Tijdens een wild feestje van seks, drugs en rock-'n-roll vinden zes tieners een oude langspeelplaat. Ze besluiten de plaat achteruit af te spelen in de hoop verborgen satanische boodschappen te ontdekken. Plots verschijnt een schijnbaar boosaardige geest die zich van de ene naar het andere lichaam verplaatst. Uiteindelijk blijkt dat de geest in kwestie probeert om een boodschap over te brengen, en dat de ware bron van de ellende niet paranormaal is, maar iets of iemand in hun nabije omgeving...
Nee, helaas is Exeter nog niet beschikbaar op Netflix in Nederland.
Writing | Kirsten Elms | Writer |
Directing | Marcus Nispel | Director |
Sound | Kevin Nanaumi | First Assistant Sound Editor |
Camera | Christopher TJ McGuire | Steadicam Operator |
Crew | Paul Marini | Stunt Coordinator |
Camera | Lisa Tanner | Still Photographer |
Editing | Blake Maniquis | Editor |
Camera | Eric Treml | Director of Photography |
Lighting | Branden James Maxham | Gaffer |
Costume & Make-Up | Hillary Derby | Costume Supervisor |
Production | Kellie Roy | Casting |
Production | Anne Mulhall | Casting |
Costume & Make-Up | Deborah Newhall | Costume Design |
Costume & Make-Up | Carla Antonino | Makeup Department Head |
Sound | Eric Allaman | Music |
Art | Guy Roland | Production Design |
Sound | Keith Bilderbeck | Sound Designer |
Crew | John Ruggieri | Special Effects Coordinator |
Production | Michael Corso | Producer |
Production | Brandt Andersen | Producer |
Production | Anne McCarthy | Casting |
Art | Jared Hartley | Art Direction |
Crew | Christopher Dooly | Makeup Effects |
Production | Marcus Nispel | Producer |
Production | Trent Othick | Producer |
Camera | Eric Tramp | Camera Operator |
Crew | Ben Bornstein | Makeup Effects |
Visual Effects | Jeffrey Edward Baksinski | Visual Effects Supervisor |
Visual Effects | Rocco Passionino | Visual Effects Supervisor |
Sound | David Bawiec | Music Editor |
Directing | Carol A. Compton | Script Supervisor |
Sound | Jeremy Grody | Sound Re-Recording Mixer |
Art | Sarah Hill Richmond | Set Decoration |
Production | Michael E. Phillips | Executive Producer |
Costume & Make-Up | Alyson MacInnis | Key Costumer |
Costume & Make-Up | Cheryl Daniels | Hair Department Head |
Art | Leila Mrakovcich | Set Dresser |
Art | Zach Salinger-Simonson | Set Dresser |
Costume & Make-Up | Jennifer Traub | Key Makeup Artist |
Art | Joseph Kelsey | Assistant Property Master |
Visual Effects | Joseph Payo | Visual Effects Coordinator |
Camera | Will Emery | First Assistant Camera |
Camera | Mark Brochu | Best Boy Grip |
Editing | Ken Blackwell | Additional Editor |
Editing | Eric R. Brodeur | Additional Editor |
Directing | Gregory J. Smith | First Assistant Director |
Camera | Paul Bulgin | Key Grip |
Lighting | David Christopher | Lighting Technician |
Lighting | Harry Pray IV | Lighting Technician |
Production | Rebecca DiFillippo | Production Coordinator |
Visual Effects | Ashish Dani | Matte Painter |
Crew | James Johnson | Special Effects Technician |
Crew | Peter Rippe | Special Effects Technician |
Sound | Peter Stevenson | Boom Operator |
Camera | Darryl Byrne | First Assistant Camera |
Visual Effects | Graeme Baitz | Digital Compositor |
Editing | Jeremy Brunson | Assistant Editor |
Visual Effects | Ryan Purnell | Digital Compositor |
Camera | Jon Stenning | Camera Production Assistant |
Editing | Bradley Greer | Digital Intermediate Colorist |
Crew | Colin Feist | Compositor |
Camera | Deb Peterson | Second Assistant Camera |
Visual Effects | Brian Hanable | Digital Compositor |
Crew | Herve Desroches | Special Effects Technician |
Lighting | Robert Clark | Best Boy Electric |
Lighting | Steve Sikora | Lighting Technician |
Camera | Andy Mellen | Second Assistant Camera |
Crew | Chuck Rudolph | Generator Operator |
Production | Christopher Conkling | Production Accountant |
Visual Effects | Emily Kister | Visual Effects Coordinator |
Art | R. Vincent Smith | Property Master |