Danny wordt naar een kostschool gestuurd. Terwijl hij veel wordt gepest en ruzie zoekt met de sadistische leraren, krijgt hij een verhouding met een meisje van een nabij gelegen school. Hun relatie blijft groeien, terwijl iedereen probeert die te breken.
Nee, helaas is Flirting nog niet beschikbaar op Netflix in Nederland.
Writing | John Duigan | Screenplay |
Production | George Miller | Producer |
Visual Effects | Roger Cowland | Visual Effects |
Directing | John Duigan | Director |
Sound | James D'Arcy | Original Music Composer |
Production | Doug Mitchell | Producer |
Production | Terry Hayes | Producer |
Lighting | Ian Plummer | Gaffer |
Camera | Geoff Burton | Director of Photography |
Crew | Eric Todd | Scenic Artist |
Sound | Michelle Barta | Assistant Dialogue Editor |
Editing | April Ward | Assistant Editor |
Production | Paul Enright | Unit Manager |
Crew | Gill Falson | Choreographer |
Costume & Make-Up | Sherry Hubbard | Makeup Artist |
Art | Luke Parata | Runner Art Department |
Costume & Make-Up | Adele Wilcox | Hairstylist |
Camera | Kathryn Milliss | Clapper Loader |
Art | Bill Howe | Construction Manager |
Crew | Andy Tickner | Carpenter |
Lighting | Grahame Dickson | Electrician |
Camera | Kerry Jackson | Assistant Grip |
Camera | Darrin Keough | First Assistant Camera |
Production | Kathleen Mackie Higgins | Casting |
Directing | Emma Schofield | Third Assistant Director |
Art | Sarah Tooth | Assistant Art Director |
Costume & Make-Up | Annette Walker | Wigmaker |
Sound | David Grusovin | Assistant Dialogue Editor |
Costume & Make-Up | Karen Johnson | Assistant Hairstylist |
Crew | Marcus D'Arcy | Post Production Supervisor |
Directing | P.J. Voeten | Second Assistant Director |
Editing | Tom Meares | Colorist |
Camera | Kent Santilla | Assistant Grip |
Editing | Jennifer Hortin | Assistant Editor |
Sound | Wolfgang Duigan | Musician |
Sound | Jerry Long | Foley Editor |
Sound | Angus Robertson | ADR Mixer |
Editing | Paula Lourie | Assistant Editor |
Sound | Steve Burgess | Foley Editor |
Editing | Shawn Seet | Assistant Editor |
Editing | Arthur Cambridge | Color Grading |
Editing | Marcus D'Arcy | Additional Editor |
Costume & Make-Up | Suzanne Head | Wardrobe Assistant |
Costume & Make-Up | Paula Ryan | Wardrobe Assistant |
Costume & Make-Up | Fiona Nicolls | Costume Coordinator |
Directing | Charles Rotherham | First Assistant Director |
Directing | Daphne Paris | Script Supervisor |
Sound | Christine Woodruff | Music Supervisor |
Sound | Annabelle Sheehan | Dialogue Editor |
Production | Barbara Gibbs | Associate Producer |
Sound | Phil Judd | Sound Mixer |
Camera | Robbie Burr | Best Boy Grip |
Costume & Make-Up | Lyn Askew | Costume Coordinator |
Sound | Ross Linton | Sound Recordist |
Production | Barbara Gibbs | Production Manager |
Camera | Bruce Barber | Key Grip |
Production | Gabrielle Healy | Extras Casting |
Art | Laurie Faen | Art Direction |
Art | Roger Ford | Production Design |
Sound | Antony Gray | Dialogue Editor |
Sound | Nicki Roller | Sound Effects Editor |
Sound | Peter Townend | Sound Effects Editor |
Production | Liz Mullinar | Casting |
Sound | Noelleen Westcombe | Dialogue Editor |
Sound | Margaret Sixel | Dialogue Editor |
Sound | Catherine Gross | Boom Operator |
Editing | Robert Gibson | Editor |
Art | Kerrie Brown | Set Decoration |
Art | Glen W. Johnson | Set Decoration |
Costume & Make-Up | Roger Ford | Costume Design |