Herfst, 2003. Na een pijnlijke relatie beëindiging met zijn vriendin Erica, besluit Harvard student Mark Zuckerburg zijn frustraties te uitten door erover te bloggen op zijn computer. Na een aantal drankjes krijgt hij samen met zijn kamergenoot Eduardo Saverin het geweldige idee om foto’s op internet te zetten van de vrouwelijke medestudenten en ze door te sturen naar andere colleges om ze vervolgens te laten beoordelen op uiterlijk.
Ja! de film The Social Network is nu beschikbaar om te kijken op Netflix in Nederland!
| Production | Kevin Spacey | Executive Producer |
| Production | Scott Rudin | Producer |
| Sound | Trent Reznor | Original Music Composer |
| Production | Michael De Luca | Producer |
| Art | Victor J. Zolfo | Set Decoration |
| Directing | David Fincher | Director |
| Production | Ceán Chaffin | Producer |
| Camera | Jeff Cronenweth | Director of Photography |
| Production | Laray Mayfield | Casting |
| Sound | Ren Klyce | Sound Re-Recording Mixer |
| Writing | Aaron Sorkin | Screenplay |
| Editing | Angus Wall | Editor |
| Art | Keith P. Cunningham | Art Direction |
| Art | Donald Graham Burt | Production Design |
| Camera | Tom Abrams | Camera Supervisor |
| Art | Freddy Waff | Leadman |
| Production | Dana Brunetti | Producer |
| Writing | Ben Mezrich | Novel |
| Production | JoAnn Perritano | Unit Production Manager |
| Costume & Make-Up | Ann Pala | Makeup Artist |
| Sound | Ronald G. Roumas | Sound Recordist |
| Production | Richard Schuler | Location Manager |
| Sound | Atticus Ross | Original Music Composer |
| Sound | Mark Sussman | ADR & Dubbing |
| Art | Cindy M. Ichikawa | Art Department Coordinator |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Editing | Kirk Baxter | Editor |
| Art | Curt Beech | Art Direction |
| Sound | John Roesch | Foley |
| Crew | Mickey Giacomazzi | Stunt Coordinator |
| Camera | Merrick Morton | Still Photographer |
| Production | William Doyle | Location Manager |
| Art | Aaron Haye | Set Designer |
| Art | David E. Scott | Production Design |
| Crew | Ken Edling | Stand In |
| Sound | Michael Patterson | Scoring Mixer |
| Crew | Steve Cremin | Special Effects Coordinator |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Art | Chris Snyder | Construction Coordinator |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Visual Effects | Brice Liesveld | Visual Effects Producer |
| Art | Randall D. Wilkins | Set Designer |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Visual Effects | Max Leonard | Visual Effects Coordinator |
| Sound | Richard Quinn | ADR & Dubbing |
| Visual Effects | Thomas Nittmann | Visual Effects Producer |
| Visual Effects | Edson Williams | Visual Effects Supervisor |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Art | Theodore Sharps | Set Designer |
| Sound | Alyson Dee Moore | Foley |
| Sound | David C. Hughes | Sound Effects Editor |
| Camera | Peter Rosenfeld | Camera Operator |
| Art | Trish Gallaher Glenn | Property Master |
| Visual Effects | Andrea D'Amico | Visual Effects Producer |
| Costume & Make-Up | Kelly Muldoon | Key Hair Stylist |
| Sound | David Parker | Sound Re-Recording Mixer |
| Costume & Make-Up | Linda D. Flowers | Hair Department Head |
| Art | Jane Wuu | Set Designer |
| Art | David Corral | Greensman |
| Costume & Make-Up | Yeşim "Shimmy" Osman | Hairstylist |
| Production | Jonah Coombes | Location Manager |
| Production | Marc A. Hammer | Production Supervisor |
| Sound | Malcolm Fife | Dialogue Editor |
| Sound | E. Larry Oatfield | Sound Effects Editor |
| Sound | Marie Ebbing | Music Editor |
| Sound | Jonathon Stevens | Music Editor |
| Production | Charley Armstrong | Location Manager |
| Production | Ben Gladstone | Location Manager |
| Directing | Lisa Arnone | Script Supervisor |
| Lighting | Harold Skinner | Gaffer |
| Lighting | Chris Weigand | Lighting Technician |
| Sound | Thom Brennan | Foley |
| Editing | Alex Olivares | Assistant Editor |
| Camera | Wally Webber | Grip |
| Costume & Make-Up | Clare M. Corsick | Hairstylist |
| Costume & Make-Up | Alex Proctor | Makeup Artist |
| Crew | Carey Len Smith | Post Production Supervisor |
| Directing | Allen Kupetsky | Assistant Director |
| Art | Chris Samp | Standby Painter |
| Crew | Steve Burnes | Propmaker |
| Art | Francesco Franco Ferrara | Painter |
| Costume & Make-Up | Wayne Kimball | Set Dressing Artist |
| Crew | James R. Lord | Propmaker |
| Crew | Gregory Lynch Jr. | Carpenter |
| Crew | Ted Nolan | Carpenter |
| Crew | Cesar Orozco | Propmaker |
| Sound | David Raymond | Boom Operator |
| Sound | David C. Manahan | Sound |
| Sound | Tom Williams | Sound Mixer |
| Crew | Robert Cole | Special Effects |
| Visual Effects | Enid Dalkoff | Digital Compositors |
| Visual Effects | Fred Pienkos | Visual Effects Supervisor |
| Visual Effects | Maciek Sokalski | Digital Compositors |
| Crew | Dan Brown | Stunts |
| Camera | Adam Camacho | Grip |
| Camera | John Flemming | Grip |
| Camera | Miles Gutkin | Grip |
| Camera | William T. Iversen | Grip |
| Camera | Shaun Sangkarat | Grip |
| Lighting | Andrea Krout | Rigging Grip |
| Lighting | Richard Jones | Rigging Grip |
| Sound | Patty Connolly | ADR & Dubbing |
| Crew | Elena Moscatt | Craft Service |
| Crew | Patrick Mahoney | Craft Service |
| Visual Effects | Dave Levine | VFX Artist |
| Visual Effects | Jeremiah Sweeney | VFX Artist |
| Sound | Mark Weingarten | Sound Mixer |
| Editing | Tyler Nelson | Assistant Editor |
| Production | Adam Cole | Post Production Coordinator |
| Directing | Noble Jones | Second Unit Director |
