Jeffrey Tishop is één van de meest machtige en gewetenloze filmstudio-managers in Hollywood. Hij leeft een onaantastbaar leven, samen met zijn vrouw Elaine, ooit een scriptschrijfster, maar nu in de high society van Hollywood bewegend, op een plekje dat haar man voor haar beschikbaar heeft gesteld. Wanneer er een driehoeksrelatie ontstaat tussen Tishop, de hoofdactrice uit één van zijn films en diens filmechtgenoot. zijn de poppen aan het dansen.
Nee, helaas is The Dying Gaul nog niet beschikbaar op Netflix in Nederland.
| Directing | Craig Lucas | Director |
| Writing | Craig Lucas | Screenplay |
| Camera | John S. Robertson | Key Grip |
| Production | Kimberly Reiss | Co-Producer |
| Art | Vincent Jefferds | Production Design |
| Costume & Make-Up | Danny Glicker | Costume Design |
| Costume & Make-Up | Nanci Cascio | Hair Department Head |
| Production | Douglas Aibel | Casting |
| Sound | George W. Scott | Boom Operator |
| Sound | Mariusz Glabinski | Music Editor |
| Production | Joseph Caruso | Executive Producer |
| Art | Victoria Ruskin | Art Direction |
| Production | Paul Manafort | Executive Producer |
| Production | Campbell Scott | Producer |
| Directing | Janell Sammelman | Second Assistant Director |
| Art | Jake Stone | Set Dresser |
| Production | Sean Fitzgerald | Executive Producer |
| Costume & Make-Up | Simone Almekias-Siegl | Makeup Artist |
| Production | Haley Sweet | Production Manager |
| Sound | Kevin Sorensen | Location Sound Mixer |
| Sound | Ira Spiegel | Sound Designer |
| Production | George VanBuskirk | Producer |
| Production | Joel Posner | Executive Producer |
| Art | Jane Gulick | Property Master |
| Sound | Marlena Grzaslewicz | Supervising Sound Editor |
| Sound | Linda Cohen | Music Supervisor |
| Production | David Newman | Executive Producer |
| Art | Stephanie Ziemer | Set Decoration |
| Sound | Steve Reich | Music |
| Production | P.J. Posner | Executive Producer |
| Editing | Andy Keir | Editor |
| Crew | Craig Mercer | Prop Maker |
| Sound | Martin Czembor | Sound Re-Recording Mixer |
| Production | Lisa Zimble | Producer |
| Sound | Mariusz Glabinski | Sound Effects Editor |
| Sound | Gaetano Musso | Sound Re-Recording Mixer |
| Camera | Bobby Bukowski | Director of Photography |
| Sound | Nancy Cabrera | Foley Artist |
| Costume & Make-Up | Soo-Jin Yoon | Key Hair Stylist |
| Directing | Mike Booke | First Assistant Director |
| Crew | Ed Lindsey | Prop Maker |
| Art | Pete Washburn | Set Dresser |
| Visual Effects | Jeremy Hays | Special Effects Supervisor |
| Sound | Bruce Kitzmeyer | Dialogue Editor |
| Sound | David Waelder | Location Sound Mixer |
| Art | George Karnoff | Leadman |
| Sound | Ryan Collison | Foley Recording Engineer |
| Directing | Michael Helfand | First Assistant Director |
| Directing | Jeanne Byrd | Script Supervisor |
| Costume & Make-Up | Heather Plott | Makeup Department Head |
| Directing | Kenny Chaplin | Second Assistant Director |
| Costume & Make-Up | Ross A. Parker | On Set Dresser |
| Production | John A. Machione | Co-Producer |
| Production | Celeste Healy | Production Supervisor |
| Art | Ilana Gordon | Art Department Coordinator |
| Art | Daniel R. Jewell | Construction Foreman |
| Production | Peter Madamba | Script Researcher |
| Crew | Tony Lipp | Thanks |
| Crew | Kelley Cribben | Post Production Supervisor |
| Art | Nelson Hull | Set Dresser |
| Crew | Maggie Gyllenhaal | Thanks |
