Alicia, lerares geschiedenis, leeft een comfortabel leven in de Argentijnse hoofdstad Buenos Aires. Alicia's man, een advocaat die nauwe banden onderhoudt met de militairen, wordt almaar zenuwachtiger na de val van het militaire regime in 1983.
Nee, helaas is La historia oficial nog niet beschikbaar op Netflix in Nederland.
| Directing | Luis Puenzo | Director |
| Writing | Aída Bortnik | Screenplay |
| Writing | Luis Puenzo | Screenplay |
| Camera | Félix Monti | Director of Photography |
| Editing | Juan Carlos Macías | Editor |
| Art | Abel Facello | Production Design |
| Editing | Hugo Primero | Assistant Editor |
| Camera | Willi Behnisch | First Assistant Camera |
| Camera | María Inés Teyssié | Still Photographer |
| Costume & Make-Up | Ticky García Estévez | Wardrobe Supervisor |
| Costume & Make-Up | Blanca Olavego | Makeup Designer |
| Camera | Héctor Morini | Camera Operator |
| Sound | Abelardo Kuschnir | Sound Director |
| Sound | Atilio Stampone | Original Music Composer |
| Writing | María Elena Walsh | Lyricist |
| Directing | Raúl Outeda | Assistant Director |
| Production | Marcelo Piñeyro | Production Director |
| Production | Carlos Latreyte | Production Manager |
| Production | Nora Puenzo | Producer |
| Production | Luis Puenzo | Producer |
| Production | Francisco Juárez | Researcher |
| Production | Alberto Casavecchia | Casting |
| Sound | Omar Jadur | Sound Assistant |
| Art | Oreste Sacchi | Property Master |
| Directing | Rodrigo Espina | Second Assistant Director |
| Directing | Patricia Oyuela | First Assistant Director |
| Sound | Abelardo Kuschnir | Sound Mixer |
| Lighting | Silvio Bonda | Electrician |
| Lighting | Osvaldo Díaz | Electrician |
| Lighting | Ricardo Ormello | Gaffer |
| Camera | Wilson Rodriguez | Second Assistant Camera |
| Costume & Make-Up | Ana Tasaki | Wardrobe Assistant |
| Editing | Nilda Nacela | Negative Cutter |
| Editing | Alexandro Perez | Color Timer |
| Editing | Marta Selvi | Negative Cutter |
