Op dertienjarige leeftijd ontwikkelt John Hull staar. Operaties volgen maar baten niet. Dertig jaar later - Hull is inmiddels professor theologie, gelukkig getrouwd met Claire en vader van twee kleine kinderen - verdwijnt het laatste streepje licht en is hij volledig blind. Hoewel hij het lange tijd had zien aankomen, raakt het hem hard. Om er niet aan onderdoor te gaan, begint Hull een audiodagboek. De zestien uur gesproken tekst die hij in drie jaar opspaart, worden later omgewerkt tot een boek en vormen de basis voor “Notes on Blindness”.
Nee, helaas is Notes on Blindness nog niet beschikbaar op Netflix in Nederland.
| Crew | Dušan Petković | Post-Production Manager |
| Camera | Gerry Floyd | Director of Photography |
| Writing | Ivana MacKinnon | Script Editor |
| Directing | James Spinney | Director |
| Art | Amaya Valentina Gonzalez Perez | Standby Art Director |
| Sound | Noah Wood | Music |
| Production | James Spinney | Producer |
| Production | Mike Brett | Producer |
| Sound | James Ewers | Music |
| Directing | Pete Middleton | Director |
| Writing | Pete Middleton | Writer |
| Writing | James Spinney | Writer |
| Production | Richard Holmes | Executive Producer |
| Production | Jo Jo Ellison | Producer |
| Production | Alex Usborne | Producer |
| Production | Steve Jamison | Producer |
| Production | Pete Middleton | Producer |
| Production | Nick Fraser | Executive Producer |
| Production | Jenny Raskin | Co-Executive Producer |
| Camera | Will Hanke | Additional Photography |
| Directing | Tom Lancaster | First Assistant Director |
| Costume & Make-Up | Lorna Gillieron | Other |
| Production | Lizzie March | Other |
| Camera | Diana Nechilciuc | Other |
| Costume & Make-Up | Sophie Brown | Assistant Costume Designer |
| Production | Amy Hubbard | Casting |
| Crew | Mark Edwards | Commissioning Editor |
| Camera | James Rhodes | Second Unit Director of Photography |
| Production | Kate Townsend | Executive Producer |
| Editing | Julian Quantrill | Editor |
| Crew | Mike murray | Additional Music |
| Directing | Pascha Hanaway | Second Assistant Director |
| Production | Dan Cogan | Executive Producer |
| Crew | Martine Saada | Commissioning Editor |
| Camera | Monika Radwańska | Other |
| Costume & Make-Up | Lisa Mustafa | Hair Designer |
| Art | Damien Creagh | Production Design |
| Art | Niamh Farrelly | Other |
| Lighting | Charlie Jenkins | Electrician |
| Camera | James Blann | Additional Photography |
| Crew | Frank Hayes | Other |
| Crew | Richard Watt | Other |
| Visual Effects | Bobo Skipper | VFX Supervisor |
| Crew | John Rafique | Special Effects |
| Crew | Louise Fryer | Other |
| Camera | Andrew Bainbridge | Steadicam Operator |
| Lighting | Salvador Gomez-Lopez | Gaffer |
| Crew | Ben Dawson | Additional Music |
| Sound | Adem Ilhan | Other |
| Crew | Pablo Romero-Fresco | Other |
| Sound | Nicholas Chalmers | Other |
| Directing | Matt Houghton | Other |
| Lighting | Alex Gibbon | Electrician |
| Crew | Leah Kardos | Additional Music |
| Sound | Joakim Sundström | Supervising Sound Editor |
| Sound | Per Boström | Sound Re-Recording Mixer |
| Production | Naomi Ashcroft | Location Manager |
| Crew | Sage Hood | Other |
| Visual Effects | Andrej Blom | 3D Artist |
| Crew | Marilyn Hull | Thanks |
| Lighting | Charlie Lodge | Other |
| Sound | Sarah Bridge | Music Supervisor |
| Directing | Sheena Patel | Third Assistant Director |
| Visual Effects | Måns Björklund | Visual Effects Producer |
| Production | Lizzie Francke | Executive Producer |
| Camera | Mark Gee | Other |
| Costume & Make-Up | Lisa Mustafa | Makeup Designer |
| Directing | Zoe McCarthy | Third Assistant Director |
| Production | Ben Ahmed | Location Manager |
| Crew | Jude Collins | Thanks |
| Crew | Luca Brett | Thanks |
| Crew | Geralyn White Dreyfous | Thanks |
| Crew | Rafe Beckley | Thanks |
| Crew | David Wahlberg | Compositors |
| Sound | Lowman Pauling | Songs |
| Crew | John M. Hull | Thanks |
| Directing | Guy Murray-Brown | Other |
| Crew | Will Burgass | Other |
| Crew | Abigail Scollay | Compositors |
| Crew | Tiffany Willis | Thanks |
| Directing | Dan Baker | Other |
| Crew | Kevin Bricknall | Other |
| Visual Effects | Manuela Cripps | Visual Effects Producer |
| Visual Effects | Juri Bryan | VFX Artist |
| Crew | Jo Clark | Thanks |
| Costume & Make-Up | Rebecca Silveira | Wigmaker |
| Lighting | Richard Potter | Electrician |
| Sound | Ulf Olausson | Foley |
| Crew | Olivia Thornton | Thanks |
| Production | Arnaud Colinart | Co-Producer |
| Camera | Craig Ferrreira | Other |
| Camera | Chris Heasman | Other |
| Art | Samantha Dabrowska | Other |
| Costume & Make-Up | Julia Drummond-Haig | Costume Design |
| Lighting | Nick Leishman | Best Boy Electrician |
| Crew | Lizzie Webster | Thanks |
| Production | Florence Izen-Taylor | Casting Assistant |
| Camera | Emin Atilgan | Other |
| Lighting | Damien Ansell | Electrician |
| Production | Helen Pritchard | Location Manager |
| Art | Yasuyuki Otsuki | Title Designer |
| Crew | Nick Rideout | Special Effects |
| Art | Elena Riccabona | Set Decoration |
| Art | Jessica Danielle Smith | Art Direction |
| Crew | Sarah Beinart | Other |
| Crew | Ryan Long | Special Effects |
| Sound | David Silverin | Foley |
| Sound | Christer Melén | Sound Effects Editor |
| Crew | Amy Pemberton-Warbrick | Other |
| Crew | Chris Reynolds | Special Effects |
| Production | David Coujard | Co-Producer |
| Camera | Yiannis Manolopoulos | Steadicam Operator |
| Camera | Emilio Schlappi | Steadicam Operator |
| Costume & Make-Up | Saffron Cook | Costume Design |
| Sound | Jonny Pilcher | Other |
| Lighting | Kevin Daly | Rigging Supervisor |
| Crew | Patten Smith | Other |
| Art | Vic Parker | Other |
| Crew | Alan Senior | Special Effects |
| Crew | Jim Bowes | Other |
| Sound | Ralph Bass | Songs |
| Crew | Oliver Neck | Additional Dialogue |
| Crew | Andy Powell | Other |
| Crew | James Willis | Special Effects |
| Crew | Celia Henebury | Thanks |
| Sound | James Spinney | Original Music Composer |
| Production | Matt Houghton | Producer |
