Holt Farrier was ooit een succesvolle circusartiest tot hij naar het front trok ten tijde van de oorlog en als een veranderd man terugkeerde. Hij wordt ingehuurd door circuseigenaar Max Medici om voor de pasgeboren olifant Dumbo te zorgen, die over enorme oren beschikt en hierdoor het mikpunt van spot is.
Nee, helaas is Dumbo nog niet beschikbaar op Netflix in Nederland.
| Directing | Tim Burton | Director |
| Production | Justin Springer | Producer |
| Writing | Ehren Kruger | Screenplay |
| Production | Ehren Kruger | Producer |
| Camera | Ben Davis | Director of Photography |
| Editing | Chris Lebenzon | Editor |
| Production | Donald Dowd | Production Coordinator |
| Art | Rick Heinrichs | Production Design |
| Art | Chris Lowe | Supervising Art Director |
| Costume & Make-Up | Colleen Atwood | Costume Designer |
| Sound | James Boyle | Sound Designer |
| Writing | Helen Aberson | Novel |
| Writing | Harold Pearl | Novel |
| Production | Katterli Frauenfelder | Producer |
| Production | Derek Frey | Producer |
| Production | Tim Burton | Executive Producer |
| Production | Nigel Gostelow | Executive Producer |
| Sound | Danny Elfman | Original Music Composer |
| Sound | Ben Meechan | Sound Effects Editor |
| Visual Effects | Richard Stammers | Visual Effects Supervisor |
| Sound | Michael Higham | Music Supervisor |
| Production | Susie Figgis | Casting |
| Production | Siobhan Lyons | Unit Production Manager |
| Directing | Katterli Frauenfelder | First Assistant Director |
| Visual Effects | Hal Couzens | Visual Effects Producer |
| Crew | Rowley Irlam | Stunt Coordinator |
| Camera | Des Whelan | Camera Operator |
| Art | John Bush | Set Decoration |
| Sound | Tony Dawe | Sound Mixer |
| Directing | Lizzie Pritchard | Script Supervisor |
| Crew | Sarah Clark | Unit Publicist |
| Crew | Emma Zee | Post Production Supervisor |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Art | David Balfour | Property Master |
| Lighting | John Higgins | Chief Lighting Technician |
| Sound | James Boyle | Supervising Sound Editor |
| Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
| Sound | Gilbert Lake | Sound Re-Recording Mixer |
| Art | Andrew Bennett | Art Direction |
| Art | Dean Clegg | Art Direction |
| Art | Oli van der Vijver | Art Direction |
| Art | Gregory Fangeaux | Art Direction |
| Camera | Leah Gallo | Still Photographer |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Costume & Make-Up | Mark Sutherland | Assistant Costume Designer |
| Costume & Make-Up | Paul Gooch | Makeup Designer |
| Costume & Make-Up | Paul Gooch | Hair Designer |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Peter Burgis | Foley Artist |
| Sound | Zoe Freed | Foley Artist |
| Sound | Iain Eyre | Dialogue Editor |
| Sound | Simon Changer | Music Editor |
| Sound | Lisa Jaime | Music Editor |
| Sound | Bill Abbott | Music Editor |
| Art | Thea Soady | Construction Coordinator |
| Art | Matt Curtis | Title Designer |
| Visual Effects | Alexandra Magocsi | VFX Artist |
| Visual Effects | Brooke Lyndon-Stanford | Visual Effects Supervisor |
| Crew | Matt Crook | Utility Stunts |
| Crew | Caridad Angus | Stand In |
| Visual Effects | Jay Mehta | Digital Compositor |
| Visual Effects | Marie-France Henri | Digital Compositor |
| Crew | Jessica Hooker | Stunts |
| Crew | Sian Milne | Utility Stunts |
