Een aantal studenten wordt op griezelige en gruwelijke wijze vermoord. Inspecteur John Brady wordt belast met het onderzoek in deze moeilijke zaak. Tot nu toe heeft het onderzoek nog niets opgeleverd. Brady krijgt een ingeving. Hij vermoedt dat de dader een man is die hij kent uit het verleden: de waanzinnige dokter Claude Le Sange. Hij is een kwaadaardig genie wiens theorie over de psychologische reactie van de mens, verdacht veel overeenkomst vertoont met de moorden. Alhoewel alle betrokkenen ervan overtuigt zijn dat Le Sange niet meer leeft, voelt Brady zijn dreigende aanwezigheid.
Nee, helaas is Dead Kids nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Laughlin | Director |
| Writing | Bill Condon | Writer |
| Writing | Michael Laughlin | Writer |
| Art | Russell Collins | Art Direction |
| Camera | Louis Horvath | Director of Photography |
| Production | John Daly | Executive Producer |
| Production | David Hemmings | Executive Producer |
| Production | Antony I. Ginnane | Producer |
| Production | John Barnett | Producer |
| Art | Susanna Moore | Production Design |
| Production | William Fayman | Executive Producer |
| Art | Richard Moore | Construction Manager |
| Visual Effects | Kevin Chisnall | Special Effects Supervisor |
| Sound | Peter Fenton | Sound Mixer |
| Crew | Tony Paterson | Post Production Supervisor |
| Directing | Murray Newey | First Assistant Director |
| Production | Bill Condon | Associate Producer |
| Directing | Mark Jaffee | Second Assistant Director |
| Sound | Christopher Franke | Original Music Composer |
| Sound | Edgar Froese | Original Music Composer |
| Art | Susanna Moore | Set Decoration |
| Costume & Make-Up | Bruce Finlayson | Costume Design |
| Costume & Make-Up | Anne Popischil | Hairstylist |
| Production | David C. Anderson | Production Manager |
| Sound | Johannes Schmölling | Original Music Composer |
| Costume & Make-Up | Anne Popischil | Makeup Artist |
| Costume & Make-Up | Craig Reardon | Special Effects Makeup Artist |
| Sound | Darryl Davis | Boom Operator |
| Art | Jonty Barraud | Standby Property Master |
| Sound | Paul Clark | Sound |
| Directing | Cathy Anderson | Third Assistant Director |
| Art | Lynda Dye | Property Buyer |
| Camera | Mike Caldwell | Grip |
| Camera | Ronald Vidor | Camera Operator |
| Crew | John Fordham | Driver |
| Crew | Nicole Massie | Stand In |
| Lighting | Ian Philp | Electrician |
| Editing | Margaret Cardin | Negative Cutter |
| Crew | Chris Pearson | Catering |
| Camera | Ronald Vidor | Steadicam Operator |
| Crew | Antony I. Ginnane | Presenter |
| Camera | Ronald Vidor | Underwater Director of Photography |
| Lighting | Murray Gray | Electrician |
| Camera | William Hayward | Still Photographer |
| Production | Margaret Hilliard | Production Assistant |
| Camera | Trou Bayliss | Key Grip |
| Lighting | Roland Carati | Electrician |
| Camera | Michael Claridge | Grip |
| Lighting | Ian Dewhurst | Gaffer |
| Camera | Dave Hill | Still Photographer |
| Production | Dean Hill | Production Accountant |
| Crew | Martin Edmond | Driver |
| Production | Lynette Gordon | Production Secretary |
| Camera | David Brostoff | Focus Puller |
| Production | Sylvia Van Wyk | Producer's Assistant |
| Editing | Shereen Maloney | Assistant Editor |
| Directing | Jackie Sullivan | Continuity |
| Editing | Arthur Cambridge | Color Grading |
| Production | Peter Howard | Production Runner |
| Lighting | Robert Houston | Electrician |
| Camera | Ben Seresin | Clapper Loader |
| Crew | Catherine Cardiff | Choreographer |
| Production | Midge Meidrops | Production Assistant |
| Production | Chloe Amateau | Location Manager |
| Editing | Petra von Oelffen | Editor |
