Will Randall staat op het punt weggepromoveerd te worden ten gunste van zijn jonge collega Stewart. Op weg naar huis over een donkere gladde weg, rijdt hij een reusachtig dier aan. Als Will het beest aan de kant wil slepen, bijt het hem. Nadien merkt Will dat hij beter kan zien, ruiken en horen. Hij ontmoet Laura Alden, de dochter van zijn baas. Het is volle maan als Will toevallig bij haar blijft slapen. Als hij 's morgens wakker wordt ligt er bloed naast hem. Het blijkt dat hij een weerwolf is geworden.
Nee, helaas is Wolf nog niet beschikbaar op Netflix in Nederland.
| Directing | Mike Nichols | Director |
| Production | Douglas Wick | Producer |
| Writing | Jim Harrison | Screenplay |
| Writing | Wesley Strick | Screenplay |
| Camera | Giuseppe Rotunno | Director of Photography |
| Editing | Sam O'Steen | Editor |
| Camera | François Duhamel | Still Photographer |
| Art | Bo Welch | Production Design |
| Art | Linda DeScenna | Set Decoration |
| Production | Juliet Taylor | Casting |
| Sound | Ennio Morricone | Original Music Composer |
| Directing | Mary Bailey | Script Supervisor |
| Sound | Suzana Peric | Music Editor |
| Editing | Kris Cole | First Assistant Editor |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Costume & Make-Up | Bruce Ericksen | Costume Supervisor |
| Costume & Make-Up | Ann Roth | Costume Design |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Production | Robert Greenhut | Executive Producer |
| Production | Neil A. Machlis | Executive Producer |
| Production | Ellen Lewis | Casting |
| Production | Jim Harrison | Associate Producer |
| Production | Michele Imperato Stabile | Associate Producer |
| Art | Tom Duffield | Art Direction |
| Camera | Giovanni Fiore Coltellacci | Camera Operator |
| Camera | Billy Clevenger | First Assistant Camera |
| Sound | Stan Bochner | Supervising Sound Editor |
| Sound | Richard King | Sound Editor |
| Art | John Dexter | Assistant Art Director |
| Crew | Stan Parks | Special Effects Coordinator |
| Crew | M. James Arnett | Stunt Coordinator |
| Sound | Laura Civiello | Dialogue Editor |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | Harry Peck Bolles | Dialogue Editor |
| Sound | Richard P. Cirincione | Dialogue Editor |
| Art | C.J. Maguire | Property Master |
| Sound | Michael Jacobi | ADR Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Michael J. Cerone | Sound Re-Recording Mixer |
| Sound | Bob Olari | Sound Recordist |
| Sound | Bob Chefalas | Additional Sound Re-Recording Mixer |
| Sound | Art Rochester | Production Sound Mixer |
| Sound | Randolph Saucedo | Sound Recordist |
| Sound | Stuart Stanley | Foley Editor |
| Sound | Frank Kern | Foley Editor |
| Costume & Make-Up | Rick Baker | Makeup Artist |
| Visual Effects | Ryan Berg | Visual Effects Coordinator |
| Crew | Elaine May | Additional Writing |
| Directing | Michael Haley | First Assistant Director |
| Crew | Patricia M. Peters | Stunts |
| Crew | Keith Campbell | Stunts |
