Op de laatste dag vlak voor de zomervakantie ontvangt Michael een anonieme liefdesbrief. Hij vermoedt, of liever gezegd hoopt, dat deze komt van Deborah, het meisje waar hij al een tijdje achteraan zit. Maar Deborah gaat alleen uit met studenten. Dus Michaels beste vriendin Toni adviseert hem om een anonieme liefdesbrief terug te schrijven. Maar wanneer deze brieven in verkeerde handen vallen en veel verwarring veroorzaken, moet er uitgezocht worden welke brief van wie vandaan komt.
Nee, helaas is Secret Admirer nog niet beschikbaar op Netflix in Nederland.
| Directing | David Greenwalt | Director |
| Writing | Jim Kouf | Writer |
| Writing | David Greenwalt | Writer |
| Art | Barbara Krieger | Set Decoration |
| Camera | Victor J. Kemper | Director of Photography |
| Editing | Dennis Virkler | Editor |
| Sound | Jan Hammer | Original Music Composer |
| Production | Mike Fenton | Casting |
| Production | C.O. Erickson | Executive Producer |
| Art | William J. Cassidy | Production Design |
| Production | Jane Feinberg | Casting |
| Production | Stephen J. Roth | Producer |
| Sound | John Caper Jr. | Music Supervisor |
| Production | Michael Heit | Extras Casting |
| Camera | Cary Griffith | Key Grip |
| Crew | Ken Lubin | Transportation Coordinator |
| Production | Barbara Harris | ADR Voice Casting |
| Costume & Make-Up | Kendall Errair | Costumer |
| Crew | Allen Hall | Special Effects |
| Sound | Pierre Jalbert | Supervising ADR Editor |
| Costume & Make-Up | Bruce Walkup | Costumer |
| Sound | Joseph F. Brennan | Boom Operator |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Directing | L. Andrew Stone | First Assistant Director |
| Sound | Sharon Michaels | Foley Artist |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Production | Brian O. Haynes | Location Manager |
| Sound | Christine Roberts | Assistant Sound Editor |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Artist |
| Editing | Uri Katoni | Assistant Editor |
| Sound | William L. Stevenson | Supervising Sound Editor |
| Crew | Joan Eisenberg | Unit Publicist |
| Crew | Chris Howell | Stunt Coordinator |
| Production | C.O. Erickson | Unit Production Manager |
| Art | Deborah Ross | Title Designer |
| Art | Sidney H. Greenwood | Property Master |
| Costume & Make-Up | Barbara Lampson | Hairstylist |
| Camera | Roland Bell | Still Photographer |
| Camera | John R. Shannon | Still Photographer |
| Directing | Robert Engelman | Second Assistant Director |
| Sound | Laurie Gorman | Music Coordinator |
| Sound | John Post | Sound Editor |
| Production | Lynn Kouf | Associate Producer |
| Lighting | Curtis J. Wehr | Gaffer |
| Art | Stan Cockerell | Assistant Property Master |
| Sound | Thomas Causey | Production Sound Mixer |
| Sound | Don Higgins | Sound Editor |
| Crew | Craig Pinkard | Transportation Captain |
| Editing | Donah Bassett | Negative Cutter |
| Production | Danis Regal-O'Connell | Production Coordinator |
| Sound | Hank Garfield | Boom Operator |
| Production | Robert J. Teitelbaum | Extras Casting |
| Directing | William J. Cassidy | Second Unit Director |
| Directing | Esther Vivante | Script Supervisor |
| Editing | David Koeppel | Assistant Editor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Art | Gary Kudroff | Leadman |
| Camera | Robert C. Thomas | Camera Operator |
| Crew | Debbie Evans | Stunts |
| Crew | Noon Orsatti | Stunts |
| Crew | Gilbert B. Combs | Stunts |
| Crew | Janet Brady | Stunts |
| Crew | Pat Romano | Stunts |
