Begin jaren 80 begint een beschermd opgevoede filmstudente te ontdekken wie ze is als ze een relatie krijgt met een stijlvolle, maar dubieuze man.
Nee, helaas is The Souvenir nog niet beschikbaar op Netflix in Nederland.
| Production | Dave Bishop | Executive Producer |
| Production | Emily Stubbs | Production Coordinator |
| Crew | Gisela Evert | Post Production Supervisor |
| Art | Paul House | Construction Manager |
| Production | Nicola Chisholm | Casting Associate |
| Camera | Leighton Spence | Focus Puller |
| Art | Lee Martin | Property Master |
| Costume & Make-Up | Rebecca Crang | Makeup & Hair |
| Camera | Alan Andrade | Digital Imaging Technician |
| Lighting | Stuart Johnson | Gaffer |
| Editing | Mike G.B. Macleod | Assistant Editor |
| Lighting | Peter Tainty | Best Boy Electric |
| Sound | Ruben Aguirre Barba | Dialogue Editor |
| Crew | Ilona Cheshire | Unit Publicist |
| Production | Crispin Buxton | Associate Producer |
| Sound | Howard Peryer | Sound Mixer |
| Camera | Nick Gordon Smith | "B" Camera Operator |
| Lighting | Mark Forsythe | Electrician |
| Production | Crispin Buxton | Location Manager |
| Sound | Aleksandra Stojanović | Foley Artist |
| Sound | Vladan Nedeljkov | Foley Recordist |
| Camera | Luke Cairns | Focus Puller |
| Crew | Colin McGregor | Transportation Captain |
| Sound | Vladimir Kerkez | Foley Editor |
| Camera | Darren Johnson | Clapper Loader |
| Art | Hattie Gent | Assistant Art Director |
| Art | Luke Moran-Morris | Assistant Art Director |
| Production | Andrew Hamilton | Assistant Location Manager |
| Sound | Samir Fočo | Sound Effects Editor |
| Sound | Jovan Ajder | Sound Re-Recording Mixer |
| Costume & Make-Up | Paula Hey | Costume Supervisor |
| Sound | Jovan Ajder | Supervising Sound Editor |
| Directing | Joanna Hogg | Director |
| Writing | Joanna Hogg | Writer |
| Production | Andrew Starke | Executive Producer |
| Editing | Helle le Fevre | Editor |
| Production | Emma Tillinger Koskoff | Executive Producer |
| Production | Joanna Hogg | Producer |
| Production | Martin Scorsese | Executive Producer |
| Production | Rose Garnett | Executive Producer |
| Camera | David Raedeker | Director of Photography |
| Production | Luke Schiller | Producer |
| Production | Lesley Stewart | Line Producer |
| Production | Lizzie Francke | Executive Producer |
| Art | Pedro Moura | Art Direction |
| Art | Matthew Winter | Location Scout |
| Visual Effects | Charles-Jean Boucher | VFX Artist |
| Art | Stéphane Collonge | Production Design |
| Art | Mimi Winsor | Set Decoration |
| Directing | Toby Hosking | Second Assistant Director |
| Costume & Make-Up | Grace Snell | Costume Design |
| Art | Rebecca Gillies | Set Decoration |
| Camera | Nicola Dove | Still Photographer |
| Sound | Ilona Cheshire | Music Supervisor |
| Directing | Jack Sauverin | Third Assistant Director |
| Production | Robyn Forsythe | Production Manager |
| Costume & Make-Up | Siobhan Harper Ryan | Hair Designer |
| Production | Olivia Scott-Webb | Casting |
| Costume & Make-Up | Siobhan Harper Ryan | Makeup Designer |
| Directing | Sara Doughty | Script Supervisor |
| Directing | Paolo Guglielmotti | First Assistant Director |
| Art | Dean Wares | Title Designer |
