Bob en Gail Jones verwachten hun eerste kind, maar bij Bob is longkanker geconstateerd waardoor hij waarschijnlijk dood zal gaan voordat de baby geboren is. Zo verdrietig als hij is, denkend aan het kind wat hij nooit zou kunnen zien, besluit hij een film te maken over zijn leven, zodat het kind hem toch zal kennen.
Nee, helaas is My Life nog niet beschikbaar op Netflix in Nederland.
| Directing | Bruce Joel Rubin | Director |
| Production | Hunt Lowry | Producer |
| Editing | Richard Chew | Editor |
| Art | Larry Fulton | Art Direction |
| Production | Gil Netter | Executive Producer |
| Art | Anne D. McCulley | Set Decoration |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Production | Kathryn J. McDermott | Associate Producer |
| Art | Neil Spisak | Production Design |
| Production | Bruce Joel Rubin | Producer |
| Art | Troy Sizemore | Art Direction |
| Production | Jerry Zucker | Producer |
| Writing | Bruce Joel Rubin | Writer |
| Camera | Michael Ferris | Camera Operator |
| Crew | Richard Scarpone | Video Assist Operator |
| Camera | Peter James | Director of Photography |
| Production | William M. Elvin | Associate Producer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Directing | William M. Elvin | First Assistant Director |
| Sound | Bill J. DiDonna | Boom Operator |
| Production | Hunt Lowry | Unit Production Manager |
| Directing | Alan Edmisten | Second Assistant Director |
| Camera | Josh Bleibtreu | First Assistant Camera |
| Sound | John Sutton | Sound Mixer |
| Crew | Steven R. Molen | Transportation Captain |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Crew | Larz Anderson | Special Effects |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Costume & Make-Up | Matthew W. Mungle | Prosthetic Makeup Artist |
| Art | Kenneth L. Westcott | Leadman |
| Production | Margaret Mitchell | Production Accountant |
| Art | Philip Steuer | Property Master |
| Sound | Richard King | Supervising Sound Editor |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Lighting | Peter Clarson | Chief Lighting Technician |
| Sound | John Benson | Sound Editor |
| Crew | Jeff Winn | Craft Service |
| Art | Gina B. Cranham | Set Designer |
| Sound | Sukey Fontelieu | Sound Editor |
| Sound | Cliff Latimer | ADR Supervisor |
| Camera | Daniel E. Teaze | Second Assistant Camera |
| Costume & Make-Up | David Forrest | Makeup Artist |
| Camera | Frank A. Montesanto | Second Company Grip |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Art | Len Morganti | Storyboard Artist |
| Camera | Dwight Joseph Lavers | Dolly Grip |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Lighting | Patrick Murray | Assistant Chief Lighting Technician |
| Production | John Panzarella | Location Manager |
| Art | Mike Cunningham | Assistant Property Master |
| Costume & Make-Up | Joseph Coscia | Hairstylist |
| Camera | Bobby Huber | Key Grip |
| Costume & Make-Up | Kimberly Guenther Durkin | Costume Supervisor |
| Production | Lisa Lynn Kearsley | Production Coordinator |
| Directing | Otie Brown | Second Second Assistant Director |
| Sound | Cliff Kohlweck | Music Editor |
| Camera | Merrick Morton | Still Photographer |
| Visual Effects | John Nelson | Visual Effects Supervisor |
| Crew | Ladd McPartland | Visual Effects Editor |
| Visual Effects | George Merkert | Visual Effects Producer |
| Crew | Anne S. Reilly | Unit Publicist |
| Visual Effects | Neil Eskuri | Lead Animator |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Carla Meyer | Dialect Coach |
| Sound | John Barry | Original Music Composer |
