighting | Mickael Georgeault | Electrician |
| Editing | Jérôme Bigueur | Colorist |
| Costume & Make-Up | Aurélie Cerveau | Makeup Artist |
| Costume & Make-Up | Marie Luiset | Key Makeup Artist |
| Lighting | Ernesto Giolitti | Gaffer |
| Camera | Ombeline Tamboise | Second Assistant Camera |
| Production | Ange Amiel | Extras Casting Coordinator |
| Art | Pierre-Yves 'Pipo' Perot | Assistant Art Director |
| Visual Effects | Olivier Tournayre | Digital Compositor |
| Production | Marie Pierre Delabrière | Extras Casting |
| Production | Claire Langmann | Production Manager |
| Art | Lionel Brison | Painter |
| Camera | Charles Lagorce | Best Boy Grip |
| Directing | Cécile Rodolakis | Script Supervisor |
| Art | Baptiste Magis | Graphic Designer |
| Sound | Sarah Lelu | Dialogue Editor |
| Production | Véronique Cayla | Co-Producer |
| Sound | Julien Sicart | Sound Engineer |
| Crew | Sybille Blouin | Stunts |
| Crew | Grégory Loffredo | Stunt Coordinator |
| Lighting | Sébastien Combe | Electrician |
| Camera | Alan Guichaoua | First Assistant Camera |
| Costume & Make-Up | Coline Bavois | Seamstress |
| Directing | Delphine Daull | First Assistant Director |
| Art | Samuel Rodriguez-Mallet | Location Scout |
| Production | Laetitia Dom | Production Secretary |
| Sound | Valérie Deloof | Sound Editor |
| Sound | Daniel Sobrino | Sound Re-Recording Mixer |
| Visual Effects | Christian Tomikowski | Digital Compositor |
| Camera | Jean-Marc Duez | Grip |
| Production | Romain Bonningue | Assistant Unit Manager |
| Camera | Marc Wilhelm | Key Grip |
| Directing | Anaïs Couette | Second Assistant Director |
| Sound | Clémence Peloso | Sound Assistant |
| Visual Effects | Romain Moussel | I/O Manager |
| Camera | Mathieu Caudroy | Steadicam Operator |
| Costume & Make-Up | Marthe Faucouit | Makeup Artist |
| Art | Guillaume Diehl | Construction Coordinator |
| Crew | Cécilia Ngo | Stunt Double |
| Camera | Lisa Billuart-Monet | Third Assistant Camera |
| Production | Julien Chapeaucou | Assistant Unit Manager |
| Crew | Yves Girard | Stunt Coordinator |
| Lighting | François Gallou | Electrician |
| Directing | Luca Zentillin | Assistant Director Trainee |
| Sound | Vincent Milner | Foley Artist |
| Lighting | Gaël Carrière | Electrician |
| Lighting | Vincent Taberlet | Electrician |
| Writing | Céline Sciamma | Screenplay |
| Sound | Edouard Morin | Foley Recordist |
| Lighting | Thibault Lery | Best Boy Electrician |
| Costume & Make-Up | Agathe Meinnemare | Set Costumer |
