Herfst, 2003. Na een pijnlijke relatie beëindiging met zijn vriendin Erica, besluit Harvard student Mark Zuckerburg zijn frustraties te uitten door erover te bloggen op zijn computer. Na een aantal drankjes krijgt hij samen met zijn kamergenoot Eduardo Saverin het geweldige idee om foto’s op internet te zetten van de vrouwelijke medestudenten en ze door te sturen naar andere colleges om ze vervolgens te laten beoordelen op uiterlijk.
Nee, helaas is The Social Network nog niet beschikbaar op Netflix in Nederland.
| Production | Dana Brunetti | Producer |
| Writing | Aaron Sorkin | Screenplay |
| Production | Kevin Spacey | Executive Producer |
| Writing | Ben Mezrich | Novel |
| Directing | David Fincher | Director |
| Camera | Tom Abrams | Camera Supervisor |
| Production | Scott Rudin | Producer |
| Production | Michael De Luca | Producer |
| Production | Ceán Chaffin | Producer |
| Camera | William T. Iversen | Grip |
| Camera | Jeff Cronenweth | Director of Photography |
| Crew | Robert Cole | Special Effects |
| Art | David E. Scott | Production Design |
| Editing | Kirk Baxter | Editor |
| Editing | Angus Wall | Editor |
| Production | Laray Mayfield | Casting |
| Art | Curt Beech | Art Direction |
| Art | Victor J. Zolfo | Set Decoration |
| Costume & Make-Up | Kelly Muldoon | Key Hair Stylist |
| Art | Keith P. Cunningham | Art Direction |
| Crew | Carey Len Smith | Post Production Supervisor |
| Costume & Make-Up | Linda D. Flowers | Hair Department Head |
| Sound | Richard Quinn | ADR & Dubbing |
| Visual Effects | Max Leonard | Visual Effects Coordinator |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Costume & Make-Up | Yeşim "Shimmy" Osman | Hairstylist |
| Art | Chris Samp | Standby Painter |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Crew | Steve Cremin | Special Effects Coordinator |
| Production | Charley Armstrong | Location Manager |
| Art | Aaron Haye | Set Designer |
| Visual Effects | Maciek Sokalski | Digital Compositors |
| Lighting | Andrea Krout | Rigging Grip |
| Costume & Make-Up | Alex Proctor | Makeup Artist |
| Art | Theodore Sharps | Set Designer |
| Crew | Dan Brown | Stunts |
| Camera | John Flemming | Grip |
| Costume & Make-Up | Ann Pala | Makeup Artist |
| Art | Freddy Waff | Leadman |
| Art | Francesco Franco Ferrara | Painter |
| Costume & Make-Up | Wayne Kimball | Set Dressing Artist |
| Crew | Gregory Lynch Jr. | Carpenter |
| Sound | John Roesch | Foley |
| Visual Effects | Enid Dalkoff | Digital Compositors |
| Camera | Merrick Morton | Still Photographer |
| Sound | Marie Ebbing | Music Editor |
| Costume & Make-Up | Clare M. Corsick | Hairstylist |
| Art | Cindy M. Ichikawa | Art Department Coordinator |
| Sound | Thom Brennan | Foley |
| Visual Effects | Fred Pienkos | Visual Effects Supervisor |
| Sound | Mark Sussman | ADR & Dubbing |
| Editing | Alex Olivares | Assistant Editor |
| Production | Ben Gladstone | Location Manager |
| Art | Donald Graham Burt | Production Design |
| Production | Jonah Coombes | Location Manager |
| Lighting | Richard Jones | Rigging Grip |
| Sound | David C. Manahan | Sound |
| Camera | Peter Rosenfeld | Camera Operator |
| Lighting | Harold Skinner | Gaffer |
| Camera | Shaun Sangkarat | Grip |
| Art | Jane Wuu | Set Designer |
| Sound | Alyson Dee Moore | Foley |
| Visual Effects | Thomas Nittmann | Visual Effects Producer |
| Sound | Patty Connolly | ADR & Dubbing |
| Sound | Jonathon Stevens | Music Editor |
| Crew | Ted Nolan | Carpenter |
| Visual Effects | Andrea D'Amico | Visual Effects Producer |
| Sound | Michael Patterson | Scoring Mixer |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Crew | Steve Burnes | Propmaker |
| Sound | David Raymond | Boom Operator |
| Crew | Mickey Giacomazzi | Stunt Coordinator |
| Production | JoAnn Perritano | Unit Production Manager |
| Sound | Ren Klyce | Sound Re-Recording Mixer |
| Sound | E. Larry Oatfield | Sound Effects Editor |
| Camera | Wally Webber | Grip |
| Art | Chris Snyder | Construction Coordinator |
| Sound | David Parker | Sound Re-Recording Mixer |
| Crew | James R. Lord | Propmaker |
| Visual Effects | Brice Liesveld | Visual Effects Producer |
| Camera | Miles Gutkin | Grip |
| Production | William Doyle | Location Manager |
| Crew | Elena Moscatt | Craft Service |
| Crew | Cesar Orozco | Propmaker |
| Sound | David C. Hughes | Sound Effects Editor |
| Camera | Adam Camacho | Grip |
| Production | Richard Schuler | Location Manager |
| Crew | Ken Edling | Stand In |
| Directing | Lisa Arnone | Script Supervisor |
| Crew | Patrick Mahoney | Craft Service |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Lighting | Chris Weigand | Lighting Technician |
| Art | David Corral | Greensman |
| Visual Effects | Edson Williams | Visual Effects Supervisor |
| Visual Effects | Dave Levine | VFX Artist |
| Visual Effects | Jeremiah Sweeney | VFX Artist |
| Production | Marc A. Hammer | Production Supervisor |
| Art | Randall D. Wilkins | Set Designer |
| Sound | Ronald G. Roumas | Sound Recordist |
| Sound | Mark Weingarten | Sound Mixer |
| Directing | Noble Jones | Second Unit Director |
| Sound | Malcolm Fife | Dialogue Editor |
| Sound | Trent Reznor | Original Music Composer |
| Sound | Atticus Ross | Original Music Composer |
| Production | Adam Cole | Post Production Coordinator |
| Editing | Tyler Nelson | Assistant Editor |
| Art | Trish Gallaher Glenn | Property Master |
| Sound | Tom Williams | Sound Mixer |
| Crew | Iain Reid | Thanks |
| Directing | Matt Carver | Second Assistant Director |
| Directing | Allen Kupetsky | Second Assistant Director |
| Directing | Bob Wagner | First Assistant Director |
| Directing | Maileen Williams Matheny | Second Second Assistant Director |
