Professor Harry Beckmeyer is gefascineerd door het feit dat er een vreemd ras - een soort wolfachtige mensen - is gesignaleerd in Australië. Hij gaat op zoek naar de wezens en komt ze al snel op het spoor via Jerboa, een jongedame die op de vlucht is en verliefd is geworden op Donny. De twee willen het liefst samen zijn, maar worden opgejaagd door de overheid.
Nee, helaas is The Howling III nog niet beschikbaar op Netflix in Nederland.
| Directing | Philippe Mora | Director |
| Directing | Stuart Wood | First Assistant Director |
| Directing | John Titley | Second Assistant Director |
| Directing | Adam Spencer | Third Assistant Director |
| Sound | Michael Bahas | Foley Recordist |
| Sound | Bob Clayton | Sound Recordist |
| Sound | Les Fiddess | Sound Recordist |
| Sound | John Herron | Sound Mixer |
| Sound | Sue Mabey | Assistant Sound Editor |
| Sound | Gerry Nucifora | Boom Operator |
| Sound | Martin Oswin | Sound Mixer |
| Sound | Ron Purvis | Sound Mixer |
| Sound | Catherine Sheehan | Assistant Sound Editor |
| Sound | Lee Smith | Sound Editor |
| Visual Effects | Roger Cowland | Visual Effects |
| Crew | Max Aspin | Stunt Coordinator |
| Crew | Dale Aspin | Stunts |
| Crew | Wayne Pleace | Stunts |
| Crew | Robert Simper | Stunts |
| Camera | Derry Field | Focus Puller |
| Lighting | Reg Garside | Gaffer |
| Camera | John Lewis | Still Photographer |
| Camera | Damon Merryman | Assistant Grip |
| Camera | Peter Terakes | Clapper Loader |
| Camera | Paul Thompson | Key Grip |
| Camera | William Yang | Still Photographer |
| Editing | Jerry Cler | Assistant Editor |
| Editing | April Cooper | Assistant Editor |
| Editing | Tony Manning | Color Grading |
| Editing | Noelleen Westcombe | First Assistant Editor |
| Editing | Nicola Wylie | Assistant Editor |
| Production | Stephen MacCagnon | Location Manager |
| Directing | Sian Fatouros | Continuity |
| Crew | Diane Garcia | Choreographer |
| Production | Tony Hulstrom | Production Accountant |
| Production | Lionel Midford | Publicist |
| Production | Gilda Baracchi | Co-Producer |
| Production | Steven A. Lane | Executive Producer |
| Production | Philippe Mora | Producer |
| Production | Robert Pringle | Executive Producer |
| Production | Edward Simons | Executive Producer |
| Production | Charles Waterstreet | Producer |
| Production | Rosslyn Abernethy | Production Coordinator |
| Production | Stephen MacCagnon | Unit Manager |
| Art | Penny Lang | Art Department Coordinator |
| Costume & Make-Up | Bob McCarron | Makeup Supervisor |
| Costume & Make-Up | Bob McCarron | Makeup Designer |
| Costume & Make-Up | Sonja Smuk | Makeup Artist |
| Lighting | Robert Verkerk | Best Boy Electric |
| Production | Alan Lake | Post Production Coordinator |
| Sound | Noelleen Westcombe | Assistant Sound Editor |
| Writing | Gary Brandner | Novel |
| Writing | Philippe Mora | Screenplay |
| Sound | Allan Zavod | Original Music Composer |
| Camera | Louis Irving | Director of Photography |
| Editing | Lee Smith | Editor |
| Art | Ross Major | Production Design |
| Art | Brian Edmonds | Set Decoration |
| Costume & Make-Up | Ross Major | Costume Design |
| Production | Bob McCarron | Associate Producer |
| Crew | Peter Armstrong | Stunts |
