In de prehistorie misbruiken twee leden van een bovennatuurlijke stam het heilige geheim van de eeuwige jeugd. Ze houden zich bezig met ritueel kannibalisme en offeren kinderen van hun eigen stam. Als het hoofd van de stam dit ontdekt, worden ze vervloekt tot een eeuwigheid van ouderdom zonder kans om ooit te sterven. In het Los Angeles van nu moeten ze een 16-jarige vrouwelijke maagd offeren om de vloek te doorbreken. Hun bestaan wordt echter ontdekt door een onderzoeksjournalist en een jonge wegloopster.
Nee, helaas is Don't Go Near the Park nog niet beschikbaar op Netflix in Nederland.
| Directing | Lawrence D. Foldes | Director |
| Writing | Linwood Chase | Screenplay |
| Writing | Lawrence D. Foldes | Screenplay |
| Production | George Foldes | Executive Producer |
| Sound | Chris Ledesma | Original Music Composer |
| Production | Lawrence D. Foldes | Producer |
| Crew | Douglas J. White | Makeup Effects |
| Writing | Linwood Chase | Story |
| Art | Robert A. Burns | Art Direction |
| Editing | Dan Perry | Editor |
| Costume & Make-Up | Justin Chart | Assistant Makeup Artist |
| Costume & Make-Up | Miriam Lemel | Assistant Makeup Artist |
| Art | John Weldon | Assistant Art Director |
| Camera | Richard Buendia | Assistant Camera |
| Camera | John Vincent | Camera Operator |
| Crew | Sharon Evans | Animal Wrangler |
| Costume & Make-Up | Douglas J. White | Special Effects Makeup Artist |
| Sound | Anthony Salinas | Sound |
| Crew | C.S. Wally | Second Unit Cinematographer |
| Directing | Earl Statler | Assistant Director |
| Costume & Make-Up | Steve Lawrence | Assistant Makeup Artist |
| Directing | Kathy Zatarga | Script Supervisor |
| Costume & Make-Up | Sheila Zwirn | Assistant Makeup Artist |
| Art | Robert Lovy | Graphic Designer |
| Camera | Billy Oakes | Grip |
| Visual Effects | Marcos Morales | Visual Effects |
| Camera | Bob Rich | Camera Operator |
| Art | Juan Mendoza | Props |
| Sound | Steve Fuji | Sound Recordist |
| Camera | Woody Chase | Still Photographer |
| Production | Whitman McGowan | Production Coordinator |
| Crew | Jordan E. Ayan | Special Effects |
| Crew | Mel Underwood | Special Effects |
| Camera | Walter C. Snyder | Key Grip |
| Lighting | Nicholas J. Vincent | Gaffer |
| Crew | William De Diego | Cinematography |
| Costume & Make-Up | Cambra Foldes | Makeup Artist |
| Camera | Brad Brock | Clapper Loader |
| Production | Marcos Morales | Production Manager |
| Lighting | Mike Kass | Gaffer |
| Editing | Ruth Abernathy | Negative Cutter |
| Costume & Make-Up | Lisa Schulze | Assistant Makeup Artist |
| Sound | Robert Yerington | Sound |
| Crew | Harry Woolman | Special Effects |
| Crew | M. Marcos | Second Unit Cinematographer |
| Production | Kathy Garber | Publicist |
| Costume & Make-Up | Don Angier | Special Effects Makeup Artist |
