Vanwege de economische druk is Adam Hitchens, een in Londen gevestigde natuurbeschermer, gedwongen een baan aan te nemen als landmeetkundige in de Ierse bossen. Hij hoopt dat de verhuizing naar een molen op het platteland een verademing zal zijn voor zijn vrouw Claire, hun jonge zoontje Finn en de hond Iggy.
Nee, helaas is The Hallow nog niet beschikbaar op Netflix in Nederland.
| Directing | Corin Hardy | Director |
| Writing | Corin Hardy | Screenplay |
| Writing | Felipe Marino | Screenplay |
| Production | Felipe Marino | Producer |
| Production | Joe Neurauter | Producer |
| Sound | James Gosling | Original Music Composer |
| Camera | Martijn van Broekhuizen | Director of Photography |
| Editing | Nick Emerson | Editor |
| Production | Brendan McCarthy | Co-Producer |
| Production | John McDonnell | Co-Producer |
| Production | Cathleen Dore | Line Producer |
| Production | Jay Taylor | Associate Producer |
| Production | John Jencks | Associate Producer |
| Production | John Brady | Executive Producer |
| Production | Will Clarke | Executive Producer |
| Production | Michael J. Mailis | Executive Producer |
| Production | Kate Sharp | Executive Producer |
| Production | James Swarbrick | Executive Producer |
| Production | Susan Wrubel | Co-Executive Producer |
| Art | Alex Cameron | Production Design |
| Art | Mags Linnane | Production Design |
| Art | David Ahern | Art Direction |
| Art | Julie Tierney | Set Decoration |
| Costume & Make-Up | Lara Campbell | Costume Design |
| Crew | Mairtin Mac Donnacha | Carpenter |
| Crew | Gavin Morgan | Property Master |
| Crew | Patrick Condren | Armorer |
| Directing | Angela Senior | Script Supervisor |
| Production | Dixie Chassay | Casting |
| Production | Louise Kiely | Casting |
| Camera | Sam Bescoff | Camera Operator |
| Camera | T.Q. Flemming Boyd | Camera Operator |
| Camera | Fionn Comerford | Camera Operator |
| Camera | Niall Cullinane | Camera Operator |
| Camera | Volker Ehlers | Camera Operator |
| Camera | Cathal Watters | Camera Operator |
| Camera | Markus Puts | First Assistant Camera |
| Camera | Brian Dungan | First Assistant Camera |
| Camera | Martin Maguire | Still Photographer |
| Lighting | Jack Crysell | Gaffer |
| Lighting | Con Dempsey Jr. | Gaffer |
| Crew | Dave Cook | CG Supervisor |
| Visual Effects | Stephen Coren | Special Effects Supervisor |
| Crew | Joseph Scott | Animatronic and Prosthetic Effects |
| Crew | Ebony Maitland | Animatronic and Prosthetic Effects |
| Visual Effects | Martin Fanning | VFX Editor |
| Visual Effects | Kevin O'Brien | VFX Editor |
| Visual Effects | Earle Stuart Callender | Visual Effects Coordinator |
| Visual Effects | Ciara Gillan | Visual Effects Producer |
| Visual Effects | Kirtsy McKenzie | Visual Effects Producer |
| Visual Effects | Stephen Coren | Visual Effects Supervisor |
| Visual Effects | Luke Dood | Visual Effects Supervisor |
| Costume & Make-Up | Valerie Butler | Hair Designer |
| Costume & Make-Up | Luiz Gustavo | Hairstylist |
| Costume & Make-Up | Denise Watson | Makeup Artist |
| Costume & Make-Up | Valerie Butler | Makeup Designer |
| Editing | Niall Brady | Dialogue Editor |
| Sound | Melany Mitchell | Music Supervisor |
| Sound | Caoimhe Doyle | Foley |
| Sound | Steve Fanagan | Sound Designer |
| Sound | Garret Farrell | Sound Re-Recording Mixer |
| Sound | Steve Fanagan | Supervising Sound Editor |
| Crew | Eloise Anson | Makeup Effects |
| Crew | Amie Aspden | Makeup Effects |
| Crew | Pamela Goldammer | Makeup Effects |
| Crew | Joel Hall | Makeup Effects |
| Crew | Zoe Marsden | Makeup Effects |
| Crew | Tristan Versluis | Makeup Effects |
| Crew | Josh Weston | Makeup Effects |
| Writing | Corin Hardy | Story |
| Writing | Felipe Marino | Story |
| Writing | Tom de Ville | Story |
| Production | Stephen Hall | Location Assistant |
| Directing | Ivan McMahon | First Assistant Director |
