Toen Heather en Sarah Ann opgroeiden, vertelden ze elkaar elk geheim. Maar op de laatste dag van de middelbare school verliet Heather hun stadje met de belofte nooit meer terug te keren. Lange tijd later wordt ze echter weer gedwongen terug te keren als haar vader ziek wordt. Heather, nu een documentairemaakster, wordt daarnaast onder druk gezet om Sarah Anns huwelijksvideo te filmen. Ze is ervan overtuigd dat zij en de bruid niets met elkaar gemeen hebben, maar wanneer de grote dag nadert, ontdekt Heather dat mensen niet zijn wat ze lijken.
Nee, helaas is Happily Ever After nog niet beschikbaar op Netflix in Nederland.
| Directing | Joan Carr-Wiggin | Director |
| Crew | Alex Lyons | Transportation Coordinator |
| Editing | Rose Mayes | Editor |
| Production | Maribeth Daley | Production Manager |
| Camera | Laurence Bortnick | First Assistant Camera |
| Art | Keith Bowser | Set Decoration |
| Writing | Savitri Gordian | Story |
| Camera | Arthur E. Cooper | Director of Photography |
| Directing | Bill Corcoran | First Assistant Director |
| Camera | Shane Kirkpatrick | Grip |
| Production | Peter Bates | Executive Producer |
| Lighting | Mike Boivin | Gaffer |
| Crew | Verlyn Robinson | Driver |
| Crew | Roy Aason | Driver |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Production | Ian Pozzebon | Location Manager |
| Production | John Roy | Production Accountant |
| Crew | Christina Buchli | Legal Services |
| Production | Jason Garrett | Executive Producer |
| Production | Mark Paladini | Casting |
| Directing | Brandon Jourdin | Second Assistant Director |
| Sound | Alexander Turner | Boom Operator |
| Production | Michelle Kanyo | Production Coordinator |
| Crew | Alyssa Piazza | Stand In |
| Writing | Joan Carr-Wiggin | Screenplay |
| Production | Simone Reynolds | Casting |
| Camera | Lori Longstaff | First Assistant Camera |
| Crew | Diane Pitblado | Dialect Coach |
| Production | JoAnne Rivers | Production Coordinator |
| Crew | Jayme Alter | Legal Services |
| Costume & Make-Up | Ruth Secord | Costume Design |
| Camera | Adam Horwood | Grip |
| Production | Rosalie Chilelli | Assistant Production Manager |
| Crew | Frank Biron | Driver |
| Sound | David Ottier | Sound Recordist |
| Production | Mark Paladini | Co-Executive Producer |
| Art | Wendy Morrow | Production Design |
| Camera | Dylan Bryson | Grip |
| Sound | Mark Dejczak | Sound Effects Editor |
| Production | David Gordian | Producer |
| Camera | Mike Lawrence | Key Grip |
| Camera | Ryan Wiseman | Grip |
| Crew | Jeanette O'Sullivan | Legal Services |
| Lighting | Melanie St-Cyr | Best Boy Electric |
| Crew | Cathy Metlin | Driver |
| Sound | John Laing | Supervising Sound Editor |
| Camera | Allen Rahmer | Key Grip |
| Art | Christine Mozarowski | Set Decoration Buyer |
| Visual Effects | Jeff Bruneel | Visual Effects |
| Sound | Dale Lennon | Dialogue Editor |
| Sound | Rudy Michael | Sound Re-Recording Mixer |
| Crew | Alysia Topol | Stand In |
| Camera | Felipe Rodriguez | Dolly Grip |
| Costume & Make-Up | Jemma Harwood | Makeup Designer |
| Costume & Make-Up | Heather Manson | Hairstylist |
| Production | Alan Latham | Producer |
| Production | David Rogers | Executive Producer |
| Camera | Daniel Abboud | Camera Operator |
| Directing | Cassandra Frechette | Script Supervisor |
| Crew | Tracey Rutkauskas | Stand In |
| Production | Stephanie Gorin | Casting |
| Production | Anthony Pangalos | Production Manager |
| Sound | Guy Farley | Original Music Composer |
| Writing | Joan Carr-Wiggin | Story |
| Art | Dustin Hachey | Property Master |
| Crew | Ken Dhaliwal | Legal Services |
| Sound | Jimmy Robb | Assistant Sound Editor |
