1962, gedurende de Koude Oorlog. De stomme schoonmaakster Elisa vindt op een dag samen met haar collega Zelda een visachtig creatuur waarvoor ze snel empathie voelt. Dit wezen is de laatste van zijn soort en wordt door de Amerikaanse overheid bestudeerd om eventueel te worden ingezet in het leger of in de ruimtevaart.
Nee, helaas is The Shape of Water nog niet beschikbaar op Netflix in Nederland.
| Crew | Shaila D'Onofrio | Stunt Double |
| Crew | Edward Tracz | Stunt Double |
| Visual Effects | Dennis Berardi | Visual Effects Supervisor |
| Editing | Sidney Wolinsky | Editor |
| Costume & Make-Up | Kristin Wayne | Makeup Artist |
| Art | Mike Hill | Sculptor |
| Crew | Greg Sigurdson | Other |
| Production | Guillermo del Toro | Producer |
| Art | David G. Fremlin | Assistant Art Director |
| Writing | Vanessa Taylor | Screenplay |
| Costume & Make-Up | Luis Sequeira | Costume Design |
| Art | Shane Vieau | Set Decoration |
| Costume & Make-Up | Jordan Samuel | Makeup Department Head |
| Art | Guy Davis | Conceptual Design |
| Art | Luca Nemolato | Conceptual Design |
| Camera | Jeff Vitkuske | Other |
| Art | Paul D. Austerberry | Production Design |
| Art | Samantha Dick | Assistant Art Director |
| Crew | Jean Frenette | Stunt Coordinator |
| Sound | Glen Gauthier | Sound Mixer |
| Editing | Mary Juric | Assistant Editor |
| Art | David Best | Assistant Art Director |
| Crew | Lisa Shamata | Unit Publicist |
| Production | J. Miles Dale | Producer |
| Directing | Pierre Henry | Assistant Director |
| Art | Marc Kuitenbrouwer | Construction Coordinator |
| Art | Evan Webber | Assistant Art Director |
| Camera | John B. Harper | First Assistant Camera |
| Production | Danny Haeberlin | Researcher |
| Crew | Christina Pitts Jazzar | Associate Choreographer |
| Sound | Alexandre Desplat | Original Music Composer |
| Directing | Guillermo del Toro | Director |
| Writing | Guillermo del Toro | Story |
| Writing | Guillermo del Toro | Screenplay |
| Art | Kazu Hiro | Sculptor |
| Art | Jeffrey A. Melvin | Set Decoration |
| Sound | Christian T. Cooke | Sound Re-Recording Mixer |
| Sound | Brad Zoern | Sound Re-Recording Mixer |
| Sound | Nathan Robitaille | Supervising Sound Editor |
| Art | Nigel Churcher | Art Direction |
| Costume & Make-Up | Lukas Press | Hairstylist |
| Camera | Dan Laustsen | Director of Photography |
| Costume & Make-Up | Rossana Vendramini | Key Hair Stylist |
| Costume & Make-Up | Paula Fleet | Hair Designer |
| Costume & Make-Up | Patricia Keighran | Key Makeup Artist |
| Production | Robin D. Cook | Casting |
| Crew | Chris Bacik | Drone Operator |
| Crew | Roberto Campanella | Choreographer |
| Directing | Dug Rotstein | Script Supervisor |
| Camera | Brent Robinson | Underwater Camera |
| Production | Jonathan Oliveira | Casting Associate |
| Lighting | Tom Starnes | Gaffer |
| Lighting | Jason Dodds | Rigging Gaffer |
| Costume & Make-Up | Ann Steel | Assistant Costume Designer |
| Editing | Sarah Riley | Digital Intermediate |
| Camera | Sophie Giraud | Additional Still Photographer |
| Production | Catherine Gilchrist | Casting Assistant |
| Sound | Rob Hegedus | Music Editor |
| Sound | Dustin Harris | Music Editor |
| Sound | Cam McLauchlin | Music Editor |
| Art | Jeff Poulis | Set Dresser |
| Crew | Jordan Worrell | Animal Wrangler |
| Camera | Gilles Corbeil | Camera Operator |
| Camera | Robert Johnson | Key Grip |
| Production | Ashley Gray | Casting Associate |
| Costume & Make-Up | Lisa Pagliaro | Seamstress |
| Art | Cam McLauchlin | Title Designer |
| Visual Effects | Hayley Fromstein | Animation |
| Sound | Paul Gosse | Sound Mixer |
| Sound | Jean-Pascal Beintus | Orchestrator |
| Visual Effects | Peter Dydo | Animation |
| Sound | Nicolas Charron | Orchestrator |
| Sound | Dashen Naidoo | Sound Effects Editor |
| Visual Effects | Kevin Scott | Animation Director |
| Visual Effects | Ryan MacDuff | Visual Effects Coordinator |
| Visual Effects | Carlos Arancibia | Animation |
| Sound | Steve Switzer | Boom Operator |
| Sound | Steve Baine | Foley |
| Sound | John Soukup | Sound Recordist |
| Visual Effects | Kirsten Bligh | Visual Effects Coordinator |
| Visual Effects | Nate Thomas | Animation |
| Visual Effects | Anastasia Starova | Visual Effects Coordinator |
| Crew | Warren Appleby | Special Effects Coordinator |
| Crew | Trey Harrell | Digital Effects Supervisor |
| Visual Effects | Jae Won D. Lee | Visual Effects Coordinator |
| Crew | Brandon Schaafsma | Visual Effects Editor |
| Visual Effects | Luke Groves | Visual Effects Producer |
| Sound | Kevin Howard | Sound Effects Editor |
| Sound | Tyler Whitham | Sound Effects Editor |
| Sound | Sylvain Morizet | Orchestrator |
| Visual Effects | John Markle | Visual Effects Coordinator |
| Sound | Jill Purdy | Dialogue Editor |
| Sound | Alex Bullick | Sound Effects Editor |
| Sound | Clifford J. Tasner | Orchestrator |
| Crew | Bruce McLean | Transportation Coordinator |
| Costume & Make-Up | James D. Brown | Hairstylist |
| Crew | Douglas Wilkinson | Post Production Supervisor |
| Visual Effects | Jeremy Johnson | Digital Compositor |
| Crew | Glenn Hughes | Picture Car Coordinator |
| Production | T.K. Knowles | Associate Producer |
| Production | Daniel Kraus | Associate Producer |
| Production | John O'Grady | Associate Producer |
| Production | Chuck Ryant | Associate Producer |
| Crew | James Cameron | Thanks |
| Crew | Alfonso Cuarón | Thanks |
| Crew | Joann Sfar | Thanks |
| Crew | Joel Coen | Thanks |
| Crew | David S. Goyer | Thanks |
| Crew | Tamara Deverell | Thanks |
| Crew | Edgar Wright | Thanks |
| Crew | Steve Wang | Thanks |
| Crew | Alejandro González Iñárritu | Thanks |
| Crew | Ethan Coen | Thanks |
| Crew | Karl I. Muntz | Thanks |
| Crew | Ron Fitzgerald | Thanks |
| Sound | Nelson Ferreira | ADR Supervisor |
