Catherine Sloper heeft in Morris Townsend de man van haar dromen gevonden. Haar plannen om met hem te trouwen vinden grote weerstand bij haar vader, aangezien hij denkt dat Townsend alleen in haar geld geïnteresseerd is. Catherine is echter vastbesloten haar hart te volgen, ook al zal dit onterving betekenen.
Nee, helaas is Washington Square nog niet beschikbaar op Netflix in Nederland.
| Directing | Agnieszka Holland | Director |
| Art | Michael Davis | Construction Coordinator |
| Crew | Christine Anne Baur | Stunts |
| Camera | Jerzy Zieliński | Director of Photography |
| Costume & Make-Up | Anna B. Sheppard | Costume Design |
| Production | Debra Zane | Casting |
| Production | Julie Bergman Sender | Producer |
| Production | Roger Birnbaum | Producer |
| Editing | David Siegel | Editor |
| Art | Alan E. Muraoka | Art Direction |
| Directing | Alice Tompkins | Script Supervisor |
| Art | William A. Cimino | Set Decoration |
| Art | Allan Starski | Production Design |
| Crew | Elizabeth Aldrich | Choreographer |
| Camera | Jim McConkey | Steadicam Operator |
| Costume & Make-Up | Morgan Elliott | Assistant Costume Designer |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Sound | Ossama Khuluki | Foley |
| Sound | David Melhase | Sound Effects Editor |
| Lighting | Vojislav Mikulic | Gaffer |
| Production | John Strawbridge | Casting Associate |
| Sound | Christopher Kennedy | Music Editor |
| Sound | Derek Marcil | Sound Re-Recording Mixer |
| Sound | Catherine Harper | Foley |
| Costume & Make-Up | Aaron F. Quarles | Hairstylist |
| Costume & Make-Up | Michael O'Conner | Costume Supervisor |
| Costume & Make-Up | Thomas F. Timlin Jr. | Set Costumer |
| Camera | Richard Merryman | Camera Operator |
| Camera | Joseph E. Gallagher | First Assistant Camera |
| Camera | Ronald Batzdorff | Still Photographer |
| Visual Effects | Christian Guillon | Visual Effects Producer |
| Costume & Make-Up | Martha R. Timlin | Set Costumer |
| Visual Effects | Pascal Charpentier | Visual Effects Supervisor |
| Sound | Andy Hill | Music Supervisor |
| Costume & Make-Up | Mark Burchard | Costume Supervisor |
| Costume & Make-Up | Wayne Herndon | Key Hair Stylist |
| Costume & Make-Up | Micheline Trépanier | Makeup Artist |
| Editing | Mark L. Levine | First Assistant Editor |
| Crew | Douglas Retzler | Special Effects Coordinator |
| Art | Ellen Sara Popiel | Art Department Coordinator |
| Directing | Carol DePasquale | Script Supervisor |
| Sound | Javier Bennassar | Sound Effects Editor |
| Lighting | Rodney French | Rigging Grip |
| Sound | John Ross | Sound Re-Recording Mixer |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Writing | Henry James | Novel |
| Production | Chrisann Verges | Unit Production Manager |
| Directing | Mary-Jane April | Second Assistant Director |
| Directing | J. Miller Tobin | First Assistant Director |
| Production | Chrisann Verges | Associate Producer |
| Production | Randy Ostrow | Executive Producer |
| Crew | Jeff Ward | Stunt Coordinator |
| Sound | Michael Ferdie | Dialogue Editor |
| Sound | Tim Boggs | Supervising ADR Editor |
| Art | Lorraine Walker | Property Master |
| Sound | Jan A. P. Kaczmarek | Original Music Composer |
| Art | Stephen B. Walker | Property Master |
| Sound | Robert Jackson | Dialogue Editor |
| Sound | David Grant | Supervising Dialogue Editor |
| Sound | Joseph F. Brennan | Boom Operator |
| Sound | Susan Shin | Dialogue Editor |
| Writing | Carol Doyle | Screenplay |
| Sound | Thomas Jones | Dialogue Editor |
| Sound | Marilyn Graf | Dialogue Editor |
| Sound | Patrick Giraudi | Additional Sound Re-Recording Mixer |
| Crew | Janet Paparazzo | Stunt Coordinator |
