Hoe ver ga je in een wereld vol meedogenloze huichelarij en perverse moraal, om de enige van wie je houdt van de totale ondergang en vernedering te redden? Lily Bart, een mooie jonge vrouw uit de betere kringen ziet zichzelf langzaam afglijden naar sociale verachting en armoede. Ze moet zich staande houden tegen gehaaide opportunisten en moreel bankroet. Haar enige kans om te overleven is te ontkomen aan de verdorvenheid van haar milieu, dat ze veracht, maar ook zo nodig heeft. Om zichzelf te redden van de financiele ondergang moet ze de enige man waarvan ze ooit gehouden heeft verraden.
Nee, helaas is The House of Mirth nog niet beschikbaar op Netflix in Nederland.
| Production | Pippa Cross | Executive Producer |
| Writing | Edith Wharton | Novel |
| Directing | Terence Davies | Director |
| Production | Bob Last | Executive Producer |
| Camera | Remi Adefarasin | Director of Photography |
| Production | Olivia Stewart | Producer |
| Art | Diane Dancklefsen | Art Direction |
| Production | Beverley Syme | Assistant Location Manager |
| Production | Gemma Hancock | Casting Assistant |
| Camera | John Arnold | Key Grip |
| Lighting | Barrie More | Rigging Gaffer |
| Production | Neil Cairns | Assistant Accountant |
| Production | Jennifer McNamara | Casting Assistant |
| Lighting | Jimmy Wilson | Gaffer |
| Production | Mandy McKay | Production Coordinator |
| Sound | Louis Kramer | Sound Recordist |
| Production | Mark Bennett | Casting Assistant |
| Costume & Make-Up | Eva Marieges Moore | Makeup & Hair |
| Camera | Stuart Bunting | Additional Grip |
| Production | Tarn Harper | Post Production Accountant |
| Camera | Gordon McMillan | Assistant Camera |
| Sound | Catherine Hodgson | Supervising Sound Editor |
| Camera | Mark Milsome | Focus Puller |
| Sound | Adrian Johnston | Music Director |
| Art | Danny Sumsion | Construction Manager |
| Production | Deborah Maxwell Dion | Casting Assistant |
| Crew | Rosalind Nashashibi | Stand In |
| Production | Sarah Lee | Location Manager |
| Lighting | Ian Franklin | Best Boy Electric |
| Production | Louise Coulter | Production Accountant |
| Production | Julia Duff | Additional Casting |
| Camera | Harry Bowers | Clapper Loader |
| Production | Sonya Dunwoodge | Production Secretary |
| Camera | Chris Plevin | Second Unit Director of Photography |
| Sound | Tony Cook | Boom Operator |
| Sound | Heather Bownass | Music Supervisor |
| Costume & Make-Up | Kate Burnett | Wardrobe Assistant |
| Crew | Sarah Lee | Post Production Supervisor |
| Art | Jo Graysmark | Art Direction |
| Art | Tim Monroe | Assistant Art Director |
| Sound | Terry Davies | Conductor |
| Sound | Stewart Henderson | Dialogue Editor |
| Camera | Jaap Buitendijk | Still Photographer |
| Art | Ursula Cleary | Assistant Art Director |
| Editing | Celia Haining | First Assistant Editor |
| Sound | Michael Redfern | Foley Editor |
| Costume & Make-Up | Guy Speranza | Wardrobe Assistant |
| Production | Charles McDonald | Publicist |
| Sound | Ted Swanscott | ADR Mixer |
| Art | Alan Bailey | Property Master |
| Art | Bobby Gee | Painter |
| Visual Effects | John Paul Docherty | Visual Effects Supervisor |
| Costume & Make-Up | Adrian Ratley | Wardrobe Assistant |
| Editing | Martin Brinkler | Additional Editing |
| Sound | Ted Swanscott | Foley Mixer |
| Crew | Richard Hassall | Carpenter |
| Crew | Michael Solinger | Post Production Consulting |
| Crew | Chris Paton | Unit Publicist |
| Sound | Paul Hamblin | Sound Re-Recording Mixer |
| Costume & Make-Up | Tom Hornsby | Wardrobe Assistant |
| Costume & Make-Up | Anna Lau | Wardrobe Coordinator |
| Visual Effects | Stuart Murdoch | Special Effects Supervisor |
| Costume & Make-Up | Ann Taylor Cowan | Wardrobe Supervisor |
| Production | Anita M. Patel | Post Production Coordinator |
| Visual Effects | Susi Roper | Visual Effects Producer |
| Crew | Jeff Derby | Transportation Captain |
| Lighting | Brian Sullivan | Electrician |
| Editing | Lea Morement | Assistant Editor |
| Crew | Julia Wilson Dickson | Dialect Coach |
| Costume & Make-Up | Paul Huntley | Wigmaker |
| Art | Don Taylor | Production Design |
| Costume & Make-Up | Eva Marieges Moore | Hairstylist |
| Costume & Make-Up | Renate Leuschner | Wigmaker |
| Production | Suzanne Smith Crowley | Casting |
| Costume & Make-Up | Monica Howe | Costume Design |
| Production | Billy Hopkins | Casting |
| Directing | Pat Rambaut | Script Supervisor |
| Production | Kerry Barden | Casting |
| Production | Sarah Lee | Production Manager |
| Directing | Nanna Mailand-Mercado | Third Assistant Director |
| Production | Wendy Broom | Production Manager |
| Production | Alan J. Wands | Co-Producer |
| Costume & Make-Up | Meg Speirs | Makeup & Hair |
| Directing | Guy Travers | First Assistant Director |
| Costume & Make-Up | Dianne Millar | Makeup & Hair |
| Directing | William Booker | Second Assistant Director |
| Production | Tony Hood | Unit Manager |
| Costume & Make-Up | Christine Powers | Makeup & Hair |
| Directing | Sarah Lee | Second Unit Director |
| Editing | Michael Parker | Editor |
| Costume & Make-Up | Jan Harrison Shell | Makeup & Hair |
| Art | John Bush | Set Decoration |
| Writing | Terence Davies | Screenplay |
